13 Ear-Catching Night Songs features music courtesy of AC/DC, Chlöe, Commodores, Harry Styles, and Joji.
Hey, guess what time it is? Time for another musical compendium, of course! This intriguing playlist isnât focused on day or daylight but rather, itâs focused on NIGHT! It wouldnât be the first time that The Musical Hype has sought inspiration from nighttime for a playlist but, itâs been a while. After whetting the palate with the five songs of đ§ Night: 5ive Songs No. 68 (2022), the complete, full-fledged đ§ 13 Ear-Catching Night Songs arrives in all its nocturnal glory!
đ§ 13 Ear-Catching Night Songs features an utterly compelling list of songs courtesy of đ AC/DC, đ Chlöe, đ Commodores, đ Harry Styles, and đ Joji among others. The list covers rock, pop, R&B, and rap. So, if you find yourself unable to catch some Zâs, why donât you read and take a listen to these surefire bops from đ§ 13 Ear-Catching Night Songs!
1. Harry Styles, âLate Night Talkingâ
đż Harryâs House âą đ· Columbia âą đ 2022
âIf youâre feeling down, I just wanna make you happier, baby.â Ooh-la-la! The enthusiastic đ” âLate Night Talkingâ marks one of the best moments from đż Harryâs House, the third studio album by đ Grammy-winning pop musician đ Harry Styles đ. âLate Night Talkingâ features more of a synth-driven sound thatâs funky as H-E-double-hockey sticks!
âLate Night Talkingâ features a 1980s-centric. Styles sings with coolness while also presenting ample swagger and a plenteous personality (âIâve never been a fan of change / But Iâd follow you to any place / If itâs Hollywood or Bishopsgate, Iâm coming, tooâ). His tone is warm and beautiful â quite pleasing to the ear. Musically, thereâs plenty to heart about this including the harmonic progression, the memorable chorus, and of course the theme â love.
âWeâve been doinâ all this late-night talkinâ
‘Bout anything you want until the morning
Now you’re in my life
I can’t get you off my mind.â
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2. Chlöe & Latto, âFor the Nightâ
đ” âFor the Nightâ âą đ· Parkwood Entertainment LLC / Columbia âą đ 2022
âYou can leave your guard at the door / And let me love you for the night.â Woo! đ Chlöe and đ Latto conjure up magic on the enjoyable, sexy single, đ” âFor the Nightâ. âFor the Nightâ was produced by đ London On Da Track as well as đ Omer Fedi, đ Boobie among others. Given the skills behind the boards, âFor the Nightâ has a sweet sound. Itâs modern â sounding very 2022 â yet it also hearkens back to the hip-hop-infused, contemporary R&B and pop of old. The musical inspiration is there for both Chlöe (melodically) and Latto (un-pitched, with her rhymes).
As is often the case with Chlöeâs music, and pop/R&B in general, sex plays a sizeable role. âAnd you crave those long nights with me,â Chlöe sings in the chorus. The verses feature rhythmic melodic lines that a filled with sharp, ear-catching lyrics, particularly the second verse: âYou and your mouth, cashing checks that you know gonna bounce / You say you promise and promise, you’ll figure it out / But I cannot wait, you’re teasing me, I back down.â As for Latto, sheâs true to self, asserting, âYou need a bitch, know what to do with you,â later adding, âIâm the only one who know everything you like / You can have this for the night or for your life.â Ultimately, Chlöe and Latto put in work on đ” âFor the Nightâ. Itâs fun, memorable, and sexy.Â
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3. Joji, âNIGHT RIDERâ
đż SMITHEREENS âą đ· 88rising / Warner âą đ 2022
Side B of đż SMITHEREENS, the brief but potent 2022 album by đ Joji features just four tracks. The album itself features just nine tracks, spanning 24 minutes and Âąhange. That said, one of the best moments from the LP is the sleek, rhythmic đ” âNIGHT RIDERâ. Notably, Joji makes it clear, in one of the trackâs most memorable lines, âIâm too preciousâ in a refrain that follows the sole verse, precedes, and proceeds the chorus.
