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Just Don't Do It SongsThe ā€˜Just Donā€™t Do It Songsā€™ is comprised of 12 songs where the artists encourage others NOT to do something.

JUST DONā€™T DO IT! Ah, another playlist! The criteria for the Just Donā€™t Do It playlist is that the song title must have an action that the respective artist encourages others NOT to do.Ā  An example of an action-donā€™t song would be the Michael Jackson classic ā€œDonā€™t Stop ā€˜Til You Get Enoughā€ (Off the Wall, 1979) which isnā€™t included on this more contemporary-minded playlist. 12 songs deep, without further ado, here is the Just ā€˜Donā€™tā€™ Do It Songs.


1. X Ambassadors, ā€œDonā€™t Stayā€

ā€œDonā€™t Stayā€ ā€¢ Interscope ā€¢ 2018

X Ambassadors, Don't Stay Ā© Interscopeā€œDonā€™t Stayā€ is chocked-full of soul.Ā  It starts with the production, particularly the groove led by the cymbal accent.Ā  Even with a sense of energy from the get-go, the pacing of ā€œDonā€™t Stayā€ is great.Ā  Itā€™s mysterious and somewhat restrained on the first verse, while gradually adding more instruments and sounds. Frontman Sam Harris is on autopilot early on, dropping electrifying vocals from start to finish.Ā  The biggest selling point of his vocal performance is his masterful falsetto, specifically on the chorus.

The chorus, itā€™s incredibly catchy ā€“ the crowning achievement of the record.

ā€œBut donā€™t stay for me
Donā€™t stay for me
If you got to leave
Do what you need
But donā€™t stay for me
Donā€™t stay for me.ā€

Continuing to sing the praises of Harris, the layering of his head voice (falsetto) and chest voice is brilliant. In essence, ole boy lets loose.Ā  Also, worth mentioning is the theme of ā€œDonā€™t Stayā€ ā€“ love.Ā  Harris takes the blame because of his deficiencies, urging his bae NOT to stay because of him.


2. Panic! At the Disco, ā€œDonā€™t Threaten Me with a Good Timeā€

Death of a Bachelor ā€¢ Fueled by Ramen ā€¢ 2015

Panic! At The Disco, Death Of A Bachelor Ā© Fueled By Ramenā€œAlright, alright, itā€™s a hell of a feeling though!ā€ Brendon Urie is turned-up to the nth degree on ā€œDonā€™t Threaten Me with a Good Time,ā€ one of numerous highlights from the Grammy-nominated Death of a Bachelor album. Ā Urie exudes exuberant spirit on the infectious chorus, excerpted above. Lyrically, ā€œDonā€™t Threaten Me with a Good Timeā€ is incredibly zany. ā€œChampagne, cocaine, gasoline / And most things in between / I roam the city in a shopping cart / A pack of camels and a smoke alarm.ā€ Ā Furthermore, the narrative is wild.


3. N.E.R.D, ā€œDonā€™t Donā€™t Do It!ā€

Ft. Kendrick Lamar

No Ever Really Dies ā€¢ Columbia ā€¢ 2017

N.E.R.D., No One Ever Really Dies Ā© Columbiaā€œThey tell you pull over, tell you get out the car / Donā€™t do it, donā€™t-donā€™t do it.ā€ ā€œDonā€™t Donā€™t Do It!ā€ features a ā€˜left of centerā€™ sound, but more notable is its message of social justice.Ā  ā€œDonā€™t Donā€™t Do It!ā€ was inspired by the shooting of Keith Scott. Williams also cites other examples resulting in the death of black men: ā€œWhoa Ferguson, oh Baltimore / Raleigh, North Carolina / But you know, youā€™re gonna do it anyway.ā€ Kendrick Lamar drops a thrilling guest verse.


