11 Alluring, RADIO
Approved Songs features music courtesy of Donna Summer, Esperanza Spalding, Jake Shears, Scissor Sisters, and Shinedown.
βLights out, guerrilla radio / Turn that shit up.β WOO,
Rage Against The Machine β always bold, profane, and unapologetic! How about some
βRadioβ via
Lana Del Rey? βBaby, love me βcause Iβm playing on the radio / How do you like me now?β Then, thereβs also the
Grammy-winning duo Twenty One Pilots and
βCar Radioβ: βI have these thoughts so often, I ought / To replace that slot with what I once bought / βCause somebody stole my car radio / And now I just sit in silence.β Whatβs common among all three songs? Radio
, DUH! While none of those three, great radio songs appear on
11 Alluring, RADIO
Approved Songs, we have plenty of fabulous radio songs on this musical compendium, period. Thereβs some great music courtesy of
Donna Summer,
Esperanza Spalding,
Jake Shears,
Scissor Sisters, and
Shinedown among others. So, without additional lyrical excerpts from songs that DONβT appear on the playlist, we dive right into
11 Alluring, RADIO
Approved Songs!
1. Jake Shears, βRadio Eyesββ―
Last Man Dancing β’
Boys Keep Swinging Inc / Mute Artists Ltd. β’
2023
βWeβre glad youβve made the decision to join us / You will feel rebuilt and transformed / You will have access to information that will expand what you understand as realityβ¦β Say what?!
βRadio Eyesβ arrives as the penultimate song on
Last Man Dancing, the stellar sophomore album by
Jake Shears. Although it runs five-and-a-half minutes in duration, βRadio Eyesβ is a worthwhile listen, nonetheless.β― Notably, the intro is performed by an unlikely source:
Jane Fonda
! Fonda sets the tone for a unique, otherworldly listening experience (excerpted above).β― Itβs fitting β dance and the extraterrestrial are a match made in heaven.β― Shears, of course, delivers an alluring performance as always: βWe heard only silence / The day they appeared / And built right where they landed / A city made of tears.β Oh, snap
! Of course, the chorus marks the biggest moment β what you all came for!
βRadio Eyesβ―
I can see through this dimensionβ―
Hear you in the skyβ―
Why do I feel so alive?β―
Why do I feel so alive?β
Familiar personnel from Last Man Dancing oversee the sound: Boys Noize and Ryland Blackinton.
β―
Appears in :
2. Nas, βNot For Radioβ (Ft. Diddy & 070 Shake)
NASIR β’
Mass Appeal / Def Jam β’
2018β―
βAnd who yβall comparinβ me to is nonsense / Show gratitude in the presence of dominance.β
βNot for Radioβ kicks off
NASIR with a bang proclaiming, βEscobar season begins.ββ― Beyond
Nasβ proclamatory line,
Diddy ad-libs on the intro and throughout the course of the song. In the end, he even has a dramatic outro that focuses on black issues. Also featured on βNot for Radioβ is
070 Shake singing the chorus (βI think they scared of us, yeahβ).β―Of course, it is the
Grammy-winning rapper that is the main attraction. Nas is socially and politically charged up.β― Among his most βeyebrow-raisingβ moments include assertions such as βAbe Lincoln did not free the enslaved,β βEdgar Hoover was black,β and βFox News was started by a black dude, also trueβ (not true, but heβs making a bigger point with the fake news).β― The production (
Kanye West, Mike Dean, Benny Blanco, and Cashmere Cat) on this highlight is superb β dramatic strings, vocal pad, hard drums, sigh.β― βNot for Radioβ marks a memorable moment on a rather unmemorable Nas album.β―β―
Appears in :
3. Scissor Sisters, βTits on the Radioβ
Scissor Sisters β’
Polydor β’
2004
βWhere are the queers on the piers, heard they gave it their best.β That is a legitimate question,
Ana Matronic. The question, rather, the lyrics, hail from
βTits on the Radioβ, the groovy sixth track from
Scissor Sistersβ debut LP,
Scissor Sisters. Matronic, who takes lead duties (itβs typically
Jake Shears, who also sings key parts) responds singing, βNow they got jobs at a local fast-food chain / Flippinβ tricks for the burger, since Lady M jacked their fame.β Interesting
. The lyrics require some context and decoding. Missing queers? Lady M? With Scissor Sisters forming in NYC, it seems feasible the lyrics are referencing the city. In Times Square, there was a period that adult entertainment, sex work, and queer nightlife was huge. After βcleaning up the areaβ, things became too conservatized, causing many of the adult and queer entertainers to be jobless or trying to survive with underpaying jobs. Furthermore, Scissor Sisters suggests the queers lost some of their luster because
Madonna (Lady M, weβd assume) culturally appropriating their culture (
βVogueβ is a prime example).