Hmm, whatâs the context? Why is Joji too precious in âNIGHT RIDERâ? Well, SMITHEREENS is an album that finds Joji struggling with the end of a relationship. In the case of being too precious, it seems Joji is reflecting on protecting his feelings and not allowing himself to be hurt again. Clearly, the longing for his past relationship â or the character he represents musically â lingers on. Think of âNight Riderâ as being a bite-sized bop.
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4. Azealia Banks, âFuck Him All Nightâ
đ” âFuck Him All Nightâ âą đ· Chaos & Glory Recordings âą đ 2021
âI was fucking him all night / I fuck him all ways / And fucking him on sight, bitch.â Holy $hit! đ Azealia Banks has never been shy â UNDERSTATEMENT! While her outspokenness has often eclipsed her music career, she has some great records, including the blunt, unapologetic đ” âFuck Him All Nightâ. Sex is the modus operandi, period! The one-liners are endless, beginning with, âYeah, Iâve been fucking him all night / Iâve been taking raw dick since 11.â Oh shit! It doesnât stop there because this guy has âGot me [her] lock jawed, dick deep in my mouth.â Furthermore, over the sketchy, slinky beat, produced by đ Galcher Lustwerk, she asserts, ââCause we can slut, we can fuck, we can dig in the guts / And we can suck to the nut if you ready to bust.â Also, she throws in cunnilingus for good measure: âHe got a crush on me now, I got him spending his bucks / He wanna touch on my body while his tongue in my cunt.â
While itâs mostly X-rated sex, Banks does take the time to make it crystal clear sheâs a âbad bitchâ:
âAll these bitches is zeroes, nill, nada, DeNiro
Iâm high like Sharon Stone in Casino
Iâm the don diva, all these bitches is small fries
When I come through, yes, all these bitches they gonâ hide.â
Banks has always had a huge personality â bigger than life! That doesnât fade in the least âFuck Him All Night,â which is, fittingly, unapologetic. Thereâs sex, braggadocio, and terrific production work.
Appears in đ»:
- Azealia Banks, âFuck Him All Nightâ: After Dark đ đ No. 39Â
- 21 Songs About the Universal, 3-Letter Word, SEX
- 15 Great Songs All About Men!
- 13 Songs Featuring Pronouns Galore
5. GIVÄON, âFor Tonightâ
đż Give or Take âą đ· Epic âą đ 2022Â
đ” âFor Tonightâ arrived in 2021 as an early promo single for đż Give or Take, the debut album by đ Grammy-nominated R&B artist, đ GIVÄON (Giveon Evans). Mr. Evansâ celestial, one-of-a-kind voice, remains intact here, which is a big-time selling point. Evans wrote âFor Tonightâ alongside đŒ â Marcus Semaj, đŒ â Sevn Thomas, and đŒ â Tony Dixon.
The songwriting on âFor Tonightâ is well-rounded, setting up GIVÄON to enjoy her, though solely âFor Tonight,â as the title implies. âFor tonight, Iâm yours,â he sings on the tuneful chorus, continuing, âSo deny the truth / Weâll stay behind closed doors / âCause all I wanna do is lie with you / Even though itâs wrong to lie with you.â Sure, weâve heard this scenario time and time again, and yet, it never gets old. Evans does it justice. Helping him out beside a strong pen is the production, crafted by Sevn alongside đ Jahaan Sweet and đ Akeel Henry. âFor Tonightâ sounds modern enough for an R&B record, but also reminisces on the R&B of the past. I appreciate the soulful sounds, which complement the commanding, nuanced, soulful vocals of Evans.
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6. Miley Cyrus, âMidnight Skyâ
đż Plastic Hearts âąÂ đ· RCA âą đ 2020
âThe midnight sky is the road Iâm takinâ / Head high up in the clouds (Oh, oh).â đ” âMidnight Skyâ finds the talented đ Miley Cyrus showing off her superstar power. All boxes are checked off this highlight from her 2020 album, đż Plastic Hearts. Itâs written and produced by some of the best in the game.
