â11 Number Songs Selected with No Rhyme or Reasonâ features music from Alec Benjamin, Arctic Monkeys, Britney Spears, Khalid and Kiana LedĂ©.
No Rhyme or Reason is definitely big on The Musical Hype. Personally, I love penning lists of songs with some unifying theme, even if that theme ends up having little or no rhyme or reason. In the case of 11 NUMBER SONGS SELECTED WITH NO RHYME OR REASON, well, the idea simply hit me â BOOM!!! Honestly, a number of my ideas for music lists just seem to come out of nowhere. Just a few days before this latest waste of your (and my) time gets published, Iâve already published two âno rhyme or reasonâ lists â 16 âRâ Songs Selected with No Rhyme or Reason and 15 âAâ Songs Selected with No Rhyme or Reason. The difference here? Numbers my friends (and non-friends too) â NUMBERS!
So, thereâs actually a bit of reason behind this list, if you can believe it. There are 11 songs â letâs use the word âtracksâ instead. Each track is numbered, 1, 2âŠ11. So, how do I determine which songs to pick? I opt for the number of the track â BOOMâŠshaka laka! Okay, maybe I couldâve done a better job explaining it but hopefully, you make the connection, somehow, somewhere â Annie. 11 NUMBER SONGS SELECTED WITH NO RHYME OR REASON features Alec Benjamin (âSix Feet Apartâ), Arctic Monkeys (âFour out of Fiveâ), Britney Spears (â3â), Khalid (âElevenâ and âEleven (Remix)â,) and Kiana LedĂ© (âSecond Chanceâ) among others. Without further ado, letâs jump right into these numbers, shall we?
1. Luke Bryan, âOne Margaritaâ
Born Here, Live Here, Die Here âą Capitol âąÂ 2020
âLettinâ go a little, little by little / Sippinâ on a frozen drink.â Yeah, Luke Bryan is no stranger to singing about, or partaking in, alcoholic consumption. âOne Margaritaâ, the fourth single from his seventh studio album, Born Here, Live Here, Die Here, is no exception. Rather than sing about beer â one of his favorite topics â he opts for margarita(s).
As is the expectation of a Luke Bryan song, the production is strong â high budget. Thankfully, Bryan has laid to rest the pop-crossover sound, embracing âcountryâ firmly. The sound is guitar-heavy, with banjo, dashes of organ, and pummeling drums. Beyond the sound, Bryan is true to self, thematically and vocally. His sound is heavy on twang. If youâre a fan of his âgood ole southern boyâ charm and voice, well, youâll be onboard with âOne Margarita.â He does nothing drastically different from anything heâs done in the past; the needle is not moved. Basically, this is your beached-out, spring break joint from a man approaching his mid-40s. Exhibit A â the chorus:
âOne margarita, two margarita, three margarita, shot Donât worry âbout tomorrow Leave all your sorrow out here on the floatinâ dock When that sun lays down, weâll be on our way One more barefoot round, one more last chance to say Hey Señorita, donât you think we need a salt and a Marley song? One margarita, two margarita, three margarita Weâll be gone Weâll be gone.â
2. Kiana LedĂ©, âSecond Chances.â
Ft. 6LACK
Kiki âą Republic âą 2020
âIâm too fuckinâ real to wear my heart up on my sleeve / Fuck that back and forth shit, if I leave then Iâm a leave / Iâma have you begging, have you pleading on your knees.â Well, damn! 2020 saw singer and actress Kiana LedĂ© release her full-length, debut album, KIKI. While KIKI hasnât exactly lit up the charts, the album did debut in the top 30 of the Billboard 200. More importantly, KIKI has its fair share of notable moments, including âForfeit.â (featuring Lucky Daye) and the numeric song at hand, âSecond Chancesâ (featuring 6LACK).
