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In the 54th edition of 5ive Songs (2022), we select five songs that are associated with EVERYBODY in some form or fashion.
![Everybody: 5ive Songs No. 54 (2022) [📷: Brent Faulkner, Clovis Cheminot, Gerd Altmann, The Musical Hype, OpenClipart-Vectors, Pixabay]](https://themusicalhype.com/wp-content/plugins/accelerated-mobile-pages/images/SD-default-image.png)
![Everybody: 5ive Songs No. 54 (2022) [📷: Brent Faulkner, Clovis Cheminot, Gerd Altmann, The Musical Hype, OpenClipart-Vectors, Pixabay]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2022/09/everybody-5ive-songs-54-2022.jpg?resize=425%2C425&ssl=1)
Welcome to 5ive Songs, where we keep things short and sweet – no extra calories or needless fluff! There’s a theme/topic, five songs, and a short blurb. Yes, it’s a playlist, but it’s a miniature playlist that shouldn’t take much time to consume. In the 54th edition of 5ive Songs (2022), we select five songs that are associated with EVERYBODY in some form or fashion. Okay, let’s get into it!
1. Weyes Blood, “It’s Not Just Me, It’s Everybody”
💿 And In The Darkness, Hearts Aglow • 🏷 Sub Pop • 🗓 2022
“It’s Not Just Me, It’s Everybody” commences beautifully and enigmatically. It opens with a crescendo of lush strings, prefacing a groove and warm piano chords. Weyes Blood then enters, singing radiantly and expressively. Throughout the course of the record, she never over-sings, maintaining poise while bringing just the right oomph. The songwriting, alongside the refined music backdrop, is the biggest selling point. Mering sings her relatable, poetic, thoughtful lyrics with incredible authenticity. “Sitting at this party / Wondering if anyone knows me / Really sees who I am,” she sings at the beginning of the first verse, continuing, “Oh, it’s been so long since I felt really known.” Woo – those words hit hard. Similarly, lines like, “Living in the wake of overwhelming changes / We’ve all become strangers” (verse two) and “Yes, we all bleed the same way” pack a sizable, ultra-relatable punch. The six-minute-long record thrives thanks to expressive vocal performance, elite songwriting, and excellent production work.
2. Lizzo, “Everybody’s Gay”
💿 Special • 🏷 Nice Life / Atlantic • 📅 2022
So, is “Everybody’s Gay” really about sexuality? Well, it speaks to being ‘whom you are’ and not hiding or pretending to be someone else. This is a record that encourages self-love without fear or reservation. It’s fun and as always, the 🏆 Grammy-winning pop artist is unapologetic. The orchestration (Lemar Guillary), and production (🎛 Nate Mercereau, 🎛 Pop Wansel, 🎛 Ian Kirkpatrick, and 🎛 Ricky Reed) are reason enough to put this one on repeat!
3. Logic, “Everybody Dies”
💿 YSIV • 🏷 Def Jam • 📅 2018
Consistently, he shows just how much he believes in himself. “Everybody Dies” features a dusty, soulful, East Coast rap beat. Furthermore, the synths and pads are effective, naturally suiting his explosive flow. He isn’t playing around on the chorus, asserting, “This what you all been waitin’ for, ain’t it? / Rap game owe me, I been waitin’ for the payment…” Oh, snap! He continues, with the utmost confidence, spitting, “All these little rappers come and go, wonder where they went / Ten years of runnin’, yeah we came up from the basement.” Logic consistently serves up cocky, confident, and ‘turnt-up’ rhymes, with no shortage of memorable, punch lines:
“I am not top ten, more like top three
I am not two ‘cause, nobody could top me
Get the pussy wet like Jodeci, you know it’s me
I can’t seem to put my finger on it like a rotary.”
Notably, you’ve gotta love how his vocals are layered throughout “Everybody Dies,” coupled with the agility and speed of his rhymes. The 🏆 Grammy-nominated rapper talks a lot of shit, but, you must admire his flows.
Appears in 🔻:
4. Kehlani, “Everybody Business”
💿 It Was Good Until It Wasn’t • 🏷 Atlantic • 📅 2020
Thematically, it tackles matters of the heart. She commences with a bullet: “I ain’t never been a half-ass lover / Rather lay out on the train tracks for ya.” The big takeaway is ignoring the haters. In the pre-chorus, she delivers one of the most memorable lines: “At my big ol’ age, I can’t be fazed / By what you mistake as going insane.” The centerpiece is the chorus:
“I hear every word they talk
Try not to care at all
I know it’s frontin’, don’t know me from nothin’
Still learning to shake it off
I know I can take it all
I know it’s frontin’
You know they frontin’, babe, yeah.”
Appears in 🔻:
5. The Main Ingredient, “Everybody Plays the Fool”
💿 Bitter Sweet • 🏷 RCA • 📅 1972
So, what makes “Everybody Plays the Fool” so epic? The production is colorful and incredibly soul – certainly idiomatic of the smooth, sleek 70s sound (piano, robust bass, winds, strings, etc.). The vocals are elite – shout out 🎙 Cuba Gooding, Sr.. The lyrics are relatable, capturing that foolishness we all experience at some time with love. “Oh, heaven on earth is all you see,” goes the second verse, continuing, “You’re out of touch with reality / And now you cry, but when you do / Next time around, someone cries for you.” Of course, the chorus nails it, continuing from earlier, “Listen baby / “It may be factual, may be cruel / I wanna tell you that / Everybody plays the fool.” FACTS!
Appears in 🔻:
Everybody: 5ive Songs No. 54 (2022) [📷: Atlantic, Brent Faulkner, Clovis Cheminot, Def Jam, The Musical Hype, Nice Life, OpenClipart-Vectors, Pixabay, RCA, Sub Pop]
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