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Awesome Songs That Tickled My Fancy: May 2021 🎧 features Anthony Hamilton, Bella Poarch, Burna Boy, Olivia Rodrigo, P!nk, & Twenty One Pilots.
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AAh, it’s time to select the best songs of month: 🎧 Awesome Songs That Tickled My Fancy: May 2021! All of the songs on 🎧 Awesome Songs That Tickled My Fancy: May 2021 were released as singles or as an album track in May 2021, or whereabouts (I reserve the right to make exceptions). Musicians that made our ears perk up in the month of May include 🎙 Anthony Hamilton, 🎙 Bella Poarch, 🎙 Burna Boy, 🎙 Olivia Rodrigo, 🎙 P!nk, and 🎙 Twenty One Pilots among others. Without further ado, here are 🎧 Awesome Songs That Tickled My Fancy: May 2021!
1. Olivia Rodrigo, “good 4 u”
💿 SOUR • 🏷 Geffen • 📅 2021
Rodrigo matches the intensity, bringing ample personality via her angst-filled Gen-Z teenage persona! Furthermore, she has the songwriting to sell via her performance, dabbling in that ever-relatable topic of heartbreak. The best moment is the chorus where she’s “Cryin’ on the floor of my bathroom / But you’re so unaffected, I really don’t get it / but I guess good for you.” Fancy sufficiently tickled!
2. Burna Boy, “Kilometre”
🎵 “Kilometre” • 🏷 Atlantic • 📅 2021
There’s plenty to totally rave about “Kilometre.” Beginning with the production, the groove is potent, the sound is colorful and definitely idiomatic of global music. This provides Burna Boy with fuel for the fire. That said, Burna is on autopilot from the start, beginning with a hella infectious chorus that will stick in your head for days and days. On the verses, Burna is also on fire, performing in his native dialect, dropping some sensational bars. Even with the distinct differences “Kilometre” may have compared to an American pop or rap song, there are some bars that truly hit hard and resonate throughout:
“People think I be Johnny just come Like I just got rich, like my money just come Send them back to where they come from For talking like the product of a torn condom.”
Woo! From the opening tip, “Kilometre” is a total bop. Truly talented, Burna Boy is indeed an African Giant.
3. Bella Poarch, “Build a Bitch”
🎵 “Build a Bitch” • 🏷 Warner • 📅 2021
Poarch makes it clear that far too many men set an impossible standard for their own benefit. On the verses, she goes on to elaborate about the opposite sex’s search for perfection, further illustrating her point. Beyond the songwriting and a strong performance from Poarch, “Build a Bitch” features sleek production work (🎛 Elie Rizk and 🎛 Sub Urban) that’s definitely ear catching. All in all, Bella delivers. She manages to make a brief, colorful pop song, while delivering a notable message.
Also appears on 🔽:
🔗 🎧 Build: 3BOPS No. 29 (2021)
4. Anthony Hamilton, “You Made a Fool of Me”
🎵 “You Made a Fool of Me” • 🏷 My Music Box / BMG Rights Management • 📅 2021
One thing I’ve always ‘hearted’ about Mr. Hamilton is how he truly ‘gives his all’ in each and every performance. Here, it is especially easy to do so given the circumstances constructed via the songwriting (Hamilton, Dupree, Montgomery, and 🎼✍ Manuel Seal). Honestly, as the title suggests, [She] “made a fool of” [Him] and doesn’t care about him the way he cared about her. It’s a classic case of unrequited love as well as C-H-E-A-T-I-N-G since she slept with another man – scandalous! Hamilton perfectly captures the pain of his heartbreak on this three-and-a-half-minute contemporary soul gem. “You Made a Fool of Me” gives Hamilton another gem where he masterfully preserves the sanctity of soul music. Everything feels right about this cut: the vocals, the lyrics and theme, and of course, the production. Even if that weren’t enough, the vibe – the aesthetic – is absolutely awesome.
Also appears on 🔽:
🔗 🎧 15 Totally & Utterly Foolish Songs
5. P!nk, “All I Know So Far”
💿 All I Know So Far: Setlist • 🏷 RCA • 🗓 2021
Of course, there are a few salty words thrown in, but they don’t take away from the excellence and refined nature of this song. The chorus is clearly the centerpiece, where P!nk is able to show just how elite she is vocally. Of course, she has nothing left to prove at this point! A few more notes. The songwriting on the chorus is particularly special – it definitely gives off those feels.
