11 Songs That Either Kick or Push features music courtesy of Bring Me the Horizon, Luke Bryan, Michael Bublé, Ne-Yo, and TWENTY88.
âAnd so, he kick, push, kick, push / Kick, push, kick, push; coast.â Ah, referencing that Lupe Fiasco classic just felt right for this particular playlist. Here, we present to the world 11 Songs That Either Kick or Push. Honestly, the distribution between the âkickâ songs and the âpushâ songs is totally unfair â 73% (eight songs) versus 27% (three songs). It is what it is though, sigh. Musicians providing that kick or push include Bring Me the Horizon (âWhy you gotta kick me when Iâm down?â), Luke Bryan (âKick the Dust Upâ), Michael BublĂ© (âI Get a Kick Out of Youâ), Ne-Yo (âPush Backâ) and TWENTY88 (âPush Itâ) among others.
1. Bring Me the Horizon, âWhy you gotta kick me when Iâm down?â
Amo âąÂ Sony UK âąÂ 2019
âBut tell me why you gotta kick me when Iâm down? / You better pray I donât get up this time around.â After a four-year hiatus, English rock band Bring Me the Horizon returns with an alluring, bold, and incredibly eclectic sixth studio album, amo. Arguably, nothing on amo sounds anything remotely close to Sempiternal Bring Me the Horizon â thereâs no âShadow Mosesâ. Regardless, thereâs one surefire, inescapable, dynamic moment from amo â âWhy you gotta kick me when Iâm down?â
âWhy you gotta kick me when Iâm downâ blends rock, hip-hop, and classical seamlessly. What makes âWhy you gotta kick me when Iâm down?â so good? A primary school childrenâs choir, badass brass, haunting strings, and even some pop-rap style vocals from Sykes. Furthermore, heâs loose, dropping a couple of f-bombs (âOh, God, what the fuck have you done? / I loved your like daughters, I loved you like sonsâ).  âShadow Mosesâ remains king, but âWhy you gotta kick me when Iâm downâ is no slouch â itâs among the crĂšme de la crĂšme of amo without question.
2. YoungBoy Never Broke Again, âKick Yo Doorâ
Kick Yo Door [Single] âą Never Broke Again âąÂ 2019
YoungBoy Never Broke Again (also known as NBA Youngboy) has solidified his status as one of the more popular, rising rappers in the game. Like many of his rap contemporaries, YoungBoy isnât shy about dropping a heaping dose of new music. âKick Yo Doorâ marked the rapperâs first brand-new single of 2019. âKick Yo Doorâ is only two-and-a-half-minutes long, common in modern rap music. A banger, itâs set in a minor key, anchored by a hard-hitting beat, featuring simple synths that are effective enough but could stand more punch.
âKick Yo Doorâ commences with an intro, followed by the chorus:
âBow, bitch, kick yoâ door, uh Mission, find the stash spot Make âem hit the floor, uh I say hold yoâ hands high, donât make me let it blow (Gang) This ainât the time for games now, bitch, Iâma wipe your nose⊠This shit could go straight, or I could leave here with yoâ head split Bitch (uh).â
NBA Youngboy has a respectable flow â not game changing, but he brings âthat attitude.â On the first verse, heâs tough as nails, making threats if you mess with him (âPlay with me, you must want death, I tell my shooter make a wishâ). On the second, he references bitches (shocker), bodies/cases, and material. All in all, he checks off the appropriate boxes, without being transcendent per se.
3. ONE OK ROCK, âPush Backâ
Eye of the Storm âąÂ Fueled by Ramen âąÂ 2019
âItâs like theyâre holding their gun to our heads / Theyâre tryinâ to tell us what to think / Weâre stuck on the edge / So, go ahead and push us back.â Japanese rock band ONE OK ROCK, known for their punk-oriented style, show resilience on âPush Back,â a highlight from their 2019 album, Eye of the Storm. The aforementioned chorus marks the crowning achievement of the record, where the guys essentially state they wonât be shaken by adversity.
The verses are short and get directly to the point. On the first verse, ONE OK ROCK lists âfixesâ at the beginning of each line but goes on state that such fixes have been ineffective (âThey call it medication, weâre still in painâ). The second, likewise, is pessimistic, showing the face of adversity (âYour precious reputation goes up in flamesâ). Even so, the pre-chorus exemplifies the resolve and battle-ready spirit of the band.
âNow weâre back in the fight and never losing our strength We tried too many times just waiting patiently, patiently.â
4. Ne-Yo, âPush Backâ
Ft. Bebe Rexha & Stefflon Don
Good Man âąÂ Motown âąÂ 2018
âSee mi whine up the ting âtil it pile up / Big bumper, girl, just a whininâ and wile upâŠâ Say what Stefflon Don? Grammy-winning R&B singer/songwriter Ne-Yo is in tropical-pop mode on âPush Backâ, a standout from his 2018 LP, Good Man. The groove is infectious, while the vibe screams beach. Vocally, on his end, heâs playful and a bit gimmicky, embracing the sound of the islands. Even so, the vocals are still respectable â he doesnât sacrifice his refined, enjoyable instrument. Even so, he keeps things calm, cool, and collected.
