![51 Best Songs of 2019: Year in Review [Photo Credits: Brent Faulkner, The Musical Hype, RCA, Republic, Young Turk Recordings Ltd., Interscope, Sony, Atlantic, Columbia]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2019/12/51-best-songs-of-2019-year-in-review.jpg?fit=1500%2C1500&ssl=1)
![51 Best Songs of 2019: Year in Review [Photo Credits: Brent Faulkner, The Musical Hype, RCA, Republic, Young Turk Recordings Ltd., Interscope, Sony, Atlantic, Columbia]](https://themusicalhype.com/wp-content/plugins/accelerated-mobile-pages/images/SD-default-image.png)
![51 Best Songs of 2019: Year in Review [Photo Credits: Brent Faulkner, The Musical Hype, RCA, Republic, Young Turk Recordings Ltd., Interscope, Sony, Atlantic, Columbia]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2019/12/51-best-songs-of-2019-year-in-review.jpg?resize=400%2C400&ssl=1)
![51 Best Songs of 2019: Year in Review [Photo Credits: Brent Faulkner, The Musical Hype, RCA, Republic, Young Turk Recordings Ltd., Interscope, Sony, Atlantic, Columbia]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2019/12/51-best-songs-of-2019-year-in-review.jpg?ssl=1)
It’s always a daunting task to select the best songs of the year. It’s fun mind you, but also extremely difficult. In any scenario, there are going to be great songs that are omitted. Also, a song that you consider the best subjectively is likely panned by someone else. The good news is, when you are the person selecting the 51 Best Songs of 2019, IT IS A PERSONAL OPINION – not the end all, be all.
There have been a number of great records, singles, and album tracks in 2019 – far too many to cover in one list. But some of the many highlights have been selected, after much back and forth. Some of the standouts who make the cut include Billie Eilish, Lizzo, Lil Nas X, Vampire Weekend, Ariana Grande and DaBaby. Without further ado, here are the 51 Best Songs of 2019.
51. Cattle Decapitation, “The Geocide”
Death Atlas • Metal Blade • 2019
The Anthropocene is a geological period that is highly influenced by humans. Cattle Decapitation certainly are pessimistic regarding it, evidenced by the lyrics, “Fuck the future / Fuck all mankind,” that appears on the brutally honest “The Geocide”. The music is incredibly chaotic and unsettling, certainly a fitting soundtrack for the destruction of earth. The guitars are utterly infernal, while the drums pummel to the nth degree. Adding to this most damned occurrence, Travis Ryan delivers thrilling, incredibly malicious vocals, not to mention the brutally honest, pessimistic lyricism. The keyword is brutal, as exemplified by the chorus:
“The universe, it always finds a way to purge The sustainably inappropriate numbers that once surged Death always wins, his molten torch forever burns And to the ashes and the ground we are returned Life exists to infuriate, berate, and subjugate The hapless mortals shit-birthed on a human-altered planet Earth.”
50. Post Malone, “Goodbyes”
Ft. Young Thug
Hollywood’s Bleeding • Republic • 2019
“I want you out of my head I want you out of my bedroom tonight There’s no way I could save you ‘Cause I need to be saved, too I’m no good at goodbyes.”
“Goodbyes” is awesomeness exemplified. Post Malone excels at pop-rap, taking it to another level with his melodic prowess. His expressiveness shines over the course of two verses here, as well as a fantastic chorus. Further amplifying the goodness that is “Goodbyes” is brilliant production work that’s dramatic – its rousing and quite decadent ear candy. Also boding well in Malone’s favor is a respectable narrative, songwriting, and theme. Young Thug should be commended for a sensational collaboration; He’s perfectly suited here, given his melodic sensibilities and how he contrasts Post. All in all, Post Malone has a surefire hit on his hands that checks off all boxes.
49. DJ Khaled, “Higher”
Ft. Nipsey Hussle & John Legend
Father of Asahd • Epic • 2019
A change of feel within the production (a beat switch), occurring on the second verse only adds to the brilliance, allowing Hussle to switch up his flow as well. Clocking in at under three minutes, despite its brevity, “Higher” is a surefire gem. This is truly a great posthumous song by Nipsey Hussle by all means. #Victory Lap
48. Cub Sport, “Party Pill”
Cub Sport • Cub Sport • 2019
In the context of Cub Sport, “Party Pill” is yet another masterfully performed, produced, and written gem – arguably, the crowning achievement. Furthermore, “Party Pill” may be one the best songs of 2019 that many folks have never heard.