“You throw your head back and you spit in the wind Let the walls crack, ‘cause it lets the light in Let ‘em drag you through hell They can't tell you to change who you are That's all I know so far.”
Furthermore, I love when Moore further lets loose on the post-chorus (or refrain), backed by harmonized vocals and delivering some stellar ad-libs. Also, the bridge provides fine contrast, as well as that signature f-bomb. Every box is checked off as P!nk continues to impress us with her artistry.
Also appears on 🔽:
🔗 🎧 ‘A’ Songs: No Rhyme or Reason, Vol. 2
6. J. Cole, “9 5 . s o u t h”
💿 The Off-Season • 🏷 Dreamville / Roc Nation • 📅 2021
Cole brilliantly takes a shot at rappers who rely on quantity over quality with very little gain, continuing the aforementioned first verse as follows:
“What you sold, I tripled that, I can’t believe these fuckin’ clowns Look how everybody clappin’ when your thirty-song album do a measly hundred thou’.”
There’s no chorus, but there is an interlude between the first and second verses, with a badass outro following the second. On the outro, we get more Cam’ron as well as a timely 🎙 Lil Jon & The Eastside Boyz sample, 🎵 “Put Yo Hood Up”.
“Put your hood up... Put your clique up... Represent your shit, motherfucker... Represent your clique, motherfucker... If you scared to throw it up, get the fuck out the club...”
Epic start to The-Off Season to say the least as well a standalone record that sufficiently tickles my fancy.
7. Billie Eilish, “Your Power”
💿 Happier Than Ever • 🏷 Darkroom / Interscope • 📅 2021
“...I know we didn’t choose to change You might not wanna lose your power But havin’ it’s so strange.”
While this song is personal to Eilish, she seems to aim at an entire congregation wronged by power – abuse. Vocally, Eilish sings as beautifully, intimately, and understatedly as always. Her brother, 🎼✍ 🎛 FINNEAS, co-writes and produces with great results. “Your Power” is more acoustic sounding compared to her previous records. The use of guitar as the driving force within the accompaniment is very musical, much like Billie’s vocal performance. Focusing once more on the main attraction – the songwriting – Eilish manages to get a catchy, memorable chorus out of this emotionally charged record. “Your Power” is another win for Billie, as well as our playlists. Fancy sufficiently tickled.
8. Coldplay, “Higher Power”
🎵 “Higher Power” • 🏷 Parlophone • 📅 2021
As always, 🎙 Chris Martin is brilliant, serving up energetic and expressive lead vocals; it’s incredibly easy to buy what he’s selling. The lyrics aren’t overly complicated and certainly don’t go incredibly deep, even with the spiritual ideas. The first and second verses feature some repetition and feel more like a ‘vibe’ than something possessing immense depth. The pre-chorus definitely sets up the centerpiece, the chorus (excerpted above), in all its glory. Beyond the verses and chorus, there’s the high-flying bridge that celebrates that higher power, as well as an outro which references prayer… well… maybe. “When for so long I’d been down on my knees,” Martin sings, continuing, “Then your love song saved me over and over.” Again, Martin could be talking about God, a god, or merely someone who ‘saved him’ though not in a salvation sense. All said and done, there’s lots to heart about this record.
9. Shelley FKA DRAM, “The Lay Down”
Ft. H.E.R. & watt
💿 Shelley FKA DRAM • 🏷 Atlantic / EMPIRE • 📅 2021
On “The Lay Down,” the lushness and buttery smooth vibes are breathtaking. This particular record definitely shows various faces of R&B. DRAM sings angelically, as does his 🏆 Oscar and Grammy-winning co-vocalist, 🎙 H.E.R. The chemistry is epic. Also, throw in 🎛 watt writing and working behind the boards and “The Lay Down” only grows into a bigger juggernaut. The two best moments: the chorus and a stellar guitar feature.
Also appears on 🔽:
🔗 🎧 Lay: 5ive Songs No. 40 (2021)
10. Conan Gray, “Astronomy”
🎵 “Astronomy” • 🏷 Republic • 📅 2021
A classy record through and through, Gray sings beautifully, expressively, and most notably, sincerely. His tone matches the singer/songwriter vibe, as he depicts the good times they’ve experienced as couple, yet ultimately admits, “It’s time to go, it’s time to go.” On the second verse, one of the most gut wrenching and poetic lyrics is when he sings, “I thought if I wandered, I’d fall back in love / You said distance brings fondness but guess not with us.” Ouch – that totally stings. One of the best moments is the bridge, where the intensity is ramped up exponentially relative to the rest of the song. Here, Gray just lets her rip – more than I’ve ever heard – as he asserts:
“Stop tryna keep us alive You can’t force the stars to align When they’ve already died Oh, we’ve died, ooh.”