As the opening lines of the first verse indicate, you really donât want to mess with Kiana LedĂ©. âCanât you tell a bitch is fed up with your nonsense,â she goes onto say on the brutally honest first verse. Sheâs still feisty on the second verse, where sheâd rather troll him than respond to his texts, and informs, âYou missed out on a blessing, I mad you the king of my world.â On the chorus, she just makes it crystal clear she done with it â âNo more second chances, chances / Always tryna take advantage, âvantage / ⊠So, Iâd rather walk away.â As you might expect, 6LACK provides the male response, owning up to his shortcomings.  Still, he knows itâs all for naught.  But, the pain from both perspectives is our listening pleasure, along with solid production work courtesy of Boston, Cam Griffin, Derrick Milano, Mike Woods, and Roark Bailey.
3. Britney Spears, â3â
The Singles Collection âą RCA âą 2009
â1, 2, 3 / Not only you and me / Got 180Âș, and Iâm caught in between.â Kinky⊠Psychology Today defines a paraphilia as âa condition in which a personâs sexual arousal and gratification depend on fantasizing about and engaging in sexual behavior that is atypical and extreme.â The paraphilia that Britney Spears sings about in her no. 1 hit â3â is Troilism, described by Psychology Dictionary as a âcarnal activity where three people are engaged.â
Naturally, a threesome comes to mind. There are parallels between the two, but troilism seems to focus on the troilist fulfilling their sexual desires. Given the selfishness of troilism, Britney Spears ensures sheâs the beneficiary aka the troilist.
ââŠCounting 1, 2, 3 Peter, Paul and Mary Getting down with 3P Everybody loves counting.âÂ
Clearly, â3â is more risquĂ© than it seemed upon arrival. It previously appeared on the quirky, risquĂ© 12 Paraphilic, Fetish Songs (sometimes I still ask myself, why did you write that list) as well as the more tame, much more reasonable 9 Songs That Reference the Number â3â.
4. Arctic Monkeys, âFour Out of Fiveâ
Tranquility Base Hotel + Casino âą Domino âąÂ 2018
âTake it easy for a little while / Come and stay with us, itâs such an easy flight / Cute new places keep on popping upâŠâ âFour Out of Fiveâ ranks among the best songs from the strange but alluring Tranquility Base Hotel + Casino. Thatâs surprising given the fact that at its simplest, Arctic Monkeys frontman Alex Turner is singing about the rating that the Tranquility Base Hotel & Casino taqueria received. Nonetheless, Arctic Monkeys make this record incredibly intriguing lyrically, musically, and vocally. It appeared among the 100 Best Songs of 2018.
Worth noting, âFour Out of Fiveâ was the first single from Tranquility Base Hotel + Casino. âFour Out of Fiveâ is arguably the most commercial moment on a non-commercial album. Commercial is contextual, of course.
âI put a taqueria on the roof, it was well-reviewed, Four stars out of five And thatâs unheard of.â
5. Travis Scott, â5% TINTâ
ASTROWORLD âą Epic âąÂ 2018
âWhoâs that creeping through my window? (my window) / âFore you come outside, I got the M4 (M4) / Took her to the endzone from the EnzoâŠâASTROWORLD was certainly one of the most highly anticipated albums of 2018. It marked the third studio album by Texas rapper, Travis Scott. The colorful and enjoyable ASTROWORLD does a superb job capturing his left field, experimental spirit. The song that best fits this numeric, no rhyme or reason playlist from the album is none other than one of my personal favorites, â5% TINT.â
âShe like, iced out wrists, iced out-iced out wrists / Fuck donât kiss, fuck, she fuck donât kissâŠâ Yeah⊠okay⊠In the context of ASTROWORLD, â5% TINTâ marks the rare Travis Scott solo moment. â5% TINTâ features awesome production from the jump (FKi 1st), led by the beat as well as the piano. Regarding the subject of window tinting, Generally, 5% tinting is an illegal tint â incredibly dark. Worth noting, Michigan allows any degree of window tinting, though the next darkest state is New Mexico⊠20%. Anyways, focusing on â5% TINTâ the song, Scott is explicit and tough while also successfully exhibiting his eccentricity and left-field sensibilities.