47. Bon Iver, “Hey, Ma”
i,i • Jagjaguwar • 2019
Unique sound and distinct production work always accompany a Bon Iver record. That’s the case once more with “Hey Ma.” Additionally, the lyricism is another pro. Justin Vernon sings beautifully, alluding numerous things, such as mental health and drug use (“I was tokin’ on dope /… I had a heavy mind, sugar”), and environmental issues in reference to mother earth (the aforementioned chorus). Perhaps “Hey, Ma” isn’t as catchy or infectious as, say, “Bad Guy” (Billie Eilish), but it’s a fine record.
46. Sara Bareilles, “Saint Honesty”
Amidst the Chaos • Epic • 2019
In the context of the album, “Saint Honesty” is a slower and softer number for the most part. Even so, it’s also quite the ‘tour de force,’ with simple, but highly effective production, comprised of spare instrumentation (piano, guitar, acoustic bass, drums, and percussion). Even so, Bareilles serves up some grit and oomph as the record progresses, eventually showcasing the sheer power of her instrument. Lyrically, it’s among the most accomplished and beautiful songs of Amidst the Chaos.
“Rain on us, Saint Honesty Salvation is coming in the morning, but now what we need Is a little rain on our face from you, sweet Saint Honesty.”
45. Miranda Lambert, “It All Comes Out in the Wash”
Wildcard • Vanner / Sony Music • 2019
“If you wear a white shirt to a crawfish boil / Stonewashed jeans while you’re changing the oil…” Huh? Must be a southern, country thing. Regardless, Miranda Lambert does reference literal dirty laundry, as above, but the juicier ‘dirty laundry’ is metaphorical. She provides some insight into this energetic gem, via Nash Country Daily:
“…The song is just kind of a mix of scenarios that all of us have either been a part of or seen or, ya know, something that’s happened in all of our lives, and realizing that when you have something in your life that’s a little unclean at times or hurtful or a moment that you wish would pass, it does all pass and it all comes out in the wash.”
Awesomeness! Beyond the chorus, excerpted at the top, the bridge is quite a treat:
“And the laundry list goes like this Every teardrop, every white lie Every dirty cotton sheet, let it line dry All the mistakes, all the wild streaks That’s why the good Lord made bleach, oh-oh.”
44. BROCKHAMPTON, “Dearly Departed”
GINGER • RCA • 2019
Reflective to the nth degree, the biggest happening is how the band references ex-member, Ameer Vann. Kevin Abstract asks on the first verse, “What’s the point of havin’ a best friend if you end up losin’ him?” Dom McLennon seems particularly angry, especially with the final two lines, “You could talk to God / I don’t wanna hear, motherfucker.” Matt Champion subtly references Vann as well, but also pays ode to his late grandparents. If one is looking for beauty beyond the production, the chorus, performed by Joba, is quite beautiful:
“Dearly departed Look what you’ve started I’ve been so heartless I try, I try, I try Why? Why? Why? Try.”
43. Billie Eilish, “Xanny”
When We All Fall Asleep, Where Do We Go? • Interscope • 2019
The centerpiece of this delightful, minimalist production (FINNEAS, again) is the chorus. Eilish continues to sing coolly, embracing a most glorious undertone.
“I’m in their secondhand smoke Still just drinking canned Coke I don’t need a Xanny to feel better On designated drives home Only one who’s not stoned Don’t give me a Xanny, now or ever.”
42. Ariana Grande, “Fake Smile”
Thank U, Next • Republic • 2019
“Fake Smile” is quite appealing, thanks to sampling a soul classic by Wendy Rene, “After Laughter (Comes Tears)”. Grande may not achieve the distorted grit Rene does on the original, but her smooth pipes fit perfectly over such a soulful backdrop. Of course, the soul icons would never be as bold as Grande, particularly when she asserts, “Fuck a fake smile” on the brief, but potent chorus. She refuses to mask her emotions – she’s going to be authentic AF.
41. Brittany Howard, “Georgia”
Jaime • Brittany Howard / ATO • 2019
The aforementioned lyrics, which hail from the chorus, focus on her attraction to/crush on Georgia, a lady, of course. She confirms this on the verses, as she opens up about her sexuality essentially. On the first verse, she sings, “Georgia, see you don’t know it, but / I’m afraid to tell you how I really feel.” On the second verse, she adds, “And I can’t help the way that I was born to be / I ain’t no little boy.” Then there’s the bridge, where Howard asks, “Is it unnatural? / Georgia, is it cool? / I wanna tell you that I love you…” Add another awesome song to any LGBTQ+ playlist, as well as any best songs list.
