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“10 More Intriguing Songs About the Baby” features music by Ari Lennox, DaBaby, Hozier, Lil Uzi Vert & Meek Mill.
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“Baby come back to me / Give me one more chance / One more chance to be, to be a better man.” That’s what Kane Brown sung on “Baby Come Back,” which appeared on his 2018 hit album, Experiment. On “Baby Daddy” (Lil Boat 2), Lil Yachty asserts, “Your baby daddy a sucka, ayy, your baby daddy a busta, ayy / Your baby daddy so broke, he hit the plug for a free line of coke.” Okay – one more for good measure! Sam Smith informed us “‘Baby, You Make Me Crazy’ / Why’d you have to fill my heart with sorrow” (The Thrill of it All, 2017). All three of these songs appeared on the 2018 playlist, 13 Intriguing Songs All About the Baby.
Now, it’s 2020, and we’re back with a slightly shorter sequel to 13 Intriguing Songs All About the Baby entitled 10 MORE INTRIGUING SONGS ABOUT THE BABY. Just like the previous list, the keyword in each of the song titles is some form of the word BABY. Simple enough, right? Right as rain! 10 MORE INTRIGUING SONGS ABOUT THE BABY features songs courtesy of Ari Lennox, DaBaby, Hozier, Lil Uzi Vert & Meek Mill among others. Without further ado, here are 10 songs about BABIES!!!
1. Lil Uzi Vert, “Baby Pluto”
Eternal Atake (Deluxe) – LUV vs. the World 2 • Atlantic • 2020
“Baby Pluto” is named after the rapper’s first alter ego of the project. Here, Pluto goes off, rapping with incredible agility over dope, hard-hitting production courtesy of Brandon Finessin, Bugz Ronin, Cousin Vinny, and IKE Beatz. As to be expected, the chorus, excerpted above, is where Vert’s bread is buttered – the drip is real. It continues a little something like this:
“I say with the baddest, I’m countin’ the cabbage While makin’ my lady cum I bought a G-Wagen, that shit was the BRABUS That’s why I be racin’ em...”
You get the picture. As for the rest of the song, well Lil Uzi continues in dripped out fashion. He’s also quite sexed-up. That said, he raises eyebrows when he asserts, “I ain’t fuck a bitch in so long, I’d do it in a Honda Accord.” Ok “Baby Pluto.”
2. DaBaby, “Blame it On Baby”
Blame it on Baby • Interscope • 2020
“Okay K.i.D, drop the beat and watch me take it home, baby!” “Blame it On Baby” is totally unforgettable, regardless whether you particularly like the song or not. Why? DaBaby is more creative here, delivering one of the true WTF moments of Blame it on Baby. What makes “Blame it on Baby” so interesting is the fact that the beat switches and he, likewise, switches up flows. Maybe this two-minute-plus joint works and maybe it doesn’t in the big scheme of things, but this represents one of the moments where minimally you appreciate Kirk thinking forward. Perhaps his most notable lines:
“They be like ‘Why you switched the beat?’ Because my flow neat, nigga ‘I thought he couldn’t switch the flow, how the hell he switchin’ the beat up?’ They don’t know who they fuckin’ with, do this shit with my feet up Yawning on these niggas, sit back, go to sleep.”
BOOM!
3. Hozier, “Wasteland, Baby!”
Wasteland, Baby! • Sony • 2019
“Wasteland, baby / I’m in love, I’m in love with you / And I love too, that love soon might end…” On “Wasteland, Baby!” Hozier ‘pulls back’ vocally, singing about the subject that dominates the LP – love. Musically, the backdrop has an organic, Irish folky sensibility; he’s accompanied by guitar, with additional color provided by keyboards. The stunning chorus, excerpted above, continues as follows:
“Be known in its aching Shown in the shaking Lately of my wasteland, baby Be still, my indelible friend, you are unbreaking Though quaking, though crazy That’s just wasteland, baby.”