6. Alec Benjamin, âSix Feet Apartâ
âSix Feet Apartâ âą Alec Benjamin âą 2020
âThey say distance is relative / And relative to the relatives I have / Iâd say Iâm relatively close / To breaking down / Because right now / I feel so aloneâŠâ Like many musicians, pop singer/songwriter Alec Benjamin decided to write a song about and related to the coronavirus pandemic. Of âSix Feet Apartâ, he states, âThis song was inspired by COVID-19. Been missing the world and I miss you guys.â Benjamin sings about the isolation of social distancing. Social distancing, of course, is the chief means of preventing the spread of the novel coronavirus.
âOh, I miss you most at six feet apart when youâre / Right outside my window, but canât ride inside my car / And it hurts to know how lovely you are / And bee too far away too holdâŠâ âSix Feet Apartâ is a relatively simple, minimalist record â guitar and vocal. Even so, itâs pitch-perfect in message and theme given the times; very thoughtful. Alec superbly captures how hard it is to be away from friends, families, and for entertainers, their beloved fans. On the chorus, he sings:
âSo far, so far, but oh so close Like a star out in the cosmos Canât touch the beauty I see Thatâs how it feels at six feet.â
âSix Feet Apartâ previously appeared on the playlist, 10 Songs That Capture & Embody the Pandemic.
7. Ariana Grande, â7 Ringsâ
Thank u, next âą Republic âą 2019
âBeen through some bad shit, I should be a sad bitch / Who woulda thought itâd turn me to a savage?â Ariana Grande sounds incredibly fierce on â7 Ringsâ, one of the many highlights appearing on thank u, next, among the best albums of 2019. The song itself is a bit polarizing â some love it, while others are annoyed by it or absolutely loathe it. While, admittedly, being as high as I was about it on 50 Best Songs of 2019 (So Far) was a stretch (to quote Oprah, âWhat was I thinkingâ when she reflected back on a godawful dress sheâd worn), itâs still a key, inescapable song from 2019, earning a spot as the 11th best song on 51 Best Songs of 2019.
â7 Ringsâ features moody production thatâs dark, enigmatic, and set in a minor key. This standout lifts from the melody of âMy Favorite Thingsâ (The Sound of Music). Sleek, hip-hop oriented cues are full throttle during the addictive, instantly catchy chorus. Grande is confident AF on the pre-chorus and choruses. The pre-choruses exemplify a flex-fest (âMy wrist, stop watchinâ, my neck is flossinâ / Make big deposits, my gloss is poppinââŠâ), while the chorus is simple, but effective. In addition to the bold line appearing at the top from the first verse, on the second verse, Grande asserts, âWhoever said money canât solve your problems / Must not have had enough money to solve âem.â
8. Bon Iver, â8 (circle)â
22, A Million âą Jagjaguwar âąÂ 2016
Bon Iver returned triumphantly in 2016 with 22, A Million, an eclectic album that sounded like nothing else released that year. Incorporating electronic cues and acoustic cues alike, 22, A Million is an intriguing listen. While lyrically it is a challenging effort, drenched in spirituality, numerology, and the most accessible, romance, 22, A Million certainly makes its listeners think.
âPhilosophize your figure What I have and havenât held You called and I came, stayed tall through it all Fall and fixture just the same thing...â
â8 (circle)â is one of the most epic and warmest moments of 22, A Million. The lengthiest song of the album, clocking in over five minutes, itâs well worth the duration. Vocally, â8 (circle)â is arguably frontman Justin Vernonâs tour de force. Lyrically, it continues references to numerology, spirituality, and obscure, incredibly specific references, as well as incorporating elements of love and sex. Musically, the saxophones â Colin Stetson, Michael Lewis, and Sad Sax of Shit â in particular provide a lift. â8 (circle)â previously appeared on the playlist, 11 Circular Songs Sure to Keep You Goin âRound in Circles.