40. Maren Morris, “Girl”
GIRL • Sony Music Entertainment • 2019
She delivers solid, aggressive and confident vocals from the jump, including the feisty aforementioned lyric. Throughout, there are plenty of clever lyrics, giving “Girl” its fair share of moments. Fueling Morris’ fire is the key driving guitar accompaniment. Speaking of vocals, the backing vocals are on-point during the pre-chorus section:
“What you feel is natural But I don’t wanna feel this anymore Pick yourself up off the kitchen floor What you waitin’ for?”
A catchy chorus is the crowning achievement, uniting the entirety of the record. Notably, the vocal arrangement and production stand out during this particular section.
“Girl, won’t you stop your cryin’? I know that you’re tryin’ Everything’s gonna be okay Baby girl, don’t you hang your head low Don’t you lose your halo Everyone’s gonna be okay Baby girl.”
All in all, Morris delivers a sensational record with “Girl” –a superb anthem that that should speak to girls everywhere. The positivity and uplifting vibes truly help to make “Girl” elite.
39. Coldplay, “Arabesque”
Everyday Life • Warner • 2019
Chris Martin is as potent as ever, even if he fails to ascend into his glorious falsetto. On the second verse, Stromae handles the bulk of the vocal duties. That said, he still contributes, along with Will Champion. Stromae sings in French, further support the band’s pursuance of unity and peace. Martin takes the reins once more on the brief third verse, which features the lyrics, “And we share the same blood / Yeah, we share the same blood.” For further emphasis, at the end of this gem, Martin intensifies the message – “Same fucking blood.”
38. Bon Iver, “Faith”
i,i • Jagjaguwar • 2019
“Faith” has everything you expect from a Bon Iver record. The production by Vernon, Brad Cook and Chris Messina is marvelous. The sound naturally embraces indie folk, constructed by layered acoustic guitars, as well as piano. Of course, it’s not only indie-folk, with the signature alternative-electronic piece remaining in play, with unique vocal effects, synths, and pads. With such awesome music occurring, being bored by “Faith” simply isn’t a possibility. The nods to religion, rather anti-religion, run rampant. On the second verse, Justin Vernon asserts, “I should’ve known / That I shouldn’t hide / To comprise and to covet,” continuing later, “There is no design / You’ll have to decide / If you’ll come to know, I’m the faithful kind.” The fourth verse is arguably the crowning achievement, where Vernon flat out denounces faith in God:
“This is for my sister That for my maple It’s not going the road I’d known as a child of God Nor to become stable (So, what if I lose? I’m satisfied).”
Regardless of whether you agree or disagree with the beliefs of Bon Iver, “Faith” itself is an absolutely fantastic record. It’s well-written, well-produced, and a fabulous, ear-catching gem. What really shines about this record is the fact that it makes you think – it’s a deep, philosophical piece of art.
37. Luke Combs, “Beer Never Broke My Heart”
What You See is What You Get • River House Artists / Sony • 2019
Luke Combs keeps it relatively tight on “Beer Never Broke My Heart,” just inching past three minutes in duration. Besides a respectable length, he does a fabulous job of maintaining the country music script. He delivers robust vocals, heavy on twang, and unapologetically country. Within the country music community, there are those who favor the traditional approaches and those who embrace the new sound, which incorporates pop, electronic, and urban influences. Here, Combs is all ‘old-school’ – there isn’t the slightest bit of pop or urban sensibilities to be found on this straightforward, turned-up, guitar-heavy joint. Combs may not revolutionize country music, but “Beer Never Broke My Heart” is a rock-solid flex-fest for him and the more traditional side of the genre.
36. Badflower, “x Ana”
OK, I’M SICK • Big Machine • 2019
It should be noted that “x ANA x” doesn’t reference overdosing on Xanax itself, BUT the record is a great lens into the effects that the drug can have, etc. The lyrics, throughout the course of the song, reflect Katz’s anxiety, while the high-energy, instrumental backdrop also matches the anxiousness. As the song continues, the listener is invited more and more into the suspect mindset of the protagonist, particularly at the end of the second verse.
