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11 Alluring, RADIO πŸ“» Approved Songs (2023) [πŸ“·: Brent Faulkner / The Musical Hype; OpenClipart-Vectors]11 Alluring, RADIO πŸ“» Approved Songs features music courtesy of Donna Summer, Esperanza Spalding, Jake Shears, Scissor Sisters, and Shinedown.  

β€œLights out, guerrilla radio πŸ“» / Turn that shit up.” WOO, πŸŽ™ Rage Against The Machine – always bold, profane, and unapologetic! How about some 🎡 β€œRadio” via πŸŽ™ Lana Del Rey? β€œBaby, love me β€˜cause I’m playing on the radio / How do you like me now?” Then, there’s also the πŸ† Grammy-winning duo Twenty One Pilots and 🎡 β€œCar Radio”: β€œI have these thoughts so often, I ought / To replace that slot with what I once bought / β€˜Cause somebody stole my car radio / And now I just sit in silence.”  What’s common among all three songs? Radio πŸ“», DUH!  While none of those three, great radio songs appear on 🎧 11 Alluring, RADIO πŸ“» Approved Songs, we have plenty of fabulous radio songs on this musical compendium, period.  There’s some great music courtesy of πŸŽ™ Donna Summer, πŸŽ™ Esperanza Spalding, πŸŽ™ Jake Shears, πŸŽ™ Scissor Sisters, and πŸŽ™ Shinedown among others. So, without additional lyrical excerpts from songs that DON’T appear on the playlist, we dive right into 🎧 11 Alluring, RADIO πŸ“» Approved Songs! 


1. Jake Shears, β€œRadio Eyes”  

πŸ’Ώ Last Man Dancing β€’ 🏷 Boys Keep Swinging Inc / Mute Artists Ltd. β€’ πŸ“… 2023

Jake Shears, Last Man Dancing [πŸ“·: Boys Keep Swinging / Mute Artists Ltd]β€œWe’re glad you’ve made the decision to join us / You will feel rebuilt and transformed / You will have access to information that will expand what you understand as reality…” Say what?! 🎡 β€œRadio Eyes” arrives as the penultimate song on πŸ’Ώ Last Man Dancing, the stellar sophomore album by πŸŽ™ Jake Shears. Although it runs five-and-a-half minutes in duration, β€œRadio Eyes” is a worthwhile listen, nonetheless.β€― Notably, the intro is performed by an unlikely source: πŸŽ™ Jane Fonda 🀯! Fonda sets the tone for a unique, otherworldly listening experience (excerpted above).β€― It’s fitting – dance and the extraterrestrial are a match made in heaven.β€― Shears, of course, delivers an alluring performance as always: β€œWe heard only silence / The day they appeared / And built right where they landed / A city made of tears.” Oh, snap🫰! Of course, the chorus marks the biggest moment – what you all came for!

β€œRadio Eyesβ€―
I can see through this dimensionβ€―
Hear you in the skyβ€―
Why do I feel so alive?β€―
Why do I feel so alive?”

Familiar personnel from Last Man Dancing oversee the sound: πŸŽ› Boys Noize and Ryland Blackinton.

β€― 

Appears in πŸ”» 


2. Nas, β€œNot For Radio” (Ft. Diddy & 070 Shake) 

πŸ’Ώ NASIR β€’ 🏷 Mass Appeal / Def Jam β€’ πŸ“… 2018β€― 

Nas, NASIR [πŸ“·: Mass Appeal / Def Jam]β€œAnd who y’all comparin’ me to is nonsense / Show gratitude in the presence of dominance.” 🎡 β€œNot for Radio” kicks off πŸ’Ώ NASIR with a bang proclaiming, β€œEscobar season begins.”  Beyond πŸŽ™ Nas’ proclamatory line, πŸŽ™ Diddy ad-libs on the intro and throughout the course of the song. In the end, he even has a dramatic outro that focuses on black issues. Also featured on β€œNot for Radio” is πŸŽ™ 070 Shake singing the chorus (β€œI think they scared of us, yeah”).β€―Of course, it is the πŸ† Grammy-winning rapper that is the main attraction. Nas is socially and politically charged up.β€― Among his most β€˜eyebrow-raising’ moments include assertions such as β€œAbe Lincoln did not free the enslaved,” β€œEdgar Hoover was black,” and β€œFox News was started by a black dude, also true” (not true, but he’s making a bigger point with the fake news).β€― The production (πŸŽ› Kanye West, Mike Dean, Benny Blanco, and Cashmere Cat) on this highlight is superb – dramatic strings, vocal pad, hard drums, sigh.β€― β€œNot for Radio” marks a memorable moment on a rather unmemorable Nas album.β€―β€― 

