Reading Time: 3 min read

3.5 out of 5 stars

JoJo, Mad Love. © AtlanticAfter 10 long years, urban-pop musician JoJo returns with a respectable third studio album, Mad Love.  

10 years.  That’s how long it’s been since JoJo released her sophomore album, The High Road.  In the music biz, a decade can be career suicide.  Luckily, it can also open new doors, in the right circumstances.  While it is hard to tell how effective the return of JoJo will be commercially, critically, her third album, Mad Love., offers ample promise.


“Music.”

Mad Love. commences surprisingly with a ballad “Music.”. “Music.” was released as a promo track, and initially came over as sound but not rousing.  Listening contextually, it’s more moving and meaningful.  JoJo sings classily with undeniable authenticity.  The pace changes on “I Can Only,” featuring rising urban-pop singer/songwriter Alessia Cara.  “I Can Only” is slick and chocked full of swagger.  Unapologetic, neither girl gives a bleep.

“I ain’t apologizing for shit.” Keeping things unapologetic, explicit, yet superb, single “Fuck Apologies”, featuring Wiz Khalifa, arrives. The single marked a bold return for JoJo, who refuses to apologize because she “didn’t do nothing wrong.”  The chorus is the selling point:

“What you want from me?
I would say I’m sorry if I really meant it
Fuck apologies
I would say I’m sorry if I really meant it
I’m not perfect, I got pride
That’s not what it is this time
So fuck apologies
I would say I’m sorry if I really meant it
If I, if I, if I really meant it.”

“FAB” continues feistiness that characterizes Mad Love. She trades Wiz for Remy Ma.  Expectedly, “FAB.” Is slickly produced and driven by profanity.  It’s heavy-handed in this regard, but JoJo clearly executes her point and earns another catchy chorus in the process. Title track “Mad Love.”, a ballad, is a welcome change of pace, finding her singing angelically. “Mad Love” masterfully revisits classic soul.

“You give me mad love
How far can we go? Nobody knows
You give me bad love
But I’ll take what I get, I’m starvin’ for it
Like I’ve never had love
You keep me insane and I’m not ashamed
Don’t-give-a-damn love
I want you so bad, love
You give me.”

“Vibe”

“Vibe” contrasts the serious “Mad Love” in favor of gimmicky, electro-, reggae-infused pop.  Drenched in sex and swag, the record eschews substance. Regardless, it’s fun. “Honest” finds JoJo drenched in reverb. Somewhat confusing, it deceptively begins like a ballad and eventually winds up being another soundly executed urban-pop record. “Like This” is sex-driven, period.  Over its course, JoJo sings seductively, enticing the listener as much as she’s enticing her boo:

“He told me that he like this, he like this
He wanna take his time with me, like this
Let me show you how I wind it, like this...
Take your body downtown…”

The first thing that comes to mind with “Edibles.” is weed.  Indeed, “Edibles” encompasses getting high (“If you wanna come eat edibles…”). It also encompasses sex (“do some freaky shit, incredible / I’m your girl, I’m your girl…”).  The weed references, coupled with sex, are amplified on the bridge:

“Green candies melting us together
I feel higher up than Fenway Park
Is it your fingers giving tingles or this
Hydroponic daily spark?
Meet me in the dark
I need you here 10 P.M. sharp...”

“High Heels” ranks among the feistiest moments, as well as the crème de la creme.  A kiss-off to a cheating boyfriend, JoJo calls him a “bad motherfucker.” She DGAF, whatsoever:

“I put my high heels on, walk right out the door
Best believe, I’m a leave, don’t need you no more
Put my black dress on, boy you’ve done me wrong
Leave the keys, burn the sheets and then move along
I’m a look damn good for all your friends
Don’t cry when you see me again
I put my high heels on.”

On closer “I Am” (standard edition of Mad Love), she takes a kinder, gentler approach to heartbreak.  She’s not scorned, but builds herself up as being “worthy of love.” It’s a fitting closing from a talented artist.  The deluxe edition adds four additional songs: “Clovers,” “Reckless,” “Good Thing” and “Rise Up.”


Final Thoughts

All in all, Mad Love is a respectable, enjoyable return by JoJo.  It doesn’t reinvent pop or urban contemporary music, but it’s solidly constructed. Vocally, JoJo sounds compelling throughout, even when a given song isn’t a home run.

Gems: “Music.,” “Fuck Apologies.,” “Mad Love.,” “Edibles.” & “High Heels.”

3.5 out of 5 stars


JoJo • Mad Love • Atlantic • Release: 10.14.16
Photo Credit: Atlantic

 

Print Friendly, PDF & Email

the musical hype

the musical hype aka Brent Faulkner has earned Bachelor and Masters degrees in music (music Education, music theory/composition respectively). A multi-instrumentalist, he plays piano, trombone, and organ among numerous other instruments. He's a certified music educator, composer, and a freelance music journalist. Faulkner cites music and writing as two of the most important parts of his life. Notably, he's blessed with a great ear, possessing perfect pitch.

1 Comment

Comments are closed.

Verified by MonsterInsights