“The kind of sick that makes an atheist pray for Jesus The kind of sickness that turns your power into weakness I’m sick of being sick for this whole fucking place to witness And I’m living a sick life that most people call privilege And they’re kinda right But I’m still sicker than I can cope with.”
“x ANA x” is energetic, honest, and well-rounded. Josh Katz definitely has the personality to sell this anxiety-driven must-hear gem of 2019 superbly.
35. Denzel Curry, “Ricky”
ZUU • Loma Vista • 2019
“My daddy said, ‘Trust no man but your brothers And never leave your day ones in the gutter’ My daddy said, ‘Treat young girls like your mother My mama said, ‘Trust no ho, use a rubber.’”
The prudence doesn’t stop beyond the chorus. At the end of the first verse, Curry goes on to quote ‘Ricky’ (his dad), “‘And fear no man but the man above your head’,” before once more quoting his mama, “‘Pray before you go to bed.’” On the second verse, Denzel remains charged up, reminiscing back to his first album (Nostalgic) and again, paying ode to Ricky.
34. Kehlani, “Nights Like This”
Ft. Ty Dolla $ign
While We Wait • Atlantic • 2019
Kehlani’s tone and overall performance are a massive selling point. In addition to a sensational, nuanced vocal, “Nights Like This” benefits from its production work, idiomatic of a modern R&B record, yet also featuring classic cues from the 90s and 00s. Adding to the excellence is respectable songwriting this is relatable. The pre-chorus and chorus sections are among the highlights. All in all, she excels on “Nights Like This.”
33.Ariana Grande, “Break up With Your Girlfriend, I’m Bored”
Thank U, Next • Republic • 2019
Grande shines with stunning vocals, while the production remains slick, and the songwriting is entertaining and ultimately, sound. The theme of the record is pretty obvious, right? Right.
“Break up with your girlfriend Yeah, yeah, ‘cause I’m bored You could hit it in the mornin’ Yeah, yeah, like it’s yours I know it ain’t right But I don’t care Break up with your girlfriend Yeah, yeah, ‘cause I’m bored.”
32. Sam Smith & Normani, “Dancing with a Stranger”
Dancing with a Stranger [Single] • Universal Music • 2019
Normani contrasts Smith’s vocals on the second verse with huskier, sultry pipes. She asserts, “But, boy, I need to get you off of my mind.” She later sings alongside him on the second iteration of the chorus. Short and sweet, “Dancing with a Stranger” is pretty straightforward, well-rounded record that’s highly effective.
31. Lizzo, “Tempo”
Ft. Missy Elliott
Cuz I Love You • Nice Life / Atlantic • 2019
“Tempo” shines from the tip. The production is awesome, incorporating a hard-hitting hip-hop beat, slinky-sounding synths, as well as some cool, unexpected musical interjections. As great as the production is, it is the performance by Lizzo herself that sells “Tempo.” She’s on autopilot as she flaunts and touts her big, beautiful body, throwing ample swagger and sex game at the boys. Beyond her own stellar, hyper-sexual performance, Missy Elliott ‘brings the heat’ on the third verse, sounding as if she’d never been on an extended hiatus. As usual, we get some terrific sound effects from Elliott to go alongside being the hype woman for the plus-sized crowd – “I’m big-boned with nice curves.” All in all, Lizzo kills it on this ultra-fabulous, infectious banger that is equal parts shallow and equal parts deep.
30.Vampire Weekend, “2021”
Father of the Bride • Sony • 2019
Koenig remains a force himself, sounding absolutely beautiful on the sole, repeated verse, partially excerpted above and continued below:
“...2021, will you think about us? Cooper goes green, steel beams go rust (boy) It’s a matter of (boy).”
Notably, Koenig sings the verse up an octave the second time. Despite its brevity and simplicity, “2021” remains jam-packed and complex. It’s a gorgeous, well-produced record, with a simple, yet memorable beat anchoring things down. As always, the songwriting seems to have a deeper meaning, focusing on perceptions and remembrance in the future.
29. Blake Shelton, “God’s Country”
Fully Loaded: God’s Country • Ten Point Productions, Inc. / Warner • 2019
Even with vintage vibes tapped, “God’s Country” still sounds fresh, and even incorporates some modern cues within its production to give it that extra oomph. Where the ‘bread is buttered’ is the songwriting, which features underrated California country singer/songwriter Devin Dawson as a co-writer. The crowning achievement lyrically comes on the big-time chorus, where Blake Shelton is turned-up and locked-in to the nth degree. Shelton deserves ample credit for one of the grittiest performances I’ve personally heard from him. He perfectly captures the pride he and the citizens have for the United States, as well as the awesomeness of who ultimately created it.