 

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3. Scissor Sisters, β€œTits on the Radio”  

πŸ’Ώ Scissor Sisters β€’ 🏷 Polydor β€’ πŸ“… 2004 

Scissor Sisters, Scissor Sisters [πŸ“·: Polydor]β€œWhere are the queers on the piers, heard they gave it their best.” That is a legitimate question, πŸŽ™ Ana Matronic. The question, rather, the lyrics, hail from 🎡 β€œTits on the Radio”, the groovy sixth track from  πŸŽ™ Scissor Sisters’ debut LP, πŸ’Ώ Scissor Sisters.  Matronic, who takes lead duties (it’s typically πŸŽ™ Jake Shears, who also sings key parts) responds singing, β€œNow they got jobs at a local fast-food chain / Flippin’ tricks for the burger, since Lady M jacked their fame.” Interesting 🧐.  The lyrics require some context and decoding.  Missing queers? Lady M?  With Scissor Sisters forming in NYC, it seems feasible the lyrics are referencing the city.  In Times Square, there was a period that adult entertainment, sex work, and queer nightlife was huge.  After β€˜cleaning up the area’, things became too conservatized, causing many of the adult and queer entertainers to be jobless or trying to survive with underpaying jobs. Furthermore, Scissor Sisters suggests the queers lost some of their luster because πŸŽ™ Madonna (Lady M, we’d assume) culturally appropriating their culture (🎡 β€œVogue” is a prime example).   

Amazingly, that’s just one verse of β€œTits on the Radio” 🀯, which features risquΓ© lyrics. In the second verse, we learn about Dark room Danny, who β€œHears police alarm,” and β€œCan’t see with the lights turned out.” There are multiple interpretations that can be made, but if we stay in the realm of queer performers and sex workers, the end seems to have come.  The adult theatres, clubs, and such are closed or in the case of the police alarm, being shut down. That leads us to the chorus, the catchiest part of the song, where β€œβ€˜Cause you can’t see tits on the radio / I’ll give you five fingers for a one-man show / Fasten those pants for the lap dance / Take a shot now this may be your last chance.” Radio literally isn’t visual, but even metaphorically, in the 2000s, you couldn’t hear something lewd or overly sexual on mainstream radio. Furthermore, even from a visual sense, such as cable television, you also can’t see tits because its deemed inappropriate.  All told, 🎡 β€œTits on the Radio” is one of the best, most under-appreciated songs from Scissor Sisters catalog.    

 

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4. HARDY, β€œRadio Song” (Ft. Jeremy McKinnon)β€― 

πŸ’Ώ the mockingbird & THE CROW β€’ 🏷 Big Loud / Big Loud Rock β€’ πŸ“… 2023β€― 

HARDY, the mockingbird & THE CROW [πŸ“·: Big Loud / Big Loud Rock]🎡 β€œRADIO SONG” marks a notable moment from πŸ’Ώ the mockingbird & THE CROW, the 2023 double LP by πŸŽ™ HARDY (Michael Wilson Hardy).β€― Here the country/rock musician enlists πŸŽ™ Jeremy McKinnon, from πŸŽ™ A Day to Remember, for the assist.β€― This is clearly NOT your father’s country music. β€œRADIO SONG” has its country moments – the chorus – but otherwise, it is, um, its own distinct record. The appearance of McKinnon alone signals β€œRADIO SONG” hits different. For one, arguably, the most important, screamed lyric that he β€˜sings’ is β€œFuck!” There’s metalcore energy, for sure.β€― Furthermore, HARDY, save for the chorus, drops quasi-rapped verses, for lack of a better description.β€― One of the bullets he serves up: β€œWell if it ain’t under four minutes it ain’t gon’ be a hit / If there ain’t no steel in it they ain’t gon’ play yo shit.” That $h!† right there is cold!β€―

Appears in πŸ”»:β€―β€― 


5. Esperanza Spalding, β€œRadio Song”  

πŸ’Ώβ€―Radio Music Societyβ€― β€’ πŸ·β€―Heads Up Internationalβ€―β€’ πŸ“… 2012β€―β€― 