Amazingly, thatβs just one verse of βTits on the Radioβ , which features risquΓ© lyrics. In the second verse, we learn about Dark room Danny, who βHears police alarm,β and βCanβt see with the lights turned out.β There are multiple interpretations that can be made, but if we stay in the realm of queer performers and sex workers, the end seems to have come. The adult theatres, clubs, and such are closed or in the case of the police alarm, being shut down. That leads us to the chorus, the catchiest part of the song, where ββCause you canβt see tits on the radio / Iβll give you five fingers for a one-man show / Fasten those pants for the lap dance / Take a shot now this may be your last chance.β Radio literally isnβt visual, but even metaphorically, in the 2000s, you couldnβt hear something lewd or overly sexual on mainstream radio. Furthermore, even from a visual sense, such as cable television, you also canβt see tits because its deemed inappropriate. All told,
βTits on the Radioβ is one of the best, most under-appreciated songs from Scissor Sisters catalog.
Appears in :
4. HARDY, βRadio Songβ (Ft. Jeremy McKinnon)β―
the mockingbird & THE CROW β’
Big Loud / Big Loud Rock β’
2023β―
βRADIO SONGβ marks a notable moment from
the mockingbird & THE CROW, the 2023 double LP by
HARDY (Michael Wilson Hardy).β― Here the country/rock musician enlists
Jeremy McKinnon, from
A Day to Remember, for the assist.β― This is clearly NOT your fatherβs country music. βRADIO SONGβ has its country moments β the chorus β but otherwise, it is, um, its own distinct record. The appearance of McKinnon alone signals βRADIO SONGβ hits different. For one, arguably, the most important, screamed lyric that he βsingsβ is βFuck!β Thereβs metalcore energy, for sure.β― Furthermore, HARDY, save for the chorus, drops quasi-rapped verses, for lack of a better description.β― One of the bullets he serves up: βWell if it ainβt under four minutes it ainβt gonβ be a hit / If there ainβt no steel in it they ainβt gonβ play yo shit.β That $h!β right there is cold!β―
Appears in :β―β―
5. Esperanza Spalding, βRadio Songββ―
β―Radio Music Societyβ― β’
β―Heads Up Internationalβ―β’
2012β―β―
βThis song will keep you grooving / (Keep that traffic movinβ) / Play it to lift your spirits / (Soon as you hear it).β WOO!
βRadio Songβ commences
β―Radio Music Society, the 2012 album by
β―Grammy-winning jazz musician,
β―Esperanza Spalding, with a bang! Like BOOM
! βWords are speaking to you / (As if they knew you) / Ooh, this songβs the one!β Indeed, THIS SONG IS THE ONE!!! βRadio Songβ featuresβ―stellar songwriting, musical arrangement, and production, all handled by Spalding
.β― The record begins withβ―Spalding singing neutral βlaβsβ and eventually incorporating that prodigious electric bass playing into the mix
.β― The percussive groove established is infectious while the horn riffs are decadent.β― Esperanza sounds utterly amazing from a vocal perspective β angelic, classic, and jazzy β making βRadio Songβ the crowning achievement of Radio Music Society.β―There are some terrific musicians assisting Spalding including
Leo Genovese on piano,
Gretchen Parlato on backing vocals, and marvelous soloing by
Daniel Blake (saxophone). Rather than analyze further, βRadio Songβ is best experienced by listening! β―
Appears in :
6. Shinedown, βThe Human Radioβ
Attention Attention β’
Atlantic β’
2018
βWe march, we fight, we live / We scream, we die, we give / We want the world to know / We are the human radio.β Florida hard rock band
Shinedown released
βThe Human Radioβ as the second single from their sixth studio LP,
Attention Attention. βThe Human Radioβ commences with a sick, rhythmic bass line. The foundation, the rest of the record is built upon its robust glory. By the chorus, the drums
, guitars
, and vocals are gargantuan β overblown in typical, hard rock fashion
. Amazingly, front man
Brent Smith shows some poise and restraint in the verses, despite continuing to exhibit attitude. Lyrically, he kicks things off with his middle fingers to the skies: βI gotta four letter word for βI donβt careβ / A whole lotta drive, to get me there / Iβve seen a whole lotta wrong, to say the least / Spent a whole lotta time, staring down the beast.β After bottling it in for so long, he eventually unleashes the ferociousness in the chorus.