9. Panic! At the Disco, âNine in the Afternoonâ
Pretty. Odd. âąÂ Fueled by Ramen âąÂ 2008
âBack to the street where we began / Feeling as good as lovers canâŠâ With âNine in the Afternoon,â we have the oldest record to grace 11 Number Songs Selected with No Rhyme or Reason. The second song from the aughts after an earlier appearance by Britney Spears, âNine in the Afternoonâ hails from Pretty. Odd, the 2008 sophomore album by Panic! At the Disco. At the time, Pretty. Odd. Wasnât only viewed as being âpretty odd,â it was quite an about face for the alternative collective. Personally, I loved the album, but others werenât as sold given its stark differences from A Fever You Canât Sweat Out.
Focusing on the â9â song at hand, âNine in the Afternoonâ is quite eclectic in sound. Itâs âalternativeâ in every sense of the word, incorporating retro, psychedelic sensibilities, folk-pop, and Baroque pop. The Baroque pop element of Panic! At the Discoâs music isnât far-fetched considering âI Write Sins Not Tragediesâ was filled with such cues. The songwriting is reminiscent of the likes of Paul McCartney or Brian Wilson. Back in 2008, this was a record that sounded little like anything else being released. The production work is swell, including an assortment of instruments, including brilliant horns, strings, ripe, assertive guitars and harmonized background vocals.
ââCause itâs nine in the afternoon And your eyes are the size of the moon You could âcause you can, so you do Weâre feeling so good just the way that we doâŠâ
Brendon Urie, as always, shows off his distinct and gorgeous vocal tone. Among the best moments of the song are his a cappella vocals â well â nearly a cappella.
10. Rex Orange County, â10/10â
Pony âą Sony Music Entertainment âąÂ 2019
Alex OâConnor, best known as Rex Orange County, gained more exposure with his 2017 sophomore album, Apricot Princess, quite a creative effort blending old and new seamlessly. OâConnor returned with his third studio album, Pony, in 2019. Throughout Pony, heâs honest and open about personal matters in his life, namely anxiety. Among the crĂšme de la crĂšme of the brief LP is the opener and 10th song to grace this playlist, â10/10.â Â
âI had a year that nearly sent me off the edge / I feel like a five, I canât pretendâŠâ â10/10â is an aspirational, reflective, and thoughtful record.  OâConnor continues the lyric from the first verse singing beautifully, âBut if I get my shit together this year / Maybe Iâll be a ten.â Besides the fine lyrics of the verses, OâConnor has some great moments on the chorus, with some variations throughout, including the humorous gem, âSometimes you gotta cut a bitch out.â Couldnât agree more Alex, sigh.
11. Khalid, âElevenâ / âEleven (Remix)â
Ft. Summer Walker
âElevenâ âąÂ RCA âąÂ 2020
âLate at night, eleven, weâre crusinâ / Lately, Iâve been watchinâ your movements / If Iâm the only one that youâre choosinâ / Am I favorite drug youâve been usinâ?â Reviewing âElevenâ in January 2020, I asserted the contemporary R&B record checked off boxes that weâve come to expect from Grammy-nominated R&B artist, Khalid. His voice is excellent â distinct and quite beautiful. The production, courtesy of Digi and Simon Says, provides inspiration for him to flourish. The sound is idiomatic of contemporary R&B, yet it can also fly on pop radio.
Of course, the production by Digi and Simon Says is retained on âEleven (Remix)â, which brings the ubiquitous Summer Walker into the fold.  When I think about these two artists separately, the first word that comes to mind is vibe. Seeing these two together isnât far-fetched in the least. Walker definitely elevates âElevenâ to a higher level.  Following familiar sections from the original (first verse, pre-chorus, and chorus), Walker, replaces Khalidâs second verse from the original â a welcome contrast. With âElevenâ being respectable but lacking some innovative spirit and risk taking, the addition of Walker provides a boost.