Esperanza Spalding, Radio Music Society [πŸ“·: Heads Up]β€œThis song will keep you grooving / (Keep that traffic movin’) / Play it to lift your spirits / (Soon as you hear it).” WOO! 🎡 β€œRadio Song” commences πŸ’Ώβ€―Radio Music Society, the 2012 album by πŸ†β€―Grammy-winning jazz musician, πŸŽ™β€―Esperanza Spalding, with a bang! Like BOOM πŸ’₯! β€œWords are speaking to you / (As if they knew you) / Ooh, this song’s the one!” Indeed, THIS SONG IS THE ONE!!! β€œRadio Song” featuresβ€―stellar songwriting, musical arrangement, and production, all handled by Spalding πŸ’ͺ.β€― The record begins withβ€―Spalding singing neutral β€œla’s” and eventually incorporating that prodigious electric bass playing into the mix πŸ‘.β€― The percussive groove established is infectious while the horn riffs are decadent.β€― Esperanza sounds utterly amazing from a vocal perspective – angelic, classic, and jazzy – making β€œRadio Song” the crowning achievement of Radio Music Society.β€―There are some terrific musicians assisting Spalding including 🎹 Leo Genovese on piano, πŸŽ™οΈ Gretchen Parlato on backing vocals, and marvelous soloing by 🎷 Daniel Blake (saxophone). Rather than analyze further, β€œRadio Song” is best experienced by listening! β€― 

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6. Shinedown, β€œThe Human Radio”  

πŸ’Ώ Attention Attention β€’ 🏷 Atlantic β€’ πŸ“… 2018

Shinedown, Attention Attention [πŸ“·: Atlantic]β€œWe march, we fight, we live / We scream, we die, we give / We want the world to know / We are the human radio.” Florida hard rock band πŸŽ™ Shinedown released 🎡 β€œThe Human Radio” as the second single from their sixth studio LP, πŸ’Ώ Attention Attention. β€œThe Human Radio” commences with a sick, rhythmic bass line.  The foundation, the rest of the record is built upon its robust glory.  By the chorus, the drums πŸ₯, guitars 🎸, and vocals are gargantuan – overblown in typical, hard rock fashion 🀘.  Amazingly, front man πŸŽ™ Brent Smith shows some poise and restraint in the verses, despite continuing to exhibit attitude.  Lyrically, he kicks things off with his middle fingers to the skies: β€œI gotta four letter word for β€˜I don’t care’ / A whole lotta drive, to get me there / I’ve seen a whole lotta wrong, to say the least / Spent a whole lotta time, staring down the beast.” After bottling it in for so long, he eventually unleashes the ferociousness in the chorus.

β€œI’m reaching out to the human radio 

Taking a chop on β€˜em, I reach hard on β€˜em 

Get the money, throw the tantrum 

The human radio is playing your anthem.”

While the hard rock idiom is firmly in play, β€œThe Human Radio” isn’t without its fair share of modern trickery.  There are some vocal effects, specifically vocoder.  Also, keyboards (synths) play a role.  Even so, neither vocal effects or synths take away from the record stylistically however – this is still firmly planted in the spirit of rock and roll. While β€œThe Human Radio” has its share of mezzo forte (medium-loud) moments, when it is indeed loud, it’s really LOUD. #Rock TF On 🀘. 

 


7. The Buggles, β€œVideo Killed The Radio Star”  

πŸ’Ώ The Age of Plastic β€’ 🏷 The Island Def Jam Music Group β€’ πŸ“… 1980

The Buggles, The Age of Plastic [πŸ“·: The Island Def Jam Music Group]β€œOh-a oh-a.” Sigh, that’s an iconic moment from an iconic song! The song is 🎡 β€œVideo Killed the Radio Star”, the sole hit by πŸŽ™ The Buggles in the United States.  Of course, such fun, but silly lyrics aren’t the sole reason this 1979 record earned the English new wave band notoriety.  This record reflects on technological advancements, particular how such advancements have had a negative impact.  β€œThey took credit for your second symphony,” πŸŽ™ Trevor Horn sings in the first verse, continuing, β€œRewritten by a machine on new technology / And now I understand the problems you could see.” Does a machine really need to rewrite a masterpiece such as a symphony? Food for thought.