Notably, âMidnight Skyâ samples âEdge of Seventeenâ by đ Stevie Nicks, nothing short of an awesome choice. The sample alone signals an about face for Miley: âdisco-pop.â Most importantly, âMidnight Skyâ features aggressive, assertive vocals from Cyrus. Her instrument has always been her best weapon. Cyrus has a distinct, cutting, powerful voice. She uses her vocals to command this fresh, yet retro dance/disco pop number. Her most passionate vocals arrive on the centerpiece, the chorus.
âI was born to run, I donât belong to anyone, oh no
I donât need to be loved by you (By you)
Fire in my lungs, canât bite the devil on my tongue, oh no
I donât need to be loved by you.â
Appears in đ»:
- Awesome Songs: August 2020
- M Songs: No Rhyme or Reason
- 100 BEST SONGS OF 2020: 50 â 26
- 100 BEST SONGS OF 2020
7. Benson Boone, âNights Like Theseâ
đż Walk Me Home⊠(EP) âą đ· Night Street / Warner âą đ 2022
âNow Iâm standing at your door / And I hope that youâre not home / So, I can get used to being alone.â đ Benson Boone is a prime example of fresh, young talent. Furthermore, he totally looks the part of a star. Itâs understandable why đ Dan Reynolds (of đ Imagine Dragons) signed him to his label. After releasing multiple singles, Boone released his debut EP, đż Walk Me HomeâŠ, in 2022. Notably, đ” âNights Like Theseâ gives Boone, known for his balladry, more tempo, and groove to work with.
âNights Like Theseâ was written by Boone and đŒ â Nolan Sipe. Notably, it has some folk-pop elements. At the same time, the falsetto-laden chorus is modern, R&B-infused pop through and through â a fitting sound for a big-voiced talent like Benson. The chorus is where the artist truly shows off his skills. Itâs incredibly tuneful, easily getting stuck in oneâs head.
âOn nights like these when my willpowerâs weak
Iâm gonna call, so just let it ring
Iâll drive these streets, donât come looking for me
If youâre letting go, then Iâm gonna need
More nights like these.â
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8. Taylor Swift, âMidnight Rainâ
đż Midnights âą đ· Taylor Swift âą đ 2022Â
âHe wanted it comfortable, I wanted the pain / He wanted a bride, I was making my own name.â Interesting! đ” âMidnight Rainâ is a surprising record from đż Midnights, the electrifying 10th studio album by đ multi-Grammy-winning singer/songwriter, đ Taylor Swift. What makes âMidnight Rainâ surprising, you might ask? Well, itâs thanks to its use of pitch shift and its liberal use of synths. The vocal effects are ear catching, contributing to the vibe.
Fittingly, on âMidnight Rain,â midnight plays a key role in the song: âAnd I never think of him / Except on midnights like this.â Here, Swift seems to take responsibility for the end of a previous relationship, one where she was changing and searching for her own success and fame while he has more modest, traditional moves in mind. She continues singing in the chorus, âChasing that fame, he stayed the same / All of me change like midnight.â
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9. Years & Years, âNight Callâ
đżÂ Night Call âąÂ đ·Â Polydor âąÂ đ 2022
Once a three-person collective, British synthpop band đ Years & Years is now a solo act comprised of đ Olly Alexander. Despite the changes in the lineup, Olly totally got us đ” âStarstruckâ in 2021 with the release of several singles in advance of đżÂ Night Call. Now with the arrival of âtheirâ third album, we remain totally starstruck đ€©! Of course, itâs not the promo single weâre focusing on today but rather, đ” âNight Call.âÂ
In the context of the album, the title track, keeps the momentum going strong. The sound of the record is electrifying, and literally, electronic.  The ear candy is decadent with a mix of softer and harder synths, not to mention the body-moving beat. Olly commands vocally, blessing us with those angelic tenor pipes. What does his heart desire? A hunk who can make that ânight call,â of course. On the utterly sublime chorus, he admits, âIâm vibinâ on your dial tone / One thing on my brain, so ring me again.â Woo!Â
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10. Monica, âThe First Nightâ
đż The Boy is Mine âąÂ đ· Arista âąÂ đ 1998
Ah, itâs awesome when a soul sample is used brilliantly in a contemporary R&B song. đ Jermaine Dupri brilliantly samples the đ Diana Ross classic đ” âLove Hangoverâ on đ” âThe First Nightâ, one of the best songs by đ Grammy-winning contemporary R&B artist đ Monica. âThe First Nightâ appears on the 1998 album, đż The Boy is Mine, which was stacked with hits including the title track, âAngel of Mineâ, and âFor You I Willâ. Of course, our focus is âThe First Nightâ â itâs the âfirstâ song of the LP.