4. Ari Lennox, “Shea Butter Baby”
Ft. J. Cole
Shea Butter Baby • Dreamville / Interscope • 2019
The M.O. of “Shea Butter Baby” is crystal clear from the onset – sex. Following the intro, which lifts one of the key lines of the aforementioned chorus, Ari Lennox sings about what she wants from her man: “Touch me, take me, kiss me /…Wishing, you could meet me, see me, freak me.” The infatuation, the yearning, and the horniness is real – “Lost in an alley, make love by a trash can.” As for Cole, besides adding some “oh(s)” on the pre-chorus and chorus, he appears on the second verse, speaking about genuine love, meaningful sex, and being regretful about the empty sex he’s had in the past:
“I ain’t know then, but I know now Apologies due, to one of the few The ones I ran through, but never loved you I pray you found peace and you whole now I’m doin’ better, I got me a chocolate bar...”
“Shea Butter Baby” is a fine, sexy R&B record. Ari Lennox sounds fantastic and J. Cole is as consistent and insightful as ever. Furthermore, Elite and Shroom ‘put it work’ from a production standpoint, crafting a fresh, soulful backdrop for both artists to work their magic. The guitar is one of the best touches.
5. Arcade Fire, “Baby Mine”
Dumbo (Soundtrack) • Walt Disney • 2019
“Baby Mine” totally works – totally. Following a lovely, lush intro (choral vocals, some rocking guitar, a brief drum groove), Chassagne delivers haunting, warm vocals on the first verse, excerpted above. She maintains the lullaby sensibility of the record, while still bringing some of the left-of-center charm that makes Arcade Fire cool. Some of that ‘charm’ includes “old guitars, harp, Theremin, and triangle” apparently. Her hubby, Win Butler, arrives for the second verse, and the remainder of the song, accompanied by a smooth, alternative/retro-rock-tinged backdrop. Even incorporating the indie-rock vibes into the mix, “Baby Mine” stays idiomatic of a theatrical, authentic Disney soundtrack. Perhaps it’s the strings? “Baby Mine” was previously featured on the playlist, 11 Awesome Songs that Tickled My Fancy in March 2019.
6. Roddy Ricch, “War Baby”
Please Excuse Me for Being Antisocial • Atlantic • 2019
“War Baby” is the perfectly suited closing cut, finding Roddy Ricch reflecting on an arduous past. On the first verse, he asserts, “I’m from the bottom of the bottom, check your sources baby / I’m a war baby, but I can’t divorce the pavement.” He goes on to say, “It was hell in the projects, I survived the storm / Got brothers in the sky, they die ‘fore they born.” Essentially, Ricch makes it clear he’s been through a lot, he’s rough-n-tumble, but he’s made it – he’s a success story. The centerpiece, of course, is the chorus:
“We was hoppin’ out in broad day Serving fiends in the hallway Promethazine ‘til the mornin’ Hope I don’t wake up tomorrow We was the type of niggas that would rob the robbers I’ma make the choppa sing like la-di-da-da-da (La-da, la-da) ...Survived in the trenches, I’m a war baby Had to slide on the sliders, that ain’t normal, baby.”
Call “War Baby” the ‘hood gospel.’ Sonic stitches up gorgeous production for Roddy Ricch to spit over, led by lush piano and anchored by robust bass and a hella rhythmic beat. Another lovely touch? The choral vocals, straight out of the black church. I particularly love the “Whoa” outro.
7. Lil Baby, “Baby”
Ft. DaBaby
Quality Control: Control the Streets Volume 2 • Quality Control Music • 2019
Don’t call “Baby” scintillating – it’s basic. Neither Lil Baby or DaBaby can be characterized as transcendent artists, despite their population. The production by Wheezy is respectable, but nothing game changing. Lil Baby raps the first verse, focusing on himself: “Baby really a problem, somebody gotta stop him.” There’s drip, street smarts, and sex. He follows up with the chorus, which features ‘Baby’ 12 times! Notably, he concludes the chorus with “Baby like a preacher, Baby prolly still sell reefer.”