“Astronomy” is intriguing from start to finish. This is a relatable singer/songwriter styled pop cut that shows the versatility of Gray, particularly the rousing ending from the bridge on.
Also appears on 🔽:
🔗 🎧 ‘A’ Songs: No Rhyme or Reason, Vol. 2
11. Thomas Rhett, “Country Again”
💿 Country Again (Side A) • 🏷 Big Machine • 📅 2021
Now, as Rhett has become older, he’s returned to being ‘country again’ even if certain things have totally changed. “But last night, we cracked some cold beers and craned Eric Church to ten,” he sings, as he recalls of a meeting with his “back home buddies.” He ultimately reflects in that instance, and throughout the record, “‘Man, it feels good to be country again.’”
Also appears on 🔽:
🔗 🎧 15 Songs Featuring Music Genres in their Title
12. Lil Nas X, “Sun Goes Down”
🎵 “Sun Goes Down” • 🏷 RCA • 📅 2021
The production is a big selling point on “Sun Goes Down.” A team comprised of 🎛 Take A Daytrip, 🎛 Omer Fedi, and 🎛 Roy Lenzo do a marvelous job, with some of the best features being the warm sound, created by guitars and later, strings. This is perfect fuel for Lil Nas X, who also has a well written, tuneful melody to work with. He gives a fine vocal performance, showing off his lower register. The effect is a masculine sound that is definitely sweet music to the ears.
13. Asbjørn, “Young Dumb Crazy”
🎵 “Young Dumb Crazy” • 🏷 Embassy of Music GmbH • 📅 2021
There’s plenty to heart about “Young Dumb Crazy,” period. Produced by Asbjørn and 🎛 Tom Stafford, the backdrop is warm, never crowding the vocalist. More impressive are the lovely, cutting vocals by Terkelsen. I love his tone, as well as the vocal production itself. He delivers an authentic, expressive, and truly nuanced vocal performance. Adding to the awesomeness is the sheer honesty of the lyrics and the personal tilt, as previously mentioned. The crème de la crème is definitely the catchy, memorably penned chorus. Somewhere around the 2:17 mark, “Young Dumb Crazy” picks up intensity with some distinct vocal effects and colorful production touches. It’s a contrast to both what precedes and proceeds. All in all, he delivers the goods on “Young Dumb Crazy” singing fantastically, writing great, personal, and reflective lyrics, and constructing a solid backdrop. Terkelsen adds another gem to the LGBTQ+ catalog and the pop catalog.
14. Manchester Orchestra, “Dinosaur”
💿 The Million Masks of God • 🏷 Loma Vista • 📅 2021
Besides the gargantuan bridge, the chorus is quite delightful, continuing the reflective, thought-provoking vibes of the other cuts that precede it. Oh, and by the way, the chorus is reprised from “Keel Timing.” Very interesting! According to an interview with Bernard Zuel, “Dinosaur” was written about Hull’s son.
Also appears on 🔽:
🔗 🎧 Dinosaur: 3BOPS No. 27 (2021)
15. Twenty One Pilots, “Shy Away”
💿 Scaled and Icy • 🏷 Fueled By Ramen • 📅 2021
Twenty One Pilots keep things short and sweet on “Shy Away.” As always, the production is quite intriguing – sleek and well rounded. Given its rhythmic sound and quick pace, there’s definitely no way to “Shy Away” from this record. Joseph exudes ample personality as he performs. As always, the theme and lyrics truly go a long way in making this a successful record. Here, Tyler encourages ditching the shyness and being unafraid to reach for dreams and ambition – shedding modest and reaching for the stars.
“Don’t you shy away (Ah-ah-ah) Manifest a ceiling When you shy away (Ah-ah-ah) Searchin’ for that feelin’ Just like an ‘I love you’ (Ooh, ooh) That isn’t words (Ooh, oooh) Like a song he wrote, that’s never heard (Ah-ah-ah) Don’t you...”
Once more, Twenty One Pilots have truly tickled our fancy on “Shy Away.” Great vocals by Tyler, great production, and thoughtful, positive songwriting make this song a surefire winner.
Also appears on 🔽:
🔗 🎧 ‘S’ Songs: No Rhyme or Reason, Vol. 2
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