4. Taylor Swift, ā€œDonā€™t Blame Meā€

Reputation ā€¢Ā Big Machine ā€¢ 2017

Taylor Swift, Reputation Ā© Big MachineItā€™s easy to let the superb production work of ā€œDonā€™t Blame Meā€Ā  steal the show.Ā  Shellback and Max Martin always soundly stitch up a track.Ā  Still, as great as the wobbling synths and robust sounds are, Taylor Swift exhibits some terrific vocal moments.Ā  When discussing Swift, we rarely discuss her voice as much as her songwriting and ability to infuse personality into those songs. Here, she has some truly awesome, legit moments, which are aided by vocal production, but the vocal production doesnā€™t solely get the credit.Ā  The ad-libs, particularly the ā€˜high Eā€™ she hits are a selling point. The backgrounds donā€™t hurt either.


5. Shawn Mendes, ā€œDonā€™t Be a Foolā€

Illuminate ā€¢ Island ā€¢ 2016

Shawn Mendes, Illuminate Ā© IslandShawn Mendes showcases maturity beyond his 18-years of age on ā€œDonā€™t Be a Foolā€. Vocally, Mendes sounds fantastic, showcasing the sheer radiance of his instrument. He infuses every ounce of passion, which is shown through the rasp and earnestness of his voice. An old-school record chocked full of blues, Mendes makes it sound ripe and relevant.


6. Bleachers, ā€œDonā€™t Take the Moneyā€

Gone Now ā€¢Ā RCA ā€¢ 2017

Bleachers, Gone Now Ā© RCAā€œSomebody broke me once / Love was a currency / A shimmering balance act / I think that I laughed at that.ā€ Throughout highlight ā€œDonā€™t Take the Moneyā€, Bleachers (Jack Antonoff) depicts elements of his relationship.Ā  Some parts of the relationships are good, while others arenā€™t. According to him, ā€œdonā€™t take the moneyā€ is a phrase he says to himself regarding a gut feeling.Ā  On the first verse, Antonoff takes issue with love. Similarly, on the second verse, Antonoff continues to describe the plight of love.

In the context of the chorus, he embraces the push and pull of love.

ā€œYou steal the air out of my lungs, you make me feel it
I pray for everything we lost, buy back the secrets
Your hand foreverā€™s all I want
Donā€™t take the money
Donā€™t take the money.ā€

On the bridge, he gives advice about facing similar situations and decisions regarding love.


7. Solange, ā€œDonā€™t Touch My Hairā€

A Seat at the Table ā€¢ Columbia ā€¢ 2016

Solange, A Seat at the Table Ā© Columbiaā€œDonā€™t touch my hair / When itā€™s the feelings I wear / Donā€™t touch my soul / When itā€™s the rhythm I know.ā€ While ā€œCranes in the Skyā€ deservingly earned Solange her first Grammy award, ā€œDonā€™t Touch My Hairā€ is another of many highlights from her third studio album, A Seat at the Table. Ā Solange is assisted by British musician Sampha.Ā  ā€œDonā€™t Touch My Hairā€ plays on stereotypes and naivety. Even so, itā€™s metaphorical as well, transcending any stereotypes. The jazzy neo-soul record tackles invasiveness, racial profiling, and pride.

ā€œYou know this hair is my shit
Rolled the rod, I gave it time
But this here is mine.ā€

8. Ty Dolla $ign, ā€œDonā€™t Judge Meā€

Ft. Swae Lee & Future

Beach House 3 ā€¢Ā Atlantic ā€¢Ā 2017

Ty Dolla $ign, Beach House 3 (Deluxe) [Photo Credit: Atlantic]ā€œDonā€™t Judge Meā€ has ample pros.Ā  First of all, the production work is great.Ā  Hard drums and lush, urban contemporary sounds make for superb palette of sounds.Ā  Following the brief intro by the ubiquitous Swae Lee, Ty Dolla $ign properly kicks things off with the hook. He follows that up with a short verse, and the reiteration of the hook, before Future steps to the mic on the second verse.Ā  Future quotes the hook, references a threesome as well as various drugs. The ever-distinct Swae Lee, like his colleagues, ā€œcanā€™t be touched.ā€ Donā€™t judge them.