 

Even though β€œVideo Killed the Radio Star” arrived in 1979, eventually appearing on The Buggles’ 1980 album, πŸ’Ώ The Age of Plastic, is what the band sings about dated at this point? No, because technology doesn’t stop, and new technology consistently replaces old.  In a musical context, look at how music is consumed these days. sure, β€œVideo killed the radio star / Pictures came and broke your heart” back in the 80s but look at how music is consumed now. Streaming has surpassed physical sales of music, for example.  Trevor Horn, assisted by πŸŽ™ Debi Doss and πŸŽ™ Linda Jardim continues to talk about the changes in the second verse: β€œAnd now we meet in an abandoned studio / We hear the playback, and it seems so long ago.” Besides thought-provoking lyrics, tongue-in-cheek vocals, and respectable lead vocals by Horn, the music on this Horn, 🎼 ✍ Bruce Woolery, and Geoff Downes penned track is exuberant – totally rad 🀘. One hit The Buggles may have had, but 🎡 β€œVideo Killed the Radio Star” is an awesome one that never gets old πŸ’―!  

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8. Jxckson, β€œRADIO SILENCE”  

πŸ’Ώ The Deep End (EP) β€’ 🏷 Jxckson Music β€’ πŸ“… 2023β€―β€― 

Jxckson, THE DEEP END (EP) [πŸ“·: Jxckson Music]πŸŽ™ Jxckson is a prime example of a musician who grows better with time and exhibits innovative spirit – willing to try new things.β€― His experimental spirit pays major dividends on 🎡 β€œRADIO SILENCE”, an EPIC single from his EP, πŸ’Ώ The Deep End.β€― Jxckson characterizes β€œRADIO SILENCE” as being β€œexperimental in the sense of effects used to highlight the song and I’m not necessarily known for slow songs.” What makes β€œRADIO SILENCE” so great are the vocals, vocals effects, production (πŸŽ› Boy Sim) and the production effects, and how the theme and backdrop work in tandem with one another.β€― Once again, Jxckson has done the day-um thang!β€―β€―What is neat about β€œRADIO SILENCE” is the equal importance of voices and music.β€― Yes, the voice – the singing – is the centerpiece, but the music has an elevated role too.β€― β€œRADIO SILENCE” commences with a warm yet slightly unsetting intro, prefacing the musical and thematic experience to come.β€― Early on, the bouncy bass line is among many ear-catching happenings.β€― Of course, the tune that Jxckson sings, with a unique vocal effect, mind you, is simple but beautiful. He sings with ease, barely breaking a sweat, while retaining his playful brand of vocals. Even so, we also hear this riskiness from Jxckson given the slower tempo and embracing even more emotional vocals.β€― The chorus is by far the crowning achievement, with its robust sounds, and a brilliant, intentional β€˜distancing’ contrast between lead and backing vocals.β€―Notably, during the second verse, the music is more developed with additional cues and rhythm adding to the epic musical excellence that is 🎡 β€œRADIO SILENCE” πŸ’ͺ.β€―

Appears in πŸ”»:β€― 


9. Green Day, β€œRevolution Radio”  

πŸ’Ώ Revolution Radio β€’ 🏷 Reprise β€’ πŸ“…β€―2016β€― 

Green Day, Revolution Radio [πŸ“·: Reprise]β€œScream, with your hands up in the sky / Like you want to testify / For the life that’s been deleted.” WOO! 🎡 β€œRevolution Radio” serves as a highlight from the 2016 πŸŽ™ Green Day album, also titled,β€―πŸ’Ώ Revolution Radio. Additionally, it’s a battle cry – an incredibly savvy call to action! β€œThe dawn of the new airwaves for the anti-social media.” πŸŽ™β€―Billie Joe Armstrong and company put their middle fingers up to the air denouncing police brutality, inequality, and social media.β€― Social and political issues have long been part of the band’s script. Lightning quick in tempo, β€œRevolution Radio” representsβ€―the punk and the punk-revivalist spirit at its best.β€― The centerpiece and crowning achievement are – wait for it – the chorus in all its revolutionary glory!β€― β€― 

β€œWe are revolution radioβ€― 

Operation β€˜no control’  

And the headline β€˜my love’s bulletproof’ β€― 

Give me cherry bombs and gasolineβ€― 

Debutantes in surgeryβ€― 

And the headline β€˜legalize the truth.’” 