βIβm reaching out to the human radio
Taking a chop on βem, I reach hard on βem
Get the money, throw the tantrum
The human radio is playing your anthem.β
While the hard rock idiom is firmly in play, βThe Human Radioβ isnβt without its fair share of modern trickery. There are some vocal effects, specifically vocoder. Also, keyboards (synths) play a role. Even so, neither vocal effects or synths take away from the record stylistically however β this is still firmly planted in the spirit of rock and roll. While βThe Human Radioβ has its share of mezzo forte (medium-loud) moments, when it is indeed loud, itβs really LOUD. #Rock TF On .
7. The Buggles, βVideo Killed The Radio Starβ
The Age of Plastic β’
The Island Def Jam Music Group β’
1980
βOh-a oh-a.β Sigh, thatβs an iconic moment from an iconic song! The song is
βVideo Killed the Radio Starβ, the sole hit by
The Buggles in the United States. Of course, such fun, but silly lyrics arenβt the sole reason this 1979 record earned the English new wave band notoriety. This record reflects on technological advancements, particular how such advancements have had a negative impact. βThey took credit for your second symphony,β
Trevor Horn sings in the first verse, continuing, βRewritten by a machine on new technology / And now I understand the problems you could see.β Does a machine really need to rewrite a masterpiece such as a symphony? Food for thought.
Even though βVideo Killed the Radio Starβ arrived in 1979, eventually appearing on The Bugglesβ 1980 album, The Age of Plastic, is what the band sings about dated at this point? No, because technology doesnβt stop, and new technology consistently replaces old. In a musical context, look at how music is consumed these days. sure, βVideo killed the radio star / Pictures came and broke your heartβ back in the 80s but look at how music is consumed now. Streaming has surpassed physical sales of music, for example. Trevor Horn, assisted by
Debi Doss and
Linda Jardim continues to talk about the changes in the second verse: βAnd now we meet in an abandoned studio / We hear the playback, and it seems so long ago.β Besides thought-provoking lyrics, tongue-in-cheek vocals, and respectable lead vocals by Horn, the music on this Horn,
Bruce Woolery, and Geoff Downes penned track is exuberant β totally rad
. One hit The Buggles may have had, but
βVideo Killed the Radio Starβ is an awesome one that never gets old
!
Appears in :
8. Jxckson, βRADIO SILENCEββ―
The Deep End (EP) β’
Jxckson Music β’
2023β―β―
Jxckson is a prime example of a musician who grows better with time and exhibits innovative spirit β willing to try new things.β― His experimental spirit pays major dividends on
βRADIO SILENCEβ, an EPIC single from his EP,
The Deep End.β― Jxckson characterizes βRADIO SILENCEβ as being βexperimental in the sense of effects used to highlight the song and Iβm not necessarily known for slow songs.β What makes βRADIO SILENCEβ so great are the vocals, vocals effects, production (
Boy Sim) and the production effects, and how the theme and backdrop work in tandem with one another.β― Once again, Jxckson has done the day-um thang!β―β―What is neat about βRADIO SILENCEβ is the equal importance of voices and music.β― Yes, the voice β the singing β is the centerpiece, but the music has an elevated role too.β― βRADIO SILENCEβ commences with a warm yet slightly unsetting intro, prefacing the musical and thematic experience to come.β― Early on, the bouncy bass line is among many ear-catching happenings.β― Of course, the tune that Jxckson sings, with a unique vocal effect, mind you, is simple but beautiful. He sings with ease, barely breaking a sweat, while retaining his playful brand of vocals. Even so, we also hear this riskiness from Jxckson given the slower tempo and embracing even more emotional vocals.β― The chorus is by far the crowning achievement, with its robust sounds, and a brilliant, intentional βdistancingβ contrast between lead and backing vocals.β―Notably, during the second verse, the music is more developed with additional cues and rhythm adding to the epic musical excellence that is
βRADIO SILENCEβ
.β―
Appears in :β―
- Awesome Songs: April 2023β―β―
- Best LGBTQ
οΈβ
Songs of 2023 (so far)β―
- Radio
: 3 to 5 BOPS No. 49 (2023)
9. Green Day, βRevolution Radioββ―
Revolution Radio β’
Reprise β’
β―2016β―
βScream, with your hands up in the sky / Like you want to testify / For the life thatβs been deleted.β WOO!