âI knew it was wrong for feeling this way / Especially the thought of getting in on the first date / Couldnât let go, it stayed on my mind / At the end of the night, I had to decide / I was thinking.â Hmm, essentially on âThe First Night,â Monica was totally feeling her date, and even though she knows she shouldnât entertain the idea, she at least considers making love⊠âthe first nightâ of course. The chorus is the best part:
âI should make a move but I wonât
I know youâre probably thinking something is wrong
Knowing if I do that it wonât be right
I donât get down on the first night.â
The bridge is pretty sweet as well:
â(If) If you want me
You got to know me
And if you want my love
You gotta win my love
Hey babyThatâs the way itâs got to be, yeah
Get to know me, get to know me
So we can do this.â
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11. AC/DC, âYou Shook Me All Night Longâ
đż Back in Black âą đ· Leidseplein Presse B.V. âą đ 1980
âShe was a fast machine, she kept her motor clean.â Whoa, whoa, whoa, đ AC/DC! Clearly, this is a different sort of motor that lead singer đ Brian Johnson is referencing. For more context on the đż Back in Black hit, đ” âYou Shook Me All Night Longâ, Johnson memorably sings, âShe told me to come, but I was already there.â Wow⊠no sexual innuendo whatsoever đ! And if thatâs not enough evidence of whatâs going down on this outlandish, guitar-heavy rock gem, what about the fact that â⊠The walls start shaking, the Earth was quaking / my mind was aching, and we were making it.â The earthquake, my friends, is clearly coitus.
âAnd you shook me all night long
Yeah you, shook me all night long.â
Clearly, the sex was out of this world â amazing! In the second verse, Johnson mentions a âseduction line,â and asserts, âMade a meal outta me, and come back for more.â A meal, huh? Use your imagination⊠Itâs understandable why, âHad to cool me down to take another round.â Thereâs science behind that, actually. Regardless, the plan is to go again, and by go, Johnson is totally referring to doing it. The thing is, unless you have virgin ears or live totally under a rock, it doesnât take much analysis to understand this one. đ” âYou Shook Me All Night Longâ is what it is â a kicka$$, hard rock song about SEX.
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12. Commodores, âNightshiftâ
đż Nightshift âą đ· Motown âą đ 1985
When a famous lead vocalist and songwriter leaves a band/collective, it can be utterly crushing. Losing đ Lionel Richie was a big hit for đ Commodores, whoâd thrived with him fronting them. Of course, Richie would go onto earn a fruitful solo career which earned him four đ Grammys including the highly coveted, Album Of The Year (đż Canât Slow Down). Of course, Richie had been nominated for multiple Grammys while a member of Commodores. Whatâs shocking is the fact that the collective won their sole đ Grammy for a record that wasnât written or sung Richie (Best R&B Performance By A Duo Or Group With Vocal). That record, folks, is đ” âNightshiftâ.