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10. Donna Summer, β€œOn The Radio” 

πŸ’Ώ On The Radio: Greatest Hits Volumes I & II β€’ 🏷 Mercury β€’ πŸ“… 1979 

Donna Summer, On the Radio: Greatest Hits Volumes I & II [πŸ“·: UMG Recordings Inc.]β€œSomeone found a letter you wrote me on the radio / And they told the world just how you felt,” πŸŽ™ Donna Summer sings in the first verse of her classic, 🎡 β€œOn The Radio”. She continues singing, β€œIt must have fallen out of a hole in your own brown overcoat / They never said you name but I knew just who they meant.” Ooh wee! β€œOn The Radio” was one of 14 top-10 hits by the late, πŸ† Grammy-winning,  queen of disco, peaking at no. 5 on the Billboard Hot 100 in 1980.  β€œOn The Radio” graces Summer’s 1979 greatest hits compilation, πŸ’Ώ On The Radio: Greatest Hits Volumes I & II as well as the soundtrack to πŸ’Ώ Foxes.  Initially, it seems as if the record is going to be a ballad, given the slower tempo at the start, but soon enough, Summer brings out the dancing shoes and tempo. 

β€œOn the radio, whoa-oh-oh-oh / On the radio, whoa-oh-oh-oh.” Indeed! Matters of the heart continue to dominate this radio-driven gem, where, in verse two, Summer asks her ex, β€œDon’t it kinda strike you sad when you hear our song /… The only thing that I wanna hear is that you love me still.”  Furthermore, the third verse also focuses on the significance of the radio: β€œIf you think that love isn’t found on the radio / Then tune right in, you may find the love you lost.” Woo!  Notably, Summers penned β€œOn The Radio” with a fellow legend, producer 🎼 ✍ πŸŽ› Giorgio Moroder.  The supporting backdrop is #EVERYTHING – warm keys, lush strings, and an epic, epic groove.  Of course, the vocals are electric too.  Honestly, EVERYTHING is electric when it comes to 🎡 β€œOn The Radio” πŸ’―.

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11. Queen, β€œRadio Ga Ga”  

πŸ’Ώ The Works β€’ 🏷 Hollywood β€’ πŸ“… 1984 

Queen, The Works [πŸ“·: Hollywood]β€œI’d sit alone and watch your light / My only friend through teenage nights,” πŸŽ™ Freddie Mercury asserts in the first verse of 🎡 β€œRadio Ga Ga”.  He continues singing on the highlight from πŸ’Ώ The Works, the 1984 album by πŸŽ™ Queen: β€œAnd everything I had to know / I heard it on the radio.” Ooh wee! Back in the day, radio was a big, big deal. However, as time goes on, even in the 1980s, the way music is experienced shifted. Drummer 🎼 ✍ Roger Taylor wrote β€œRadio Gaga,” asserting, It deals with how important radio used to be , historically speaking before television, and how important it was to me as a kid.[1] Given the significance of radio, it makes perfect sense why Mercury goes on to sing, telling radio, β€œSo don’t become some background noise.”  

There are more lyrics that stand out in β€œRadio Gaga.” In the pre-chorus, Mercury touts β€œthe power” of radio, adding, β€œYou’ve yet to have your finest hour.” The chorus is tongue in cheek yet emphasizes the star of the show – RADIO! In the second verse, we get some of Taylor’s disdain for television in place of radio, specifically when Mercury sings, β€œSo stick around β€˜cause we might miss you / When we grow tired of all this visual.” With the songwriting conveying a respectable message, the music proves epic as always – the expectation from Queen.  By this time, we hear more synthesizers, idiomatic of the 80s, as well as drum programming. No worries though – we still get sweet guitar 🎸courtesy of πŸŽ™οΈ Brian May 🀘! Vocally, Freddie Mercury remains beastly, marvelously bringing Taylor’s lyrics and melody to life.  Another classic, 🎡 β€œRadio Ga Ga” earned Queen another top-20 hit, peaking at no. 16 on the Billboard Hot 100   

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[1] Clerc, B., Burrows, S., Higgitt, C., & Ratcliffe, P. (2020). Radio Ga Ga. In Queen: All the songs: The story behind every track (pp. 338–338). essay, Black Dog & Leventhal Publishers.  


11 Alluring, RADIO πŸ“» Approved Songs (2023) [πŸ“·: Brent Faulkner / The Musical Hype; Atlantic, Big Loud / Big Loud Rock, Boys Keep Swinging Inc / Mute Artists Ltd., Heads Up International, Hollywood, Jxckson Music, Mass Appeal, Mercury, Polydor, Reprise, The Island Def Jam Music Group; OpenClipart-Vectors]

 


the musical hype

the musical hype (Brent Faulkner) has earned Bachelor's and Master's degrees in music (music education, music theory/composition respectively). A multi-instrumentalist, he plays piano, trombone, and organ among numerous other instruments. He's a certified music educator, composer, and freelance music blogger. Faulkner cites music and writing as two of the most important parts of his life. Notably, he's blessed with a great ear, possessing perfect pitch.