28. Sam Fender, “White Privilege”
Hypersonic Missiles • Polydor • 2019
“White Privilege”, the profane third track gracing Hypersonic Missiles, is quite accomplished. It finds Fender examining white privilege (“‘Cause I’m a white male, full of shame / My ancestry is evil, and their evil is still not gone”), including his own, and the layers of such privilege, as well as a number of political and social issues plaguing both England and the world. Brexit gets colorful treatment (“Don’t wanna hear about Brexit, them old cunts fucked up our exit / My generation was duped, the youth were left out of the loop”), while political correctness is brilliantly addressed as well (“Everybody’s offended, the joke that keeps on giving / I’m not entirely sure the nitpicking can count as progression”). Ultimately, Fender does a marvelous job of providing perspective and analysis on a number of relevant issues. This might be the best song of 2019 that far too few folks have heard.
27. Raphael Saadiq, “Rikers Island”
Jimmy Lee • Columbia • 2019
Saadiq begins an entirely new conversation on “Riker’s Island,” and it’s not merely limited to the infamy of Rikers Island itself. The big takeaway is the statement that Saadiq makes about the number of black men that are incarcerated. Yes, Rikers Island is a universally panned correctional facility, but the theme transcends beyond it. It’s amazing that this record with disturbing, hurtful subject matter for black families that is also the funkiest joint of the album. One upping that, it ranks among the very best songs of 2019.
26. Clairo, “Bags”
Immunity • Fader • 2019
Aiding Clairo in making “Bags” successful is co-production by Rostam Batmanglij and Nick Breton. The sound is quite alluring, featuring an awesome drum groove, driving bass and guitars, as well as some accentuating keyboard work. It fuels Cottrill’s fire as she sings marvelously over the rhythmic backdrop, while maintaining chill and poise. Beyond the sound, the songwriting is a notable. Cottrill dabbles in matters of the heart, and all is not well in regard to the relationship. On the bridge, she sings, “Pardon my emotions / I should probably keep it all to myself / Know you’d make fun of me.” In other words, she’s holding back and willing to accept the status quo. The chorus is what makes “Bags” truly the ‘cat’s meow’:
“Can you see me? I’m waiting for the right time I can’t read you, but if you want, the pleasure’s all mine Can you see me using everything to hold back? I guess this could be worse Walking out the door with your bags…”
25. Lewis Capaldi, “Someone You Loved”
Divinely Uninspired to a Hellish Extent • Universal Music • 2019
Additionally, “Someone You Loved” is simply a well-written song. “I’m going under, and this time, I fear there’s no one to save me,” he sings on the first verse, later adding, “I need somebody to heal, somebody to know / Somebody to have, somebody to hold.” As compelling as the verse lyrics are, the chorus, marks the most memorable and elite moment of this Grammy-nominated gem.
“Now the day bleeds into nightfall And you’re not here to get me through it all I let my guard down and then you pulled the rug I was getting kinda used to being someone you loved.”
24.India.Arie, “Rollercoaster”
Worthy • BMG Rights Management • 2019
This contemporary protest anthem finds India taking a long, hard look at the ills plaguing the world from her perspective. Among the notable topics India raises on this soulful, bass-heavy gem include the Flint, Michigan water crisis, Colin Kaepernick, misogyny, and mumble rap. Give her credit for standing up for what she believes in – “And I don’t care who thinks I’m preachin’.” “Rollercoaster” also previously appeared on the playlist 11 Songs Fit for an Amusement Park, as well as the aforementioned embedded Music to Atone to link.
23. Lana Del Rey, “Hope is a Dangerous Thing for a Woman Like Me to Have – But I Have It”
Norman Fucking Rockwell! • Interscope • 2019
The ever-expressive Lana Del Rey sounds as chilling and enigmatic as ever. Her tone is absolutely stunning. Among her best moments come at the end of the record, when she flaunts her falsetto. Beyond her inspired vocal performance, there’s also the stripped, yet gorgeous nature of this five-and-a-half-minute ballad. The production keeps things hella simple, comprised of piano accompaniment. Even working with such a lengthy duration, it’s perfect fuel for the fire of Del Rey, who manages to keep things colorful with some profane lyrics, such as “I’ve been tearing up town in my fucking nightgown / Like a goddamn-near sociopath.” Wow. Ultimately, with the threat of ‘hope’ in her hands on this particular song, Lana del Rey does what she does best – delivers an expressive, moody, well-rounded record.