The same can be said of Bebe Rexha, who follows. A powerful vocalist, Rexha actually holds back here, with respectable results nonetheless. Stefflon Don caps off things with her distinct, reggae, tropically-tinged sound. All in all, âPush Backâ is enjoyable, fun, and infectious â thereâs no push back. Ne-Yo and company donât reinvent dance, pop, or urban contemporary music, but âPush Backâ excels at being fun.
âBaby, push back when I jump behind it, when I jump behind it So when I jump behind it, push back on me So baby, push back when I jump behind it Baby, let me know you like it Tonight, letâs give âem something to see.â
5. Tech N9ne, âKick it With Myselfâ
Planet âą Strange Music âą 2018
âI was the only child âtil I was 13 / Rather be lonely while dealinâ with Earthlings / Still I am reclusive with drug and liquor abuses / Having a solitary time was never the worst thing.â Veteran Kansas City rapper Tech N9ne remained captivating and incredibly consistent on his 20th album, Planet. Itâs amazing how prolific Tech has been over the years, regularly releasing studio albums and collaborative projects. âKick it With Myselfâ benefits from a unique, rock-influenced, rap backdrop. Tech N9neâs bread seems to be buttered with eclectic production work â heâs incredibly versatile.
âSick and twisted, I can kick it, weâre just lickinâ, spliff get lifted / Some say Iâm a misfit by the way that Iâm drifted / But this gets the business, chips, bitches Iâm gifted.â As expected, âNinoâ flexes hard, never missing a beat. Clearly, he doesnât need anybody else to help him to do anything â heâs perfectly capable to âKick it with [himself].â Furthermore, he could care less what others think, period. Yup, Tech N9ne definitely possesses that nonconformist spirit.
âKick it with myself, kick it with myself, by myself I donât need no help, I donât need no help, no one else.â
6. Michael BublĂ©, âI Get a Kick Out of Youâ
Love (Deluxe) âą Reprise âą 2018
Traditional pop standout Michael BublĂ© remained consistent on his 2018 album, Love.  Like his previous albums, Love featuring classics and a couple of brand-new songs. Unfortunately, if you got cheap and failed to purchase the deluxe edition of the album, or donât partake in streaming, then, you mightâve missed out on âI Get a Kick Out of You,â which appears on the deluxe edition as the 13th track.
Thereâs nothing unlucky about âI Get a Kick Out of Youâ â no triskaidekaphobia here! As he does with everything else, Michael BublĂ© does wonders with this Cole Porter classic. He sings expressively, while also singing with incredible ease and poise. The arrangement takes it back to the Big Band era, retaining a classic sound, yet sounding refreshing at the same time. Sure, nothing new comes out of this tried-and-true gem, but we totally still get a kick out of hearing it covered for the millionth time. Of course, Frank Sinatra is known for famously singing this gem.
7. TWENTY88, âPush Itâ
TWENTY88 âą Def Jam âąÂ 2016
In April 2016, the world was given quite a surprise â the release of a collaborative project by Big Sean and JhenĂ© Aiko, TWENTY88. The duo fittingly named their collaborative debut TWENTY88. Keeping things short and sweet, the album only featured eight songs, including the pick that fits this particular playlist, âPush It.â When one thinks about JhenĂ© Aiko, a sensual, calm, cool, and collected brand of R&B comes to mind. When shifting to Big Sean, the Detroit rapper has never shied away from sex, with plenty of blunt and explicit lyrics to be found throughout his catalogue. Basically, what weâre saying is, is that âPush Itâ encompasses a mutual favorite topic by both musicians â sex.
On the first verse, Aiko sings, âOn the sink / On the couch / On the bed / On the floor,â clearly referencing âwhatâs going down.â As for Big Sean, at the end of his verse he spits, âIâm gonna play this Johnny Gill, Vandross and Sade, and Goapele / And you gon use that mouth to take these pants off.â On the chorus both just might as well say they want to âdo itâ if you catch my drift.
âI want it outside inside I take you inside outside Bring you outside inside.â
8. Wheeler Walker, Jr., âEatinâ Pussy / Kickinâ Assâ
Redneck Shit âą Pepperhill âąÂ 2016
âSo, after work I went to his house / Ate his wifeâs pussy and kicked his ass.â Oh brother! First and foremost, itâs important not to take Walker Wheeler, Jr. the least bit seriously. Wheeler is part comedian and part country musician. Actually, heâs mostly comedian judging by his musical output. In 2016, he shocked the world with his debut album, boldly titled Redneck Shit. Yeah, country artists have managed to squeeze in the s-bomb every now and again with little flack, but itâs not often it graces the albumâs title. Again, Wheeler, Jr. is more comedian than anything else. Going back to the song titles from his debut album, beyond the title track: âCanât Fuck You off My Mind,â âFuck You Bitch,â and our song at hand, âEatinâ Pussy / Kickinâ Assâ among them. Wow, just wow.