âNightshiftâ appeared on Commodoresâ 1985 album, also titled, đż Nightshift. Itâs safe to say that âNightshiftâ was the big attraction on this album, featuring đ J.D. Nicholas as the lead vocalist. Also, âNightshiftâ marks one of the final hits for Commodores, crossover to the pop charts peaking at no. 3. Itâs an impressive post-Richie joint, characterized by silky smooth, hella groovy backdrop. Thematically, the record remembers two iconic musicians, đ Marvin Gaye and đ Jackie Wilson, who both passed away in 1984. âMarvin, he was a friend of mine,â Nicholas sings in the first verse, adding, âAnd he could sing a song, his heart in every line / Marvin sang of the joy and pain / He opened up our mindsâŠâ Of Wilson, he sings in the second verse, âJackie, you set the world on fire / You came and gifted us, your love it lifted us higher and higher,â referencing Wilsonâs beloved classic, đ” âYour Love (Keeps Lifting Me Higher)â. Of course, the centerpiece is the chorus which references the nightshift â the afterlife for Gaye and Wilson:
âGonna be some sweet sounds, coming down on the nightshift
I bet you’re singing proud, I bet you’ll pull a crowd
Gonna be a long night, itâs gonna be all right, on the nightshift
You found another home, I know you’re not alone, on the nightshift.âÂ
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13. Gerald Levert, âU Got That Love (Call It a Night)â
đżÂ Stroke of Genius âąÂ đ·Â Elektra âąÂ đ 2003
âBaby, I think Iâm coming home early / âCause girl, my bodyâs yearning / For what you did last night.â Ooh wee, đ Gerald Levert! If you need a great sex song, look no further than đ” âU Got That Love (Call It a Night)â.  âU Got That Love (Call It a Night)â appears on the late đ Grammy-winnerâs 2003 album, đżÂ Stroke of Genius.  Arguably, âU Got That Loveâ is one of Levertâs steamiest records.  No, Gerald isnât profane like the R&B musicians of today, but he does push the envelope â heâs risquĂ©!
The chorus is EVERYTHING:
â(Youâve got that love)
That âIt’s too good I donât deserve itâ kinda love
(That kind of love)
That âgirl, I’m calling in sick to workâ kinda love
(That L-O-V-E love)
That âsweaty funky dopeâ kinda love
That’s what you got
That âcall it a nightâ kinda love
(Youâve got that love)
That âgirl, slow down I’m ’bout to bustâ kinda love
(That kind of love).â
Da-yum Gerald! ââGirl, slow down Iâm âbout to bustâ kind of love,â huh? Woo! Thatâs only one of many steamy instances that goes down on this lushly produced slow jam (Levert and đ đŒ â Edwin âTonyâ Nicholas).  Gerald kills it at the end of the first verse when he asserts, ââCause when you did it / Ooh, it didnât make no sense / Cause girl you know⊠/ That you sure got a nigga spent.â Then, thereâs the second verse, when he states, âBaby, wish you could feel that what I was feeling / âCause girl, when Iâm inside you / Girl, Iâm so complete.â HOLY F#ÂąKING MOLY â literally! It’s safe to say, the sex is L-I-T on đ” âU Got That Love (Call It a Night)â! Further amplifying the sex and sensual factor of this gem is the expressive, soulful performance by Levert.  May he rest in peace â he could absolutely blow!
Appears in đ»:Â
- Gerald Levert, âU Got That Love (Call It a Night)â: After Dark đđ 39 (2022)
- 15 Steamy Songs Best Listened to After Dark, Vol. 3
13 Ear-Catching Night Songs [đ·: 88rising, Arista, Brent Faulkner, Chaos & Glory Recordings, Columbia, Elektra, Epic, Leidseplein Presse B.V., Motown, The Musical Hype, Night Street, Parkwood Entertainment LLC, Polydor, RCA, Taylor Swift, Warner, Alex Fu, Artem Saranin, brenoanp, David Skyrius, Justin Hamilton, Pexels, Piccinng, Pixabay, Rakicevic Nenad, Sasha Pshenkov, Yente Van Eynde]