DaBaby does much of the same the second verse. “I tell my bitch I’m faithful, but I still got the hoes.” Typical. There’s plenty of sexual references throughout to complement the drip, many of which are incredibly cocky. A prime example:
“I barely wanna hit her, got her beggin’, ‘Baby, please’ I tell a bitch to shut up, you ‘bout to fuck my nut up…”
Perhaps the best attribute of this particular ‘baby’ song – it’s brief.
8. Meek Mill, “Oodles O’ Noodles Babies”
Championships • Atlantic • 2018
“I used to act up when I went to school Thought it was cool, but I really was hurt Wanted my family to come to my games My mama couldn’t make it ‘cause she was at work Lived with my grandma, she took me to church... Got a black judge tryna tear me down All this jail time probably wear me down.”
Between the two verses on “Oodles O’ Noodles Babies,” there’s an interlude as opposed to a chorus. The interlude is written similarly to the introduction. Beyond the interlude, Meek ends the record with an outro, once more patterned after the intro and interlude sections. Besides the personal nature of the lyrics, the soulful production work is worth mentioning, helping to fuel his honesty and openness. It’s rewarding to hear him drop bars about his life and emotions.
9. Action Bronson, “Baby Blue”
Ft. Chance the Rapper
Mr. Wonderful • Atlantic • 2015
“Heartbreak drowned sorrows in a large steak.” O…K… Anyways, on “Baby Blue,” Action Bronson pours out his emotions, beginning on the memorable, pained, sung hook:
“Why you always all on my back? Why you gotta do me like that? Why you gotta act like a bitch when I’m with you? Baby girl I’m blue.”
He continues to address his issues with this girl, which he already characterized as a bitch. At one point he asserts, “Girl, we grown, stop playing on my phone / All your childish attempts to make me angry fall short …” Regardless, she’s the one missing out because, well, he’s, well, pretty awesome. What you’ve got to love is his confidence, particularly throughout the course of the second verse:
“Some [women] would say that I’m the symbol for sex and uh Others would hate, but I don’t give ‘em no breath… I gotta go, you’ll never know how good it feels to lay in bed with king I’m not exactly flawless, but I’m gorgeous, just like a horse is...”
Big dick energy? Seems like it. Chance The Rapper ups the ante on his verse, which includes the lyrics, “I hope you get a paper cut on your tongue / From a razor in a paper cut / I hope every soda you drink already shaken up…” Also, worth mentioning, Mark Ronson handles the production duties on this soulful, hip-hop cut.
10. Lana Del Rey, “Brooklyn Baby”
Ultraviolence • Interscope • 2014
“Brooklyn Baby” proves to be the perfect for record for hipsters. She references artistic things popular in the 1970s. This includes Lou Reed, Beat poetry, and a “rare jazz collection.” Hmm, wonder what the dates are on the records from that “rare jazz collection?”:
“Well my boyfriend’s in the band He plays guitar while I sing Lou Reed I’ve got feathers in my hair I get down to Beat poetry And my jazz collection’s rare…”
If you are a hipster, this is a cut right up your alley. Perhaps she’s a bit indulgent at times, and really loved her boyfriend (at the time), but all in all, this ‘baby’ song is one that’s worthwhile. Vocally, Lana Del Rey is simply hypnotic. Furthermore, the dreamy production by Dan Auerbach only amplifies the hypnotic quality. Also, worth mentioning are the drug references, whether it’s “Churning out novels like / Beat poetry on Amphetamines” or “I’ve got feathers in my hair / I get high on hydroponic weed.”
10 More Intriguing Songs All About the Baby 🎧 [📷: Atlantic, Brent Faulkner, Dreamville, Interscope, The Musical Hype, Pexels, Pixabay, Quality Control Music, Sony, Walt Disney]
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