Itâs best to take the explicit âEatinâ Pussy / Kickinâ Assâ âwith a grain of salt.â As the aforementioned quote from the first verse suggests, Walker performed cunnilingus on another manâs wife. Factor in the first two lines of the first verse, we discover itâs his boss that he hates. SMH. Later, on the second verse, the sexual references continue as Walker sings, âGirl at the counter said, âDo you want a job?â / And I said, âokay,â and then I ate her pussy.â Yeah, thatâs the shit â rather, the Redneck Shit â that you get from Walker Wheeler, Jr. Oh, and as for the chorus, well, it just reiterates the titular lyric: âEatinâ pussy and kickinâ ass.â
9. All Time Low, âKicking & Screamingâ
Future Hearts âąÂ Hopeless âą 2015
âHistory repeats itself in phrases / Scribbled in dark places / Like notches on a belt / Theyâre chasing after you butâŠâ Amazingly, in 2017, All Time Low showed the world they were ready to âgrow up.â Last Young Renegade was a much mature album for the pop-punk/emo collective. It didnât sell particularly well, but Alex Gaskarth and company figured out they were no longer teenagers, but rather, 30.  Still, one has to go back only to the bandâs 2015 album, Future Hearts, to hear those f-bombs, sick choruses, and compelling production work. To be fair, thereâs an f-bomb on Last Young Renegades too, but theyâre more prevalent and potent pre-Last Young Renegades. The song at hand, âKicking & Screamingâ definitely isnât a representation of grown up All Time Low.
âIâm chasing after rock and roll / Kicking and screaming.â Rock on, rock on! âKicking & Screamingâ is chocked-full of energy â understatement. The tempo is quick, a direct contrast to the albumâs opening cut, âSatellite.â The bandâs bread is buttered on the chorus. Whoâs surprised?
âIâve been waiting for you to call And dress me up in sucker love And drag me âround kicking and screaming So long and thanks for all The make-believe, the memories Of you and me kicking and screaming.â
Pretty irresistible, but who can resist when Gaskarth gets all riled up and drops the bomb on the second verse?
âSay goodbye to all the pretty faces Dark places, I know too well Fantasy competes to be my only Iâm fucking lonely Like bottles on the shelf.â
Sigh.
10. Luke Bryan, âKick the Dust Upâ
Kill the Lights âą Capitol Nashville âą 2015
There are a number of different camps when it comes to country music. Some fans are traditionalists, while others embrace a modern take on country music the incorporates elements of pop, electronic, and of course, hip-hop. Luke Bryan is part of the camp unafraid to modernize the genre with his fair share of fans as well as those less enthusiastic. An example of Bryan less successful experiments came in 2013 with his album, Crash the Party. His 2015 effort, Kill the Lights was a much better-rounded affair. A standout like âKick the Dust Upâ is a good reason why.
âKick the Dust Upâ is firmly planted in country music, with its use of acoustic and electric guitar, as well as pummeling drums. Set in a minor key, thereâs a bite â a ferociousness â about the record that helps make it a surefire winner. That said, âKick the Dust Upâ also isnât totally removed from pop. Why? The use of drum programming, some synths, and general some sounds not associated with traditional country.  Regardless, Bryan gets the blend right here, and âKick the Dust Upâ reaps the benefits â well, rather music fans do! The chorus is among the best moments.
âWe go way out where There ainât nobody We turn this cornfield Into a party Pedal to the floorboard Eight up in a four door Burninâ up a back-road song Park it and we pile out Baby, watch your step now Better have your boots on Kick the dust upâŠâ
11. Sleeping with Sirens, âKick Meâ
Madness âą Epitaph âąÂ 2015
âFuck you and your opinion / How could you be so blind? / What goes around / Comes back around in time.â Woo! If you need a totally angry record in your life, well Kellin Quinn and Sleeping with Sirens have one for you – understatement. Itâs safe to say that âKick Me,â a highlight from their 2015 album Madness perfectly exemplifies being totally pissed off.
The pre-chorus is only amplified by the profanity. Quinn sings:
âYou donât know shit You donât know shit About me You donât know shit, shit, shit Donât know a god damn thing about me.â
Hmm, so letâs see. We have five âshitsâ and one âgod damn.â I guess Sleeping With Sirens decided to save the f-bombs for the verses. Another arrives on the second verse, which is styled much like the end of the first: âFuck you and your decision / Cause itâs not mine / What comes around / Comes back around in time.â Sure, âKick Meâ isnât for anyone who is easily offended by the profane, but the energy and the vibe are electrifying. Again, one keeps asking, how can Quinn sing so high and with so much punch?
[Photo Credits: Capitol Nashville, Def Jam, Epitaph, Fueled by Ramen, Hopeless, Motown, Never Broke Again, Pepper Hill, Pexels, Pixabay, Reprise, Sony UK, Strange Music]