22. J. Cole, “Middle Child”
Revenge of the Dreamers III • Dreamville / Roc Nation • 2019
After showing some pop-rap skill on the verses and refrain, Cole shows off even more melodic prowess on the chorus.
“I just poured somethin’ in my cup I've been wantin’ somethin’ I can feel Promise I am never lettin’ up Money in your palm don't make you real Foot is on they neck, I got ‘em stuck I’ma give ‘em somethin’ they can feel If it ain’t ‘bout the squad, don’t give a fuck Pistol in your hand don’t make you real.”
While the chorus is killer, Cole also brings plenty of heat on the verses. Among topics covered include the incarceration of black males. There’s definitely NO reason to feel like a middle child after listening to this one.
21. Post Malone & Swae Lee, “Sunflower”
Spider-Man: Into the Spider-Verse • Republic • 2018
Hollywood’s Bleeding • Republic • 2018
Among the selling points of “Sunflower” is the lush, rhythmic production. Naturally, Swae Lee is made for this cut, with his chill persona and his melodic abilities. Following a brief intro, he delivers a smooth first verse, as well as a memorable chorus.
“Then you’re left in the dust unless I stuck by ya You’re a sunflower, I think your love would be too much Or you’ll be left in the dust, unless I stuck by ya You’re the sunflower, you’re the sunflower.”
Post Malone is also quite melodic, though he lacks the same finesse as Lee. Regardless, the contrast is appealing, and furthermore, he has some nice vocal harmonies going on. All in all, “Sunflower” is packed full of vibes.
20. Lizzo, “Cuz I Love You”
Cuz I Love You • Nice Life / Atlantic • 2019
Vocally, Lizzo ‘lets ‘er rip’ – totally ‘kicks ass and take names.’ The premise is that she’s put aside her old ways, has found a man she’s truly in love with, and it’s made her crazy, excited, and all the range of feelings attached to L-O-V-E. Ultimately, “I’m cryin’, ‘cause I love you.” Epic song for sure.
19. Ariana Grande, “Ghostin”
Thank U, Next • Republic • 2019
“Though I wish he were here instead / Don’t want that living in your head.” Damn, Ari! Her vocals are incredibly smooth, while the lyrics that she sings are beautiful and thoughtfully penned – “Every tear’s a rain parade from hell.” With Grande bringing so much baggage to her current BF, on the post-chorus, she urges him to be patient with her, essentially:
“We’ll get through this, we’ll get past this A whole lot of baggage But I love you, we’ll get past this A whole lot of baggage, oh yeah.”
“Ghostin,” which ranks among the crème de la crème of thank u, next certainly has a legit case for the honor of ‘crowning achievement.’ ILYA and Max Martin outdo themselves on the production end of things, which is radiant to the nth degree – awe-inspiring.
18. Jonas Brothers, “Sucker”
Happiness Begins • Jonas Brothers Records / Republic • 2019
Joe carries the weight on the aforementioned pre-chorus, with portions sung with Nick. Better than the pre-chorus is the memorable chorus. Here, we hear the silky-smooth vocals of Nick, once more delivered in a well facilitated falsetto, at times joined by Joe.
“I’m a sucker for you, yeah You say the word and I’ll go anywhere blindly I’m a sucker for you, yeah Any road you take, you know that you’ll find me…”
17. Gary Clark, Jr., “This Land”
This Land • Warner Bros. • 2019
The most powerful lyrical statement made on “This Land” comes courtesy of the chorus, where Clark, Jr. unapologetically states the mindset of racists:
“‘Nigga run; nigga run Go back where you come from, uh Nigga run; nigga run Go back where you come from We don’t want, we don’t want your kind We think you’s a dog born’ Fuck you, I’m America’s son This is where I come from.”
Following the utterly ridiculous statement made about the American-born black musician, who represents numerous African Americans, he packs a mighty punch on the post-chorus where he asserts, “This land is mine.” Also, worth noting, Clark, Jr. delivers a totally badass guitar solo.
