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“11 Songs That Totally Blow (In the Most Awesome Way Possible)” features songs courtesy of Behemoth, Beyoncé, Ed Sheeran, Dua Lipa & Kim Petras.
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As the iconic, The Freewheelin’… Bob Dylan would say, “The answer, my friend, is ‘blowing’ in the wind.” Sigh, that 1963 song is nothing short of a classic. As for the Grammy-nominated pop star Kesha, she uses the world ‘blow’ in a different context on her 2010 song, fittingly titled “Blow”: “This place about to blow (oh-oh-oh-oh-oh-oh-oh).” Damn, there’s a lot of “oh(s)” in the chorus of the highlight from Cannibal (Note: the title track is something else too, with some ‘Dahmer-isms’ going down). That same year, Grammy-nominated rapper Rick Ross was totally “… Gettin’ money from the fuckin’ start” on “B.M.F. (Blowin’ Money Fast)”.
Anyways, two years later, Grammy-winning country superstar Carrie Underwood has us all totally “Blown Away” on the title track from her 2012 LP: “Shatter every window ‘til it’s all blown away / Every brick, every board, every slamming door blown away / …Every tear-soaked whiskey memory blown away.” That same year, P!nk had totally had it, asserting, “I think I’ve had enough of this / Blow me one last kiss.”
The ‘key cog’ between all five songs is the word blow. This playlist, which seemingly comes out of nowhere, features songs that use the four-letter word, in some form, within their respective song titles. So, despite the fact that this playlist is titled 11 Songs That Totally ‘Blow’ …, well, none of the songs are bad – they don’t ‘blow’ in that regard. That’s why, we felt it necessary to parenthesize, adding … (In the Most Awesome Way Possible). Now that’s clarification! “11 Songs That Totally Blow (In the Most Awesome Way Possible)” features songs courtesy of Behemoth (“Blow Your Trumpets Gabriel”), Beyoncé (“Blow”), Ed Sheeran (“Blow”), Dua Lipa (“Blow Your Mind (Mwah)”), and Kim Petras (“Blow It All”) among others.
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1. Ed Sheeran, “Blow”
Ft. Chris Stapleton & Bruno Mars
No. 6 Collaborations Project • Atlantic • 2019
There are plenty of pros. It’s nice to hear Sheeran exhibit vocal grit on the first verse. Stapleton is turned up as always on the second verse, segueing directly from Sheeran’s. On Mars’ third verse, there are some sweet vocal harmonies, which actually play to the urban-pop style he’s generally known for. Also, the chorus, partially excerpted above, is energetic, fun, and certainly unforgettable. There are still rubs, specifically the songwriting which isn’t the least bit deep and definitely sounds potentially ‘overstimulated’. Furthermore, the chorus, as memorable and energetic as it is, feels cliché – certainly not transcendent. But, all in all, this is an attention-grabbing joint that’s a crowd-pleaser worthy of spins. It certainly doesn’t ‘blow.’
2. Kim Petras, “Blow It All”
Clarity • BunHead • 2019
“Blow It All” is bright (major key baby), carefree, and fun to the nth degree. From the jump, Kim Petras reveals her cards, and that’s perfectly fine to be honest. The chorus is the first section we hear, summing up the party that’s going down:
“Feel like I made it, waited all my life
Everybody rollin’, tryna feel alive
Can’t take it with ya, blow it all tonight
All tonight, blow it all tonight
Cup full of liquor, got the key to life
Came from the bottom, now my money right
Can’t take it with ya, blow it all tonight
All tonight, blow it all tonight.”
The excess and extravagance of “Blow It All” is best exhibited on the verses, such as the beginning of the first verse (“Shorty in the bathroom and she asking where the coke at / I spent 20 thousand just to leave it on a coat rock”) or the gem at the beginning of the second (“You got money on your mind (You should go and make it) / Got a big ol’ ass behind (You should go and shake it)”). “Blow It All” is pretty straightforward, but it’s also quite the treat.
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3. NCT 127, “Blow My Mind”
Awaken • avex entertainment inc. / S.M.Entertainment Japan • 2019
“A dazzling lighthouse with eyes / Lighting up tomorrow, blow my mind / Wind hole in the back of the chest / The wind blows through, blow my mind.” The sound of “Blow My Mind” essentially rivals the urban-pop that’s popular in the United States. The record is of high quality, sleekly produced, and set in a minor key. While translation can be imperfect, lyrically, “Blow My Mind” has its fair share of poetic moments. If nothing else, the MIND has definitely been BLOWN… corny, but true! #Facts
4. Dua Lipa, “Blow Your Mind (Mwah)”
Dua Lipa • Warner Bros. • 2017
Providing some context, “IDGAF” precedes “Blow Your Mind (Mwah)” in the context of Dua Lipa. On the infectious “Blow Your Mind (Mwah),” Dua Lipa retains a badass, I.D.G.A.F. attitude. On the chorus, she ‘matter of fact’ as she sings:
“If you don’t like the way I talk, then why am I on your mind?
If you don’t like the way I rock, then finish your glass of wine
We fight and we argue, you’ll still love me blind
If we don’t fuck this whole thing up
Guaranteed, I can blow your mind
Mwah!”
Honestly, what more is there to say? She may be a lot to handle (“Tell me I’m too crazy / You can’t tame me…”), but given the chance, beautiful things can happen. Hey, the sex is already on-point (“Biting your lip / Loving ‘til late in the night”). The relationship perspective, with its innuendo considered, via her own Genius verifications, she also references her pursuit of a music career.