9. Russ, ā€œDonā€™t Lieā€

Thereā€™s Really a Wolf ā€¢ Columbia ā€¢Ā 2017

Russ, Theres Really a Wolf Ā© Columbiaā€œEverythinā€™ you thought about the power that your pussy holds / ā€˜Cause I got what they want, if I fuck you, your pussy’s gold / You’re used to these tier twos, I know what you got pierced too / I thought that shit was between you and me.ā€ Okay, Russ, okayā€¦ The ā€˜do-it-allā€™ rapper-producer-mixer-mastering engineer takes an unapologetic shot on the second verse of ā€œDonā€™t Lie.ā€ He shuts down a girl, who remains nameless. Ā Clearly, Thereā€™s Really a Wolf, and heā€™s not afraid to bite.

ā€œBaby, donā€™t lie to me
I donā€™t know why you need
To just lie, lie, lie
Tell me why, why, why
Ooh yeah.ā€

10. Bryson Tiller, ā€œDonā€™t Get Too Highā€

True to Self ā€¢Ā RCA ā€¢ 2017Ā 

Bryson Tiller, True to Self Ā© RCAAccording to Bryson Tiller on ā€œDonā€™t Get Too High,ā€ heā€™s ā€œā€¦not trying to kill your vibe, kill your buzz.ā€Ā  No, heā€™s not trying to rehabilitate her, at least in the most literal sense. Rather, Tiller wants to be with her, and feels heā€™s ā€œthe only drugā€ she needs.Ā  This is clichĆ© to an extent ā€“ he just wants to hold her down. K.


11. The Chainsmokers, ā€œDonā€™t Let Me Downā€

Ft. Daya

Collage ā€“ EP ā€¢Ā Columbia ā€¢Ā 2016

The Chainsmokers, Collage [EP] Ā© Disruptor/Columbiaā€œCrashing, hit a wall / Right now I need a miracleā€¦ / I can call your name but youā€™re not around / I say your name but youā€™re not around.ā€ ā€œDonā€™t Let Me Downā€ is quite the decorated The Chainsmokers record. Assisted by teen-pop up-and-comer Daya, ā€œDonā€™t Let Me Downā€ was a top-five Billboard Hot 100 hit.Ā  Furthermore, the record won a Grammy at the 59th Annual Grammy Awards.Ā  The music video alone has accumulated nearly one billion views. Thatā€™s huge.Ā  Safe to say, ā€œDonā€™t Let Me Downā€ hasnā€™t let The Chainsmokers or Daya down in the least.Ā  Ultimately, it concludes Collage (EP) delightfully.

ā€œI need you, I need you, I need you right now
Yeah, I need you right now
So donā€™t let me, donā€™t let me, donā€™t let me down.ā€

12. Sigrid, ā€œDonā€™t Kill My Vibeā€

Donā€™t Kill My Vibe ā€“ EP ā€¢Ā Island ā€¢ 2017

Sigrid, Don't Kill My Vibe EP Ā© Islandā€œYou think you’re so important to me, don’t you? / But I wanted you to know that you don’t belong here / You think you’re so important to me, don’t you? / Don’t kill my vibe.ā€ 21-year old Norwegian pop artist Sigrid shines on soaring pop single ā€œDonā€™t Kill My Vibe.ā€ ā€œDonā€™t Kill My Vibeā€ latches from a first listen with its exuberant vocals and compelling production to match.Ā  Who would dare kill this girlā€™s vibe?

ā€œI tried to play it nice but
Oh-oh-oh, ooh, ooh
Don't kill my vibe
Oh-oh-oh, ooh, ooh
Don't break my stride
I tried to play it nice but.ā€

Photo Credits: Atlantic,Ā Big Machine,Ā Columbia,Ā Def Jam,Ā Fueled by Ramen,Ā Interscope, Island, RCA

Ā 

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the musical hype

the musical hype aka Brent Faulkner has earned Bachelor and Masters degrees in music (music Education, music theory/composition respectively). A multi-instrumentalist, he plays piano, trombone, and organ among numerous other instruments. He's a certified music educator, composer, and a freelance music journalist. Faulkner cites music and writing as two of the most important parts of his life. Notably, he's blessed with a great ear, possessing perfect pitch.

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