βRevolution Radioβ serves as a highlight from the 2016
Green Day album, also titled,β―
Revolution Radio. Additionally, itβs a battle cry β an incredibly savvy call to action! βThe dawn of the new airwaves for the anti-social media.β
β―Billie Joe Armstrong and company put their middle fingers up to the air denouncing police brutality, inequality, and social media.β― Social and political issues have long been part of the bandβs script. Lightning quick in tempo, βRevolution Radioβ representsβ―the punk and the punk-revivalist spirit at its best.β― The centerpiece and crowning achievement are β wait for it β the chorus in all its revolutionary glory!β― β―
βWe are revolution radioβ―
Operation βno controlββ―
And the headline βmy loveβs bulletproofβ β―
Give me cherry bombs and gasolineβ―
Debutantes in surgeryβ―
And the headline βlegalize the truth.βββ―
Appears in :
10. Donna Summer, βOn The Radioβ
On The Radio: Greatest Hits Volumes I & II β’
Mercury β’
1979
βSomeone found a letter you wrote me on the radio / And they told the world just how you felt,β
Donna Summer sings in the first verse of her classic,
βOn The Radioβ. She continues singing, βIt must have fallen out of a hole in your own brown overcoat / They never said you name but I knew just who they meant.β Ooh wee! βOn The Radioβ was one of 14 top-10 hits by the late,
Grammy-winning, queen of disco, peaking at no. 5 on the Billboard Hot 100 in 1980. βOn The Radioβ graces Summerβs 1979 greatest hits compilation,
On The Radio: Greatest Hits Volumes I & II as well as the soundtrack to
Foxes. Initially, it seems as if the record is going to be a ballad, given the slower tempo at the start, but soon enough, Summer brings out the dancing shoes and tempo.
βOn the radio, whoa-oh-oh-oh / On the radio, whoa-oh-oh-oh.β Indeed! Matters of the heart continue to dominate this radio-driven gem, where, in verse two, Summer asks her ex, βDonβt it kinda strike you sad when you hear our song /β¦ The only thing that I wanna hear is that you love me still.β Furthermore, the third verse also focuses on the significance of the radio: βIf you think that love isnβt found on the radio / Then tune right in, you may find the love you lost.β Woo! Notably, Summers penned βOn The Radioβ with a fellow legend, producer
Giorgio Moroder. The supporting backdrop is #EVERYTHING β warm keys, lush strings, and an epic, epic groove. Of course, the vocals are electric too. Honestly, EVERYTHING is electric when it comes to
βOn The Radioβ
.
Appears in :
11. Queen, βRadio Ga Gaβ
The Works β’
Hollywood β’
1984
βIβd sit alone and watch your light / My only friend through teenage nights,β
Freddie Mercury asserts in the first verse of
βRadio Ga Gaβ. He continues singing on the highlight from
The Works, the 1984 album by
Queen: βAnd everything I had to know / I heard it on the radio.β Ooh wee! Back in the day, radio was a big, big deal. However, as time goes on, even in the 1980s, the way music is experienced shifted. Drummer
Roger Taylor wrote βRadio Gaga,β asserting, It deals with how important radio used to be , historically speaking before television, and how important it was to me as a kid.[1] Given the significance of radio, it makes perfect sense why Mercury goes on to sing, telling radio, βSo donβt become some background noise.β
There are more lyrics that stand out in βRadio Gaga.β In the pre-chorus, Mercury touts βthe powerβ of radio, adding, βYouβve yet to have your finest hour.β The chorus is tongue in cheek yet emphasizes the star of the show β RADIO! In the second verse, we get some of Taylorβs disdain for television in place of radio, specifically when Mercury sings, βSo stick around βcause we might miss you / When we grow tired of all this visual.β With the songwriting conveying a respectable message, the music proves epic as always β the expectation from Queen. By this time, we hear more synthesizers, idiomatic of the 80s, as well as drum programming. No worries though β we still get sweet guitar courtesy of
Brian May
! Vocally, Freddie Mercury remains beastly, marvelously bringing Taylorβs lyrics and melody to life. Another classic,
βRadio Ga Gaβ earned Queen another top-20 hit, peaking at no. 16 on the Billboard Hot 100.
Appears in :
[1] Clerc, B., Burrows, S., Higgitt, C., & Ratcliffe, P. (2020). Radio Ga Ga. In Queen: All the songs: The story behind every track (pp. 338β338). essay, Black Dog & Leventhal Publishers.
11 Alluring, RADIO
Approved Songs (2023) [
: Brent Faulkner / The Musical Hype; Atlantic, Big Loud / Big Loud Rock, Boys Keep Swinging Inc / Mute Artists Ltd., Heads Up International, Hollywood, Jxckson Music, Mass Appeal, Mercury, Polydor, Reprise, The Island Def Jam Music Group; OpenClipart-Vectors]