5. A$AP Mob, “Blowin’ Minds (Skateboard)”
Ft. A$AP Rocky, A$AP Nast, A$AP ANT, Chief Keef & Playboi Carti
Cozy Tapes, Vol. 2 • RCA • 2017
As you might expect, the drip is ‘turned all the way up’ throughout the course of “Blow Your Mind.” So is the sex for that matter – the title should make that clear! Following his contributions on the chorus and post-chorus, Chief Keef drops a hella confident verse, which includes the cocky lyrics, “When we in the field, it’s a touchdown / And you know your bitch is a ‘bust-down’.” A$AP Rocky picks up where Chief Keef leaves off, bragging, “R.I.P. the pussy, leave it face down.” He also has more clever moments, referencing karma in the process (“When she come around, better not fuck around”). Playboi Carti drips on the third verse, while A$AP Nast is all about ‘getting some’ on the fourth (“Give that pussy up, and if it’s wet, I’ll buy a purse”).
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6. Bryson Tiller, “Blowing Smoke”
True to Self • RCA • 2017
“Blowing Smoke” finds Bryson Tiller tackling fakes and frauds, hence the ‘tough talk’ of the aforementioned lyrics from the first verse. In the context of True to Self, and perhaps hip-hop in general, the theme is cliché. That said, from one Kentucky boy to another, give Tiller credit for representing the 502 (Louisville) with his lyric about the Gene Snyder Freeway. He also references the Cleveland Cavaliers, thoroughbreds, and Jay Z for good measure.
7. DNCE, “Blown”
Ft. Kent Jones
DNCE • Republic • 2016
Notably, “Blown” features old-school, retro production, giving the song some character. Beyond its production, however, things ‘go south.’ “Blown” is tongue-n-cheek – schmaltzy to the nth degree. It begins ‘inspired’ with the lyrics, “I stare at you for so long.” cleary eye-roll worthy shit. Of course, Joe Jonas thinks with his pants, singing, “But now that I got ya / It keeps gettin’ hard to / I don’t wanna watch, uh…,” ‘arriving’ on the chorus: “My mind’s blown…/ Down to my toes / My mind’s blown.” As for Kent Jones, he handles the third verse, which includes a reference to a sexual act and, of course, dropping the bomb:
“Leavin’ Memphis, on my way to Nash
Head while I’m drivin’, almost made me crash
I hate smart mouth girls that fuck the vibe up
She jumped out the window and hit the Stacey Dash.”
8. Future, “Blow a Bag”
DS2 • Epic • 2015
Safe to say, Future flexes like a boss on “Blow a Bag.” Essentially, Future is proud of the success he’s had in the rap game and has the ability to ‘blow’ – spend and ultimately waste – lots of money. “If my granddad was livin’, I know he’d sure be proud of me,” he asserts on the first verse. As proud as he is, on the second verse, he doesn’t want to forget from whence he came:
“I ran it up with the same niggas
Get that money and stay with the same niggas
I know that money can change niggas
They don’t look at you like you the same nigga
I just hope I can remain humble…”
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9. Tyler, the Creator, “Blow My Load”
Ft. Wanya Morris, Dâm-Funk, Austin Feinstein & Sydney Bennett
Cherry Bomb • Odd Future • 2015
Yeah, songs about human plumbing are rarely lyrical masterpieces, let alone, safe for work. Tyler, the Creator totally skips the innuendo part in favor of sex to the nth degree.
“Your pussy tighter than door hinges
I munch you like sandwiches… Face Time your clit, I will jack off my dick
I go hard, shit
I might need an ice pack on my wrist…”
Again, OMFG! Despite repulsing with his ‘masturbatory’ practices – that’s a private matter Tyler – there’s lot to like that has nothing to do with sex. The production is sensual-sounding, while Wanya Morris (Boyz II Men) provides a lift with his soulful vocals and ad-libs.
10. Behemoth, “Blow Your Trumpets Gabriel”
The Satanist • Metal Blade • 2014
“Blow your trumpets Gabriel! /… Break the bread, and crumb by crumb into the Leviathan’s den…” The Leviathan, a sea monster, appears in numerous instances in the Bible, in a negative context. Basically, Behemoth, known for their blasphemy and reversal of all things Christian and spiritual, show an example of reversal in this lyrical excerpt. In 2018, Nergal and company would drop a totally superb, though twisted LP where the blasphemy was at an all-time high (I Loved You at Your Darkest). “Havohej Pantocrator,” featured on the playlist 13 Disturbing Songs About the Antichrist, is another prime example of reversal, opting for the satanic so far as to spell ‘Jehovah’ backwards (Havohej). The Biblical references continue to run rampant on “Blow Your Trumpets Gabriel,” but there’s nothing ‘redeeming,’ particularly when Nergal sings:
“Hosanna! (hosanna)
Let wine ov Sodom fill our mouths
Hosanna! (hosanna)
May Sin ov Gomorrah grace our hearts.”
11. Beyoncé, “Blow”
Beyoncé • Sony • 2013
The aforementioned excerpted lyrics from the chorus rank among the most suggestive lines. Even so, “Blow” gets more lascivious as Beyoncé asserts, “I can’t wait ‘til I get home so you can turn that cherry out, turn that cherry out, turn that cherry out…” If you haven’t managed to solve the riddle, um, I dunno what to tell you. She practically spells it out, and the pre-chorus is a big-time hint:
“Keep me coming, keep me going, keep me coming, keep me going
Keep me humming, keep me moaning, keep me humming, keep me moaning
Don’t stop loving ‘til the morning, don’t stop loving ‘til the morning
Don’t stop screaming, freaking, blowing.”
Yeah, she’s definitely “No Angel.”
[Photo Credits: Atlantic, avex entertainment inc., BunHead, Epic, Metal Blade, Odd Future, Pexels, Pixabay, RCA, Republic, S.M.Entertainment Japan, Sony, Warner Bros.]
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