16. 21 Savage, “a lot”
Ft. J. Cole
I am > I Was • Epic • 2018
During the course of “a lot,” 21 spits real talk. On the first verse, he asserts, “I’d rather be broke in jail than be dead and rich / Told my brothers take my breath if I turn to a snitch.” On the second, he’s even more real as he spits, “My brother lost his life and it turned me to a beast / My brother got life and it turned me to the streets.” Featured guest J. Cole also keeps it real. Following an interlude where he praises the rapper’s realness, Cole delivers a ferocious, passionate third verse in his own right. Not only one of the best rap songs of 2019, but easily ranks among the 51 Best Songs of 2019.
15. Harry Styles, “Lights Up”
Fine Line • Columbia • 2019
“Lights Up” features elements of vintage and retro, led by a robust bass line and keyboards. Still, there are also some modern cues, including the sleekness of the vocal production and programming as well. The record possesses a great groove, and fine production work courtesy of Tyler Johnson. Vocally, Styles remains a force, sounding absolutely marvelous, as he makes it clear he will “Shine, step into the light” and notably, ‘never go back.’
Honestly, it’s the lyrics, the accompanying music video, and the significance of October 11, 2019 that added to the speculation regarding Styles’ sexuality. There seems to be elements of bisexuality implied in the music video, while the lyrics are ‘open-minded’ without specifically addressing sexuality. The aforementioned chorus does seem to ‘open the door,’ at least to some extent.
14. Lizzo, “Juice”
Cuz I Love You • Nice Life / Atlantic • 2019
As exemplified by the aforementioned excerpt from the first verse, she spits some mad game. Even better than the verses are the, catchy, swagger-laden pre-chorus and chorus sections. She closes out the pre-chorus with a bang, asserting, “Heard you say I’m not the baddest bitch, you lie,” with the chorus following in all its glory. She doesn’t lie when she says, “No, I’m not a snack at all / Look, baby, I’m the whole damn meal.” She is INDEED “the whole damn meal.”
13. Tyler, the Creator, “Earfquake”
IGOR • Columbia • 2019
“‘Cause you make my earth quake Oh, you make my earthquake Riding around, you’re telling me something is bad And it’s making my heart break…”
On the first verse, another surprising guest appearance occurs, Playboi Carti, who fits in perfectly and remains true to self. “Earfquake” ends up being among the crème de la crème of IGOR, not to mention one of the stellar songs released in 2019 por la general.
12. ROSALÍA & J Balvin, “Con Altura”
Ft. El Guincho
Con Altura [Single] • Columbia • 2019
There’s lots to love about “Con Altura,” hence why it appears on multiple ‘best songs’ lists in 2019. First and foremost, this is a Latin pop/ reggaeton record that’s infectious AF, period. The production is sleek, with the beat being the defining feature. The minute that groove kicks in, one senses “Con Altura” is nothing short of a gem. Furthermore, the performers bring attitude, particularly ROSALÍA who is nothing short of a star. Her voice is fierce to the nth degree. Of course, J Balvin shines as well, but we all know who’s the star… Without going in too deep, what does “Con Altura” mean? According to the Genius verified video for this bop, ROSALÍA asserts, “I believe that ‘Con Altura’ is like saying, ‘I do it hard, I do it strong, I do it at this level…” She does it strong by all means – among the crème de la crème of 2019.
11. Ariana Grande, “7 Rings”
Thank U, Next • Republic • 2019
“7 Rings” features moody production that’s dark, enigmatic, and set in a minor key. This standout lifts from the melody of “My Favorite Things” (The Sound of Music). Sleek, hip-hop oriented cues are full throttle during the addictive, instantly catchy chorus. Grande is confident AF on the pre-chorus and choruses. The pre-choruses exemplify a flex-fest (“My wrist, stop watchin’, my neck is flossin’ / Make big deposits, my gloss is poppin’…”), while the chorus is simple, but effective. In addition to the bold line appearing at the top from the first verse, on the second verse, Grande asserts, “Whoever said money can’t solve your problems / Must not have had enough money to solve ‘em.”
10.Taylor Swift, “Lover”
Lover • Republic • 2019
“Lover” reunites Swift to a certain extent with country music. No, it isn’t explicitly country, but there are retro cues in place that remove it from the pop she’s served up since 1989 in 2014. That said, “Lover” sounds nothing like some of her country records either. Genius wasn’t far off characterizing “Lover” with multiple genre tags including country, dream-pop, singer/songwriter, and of course, pop. What isn’t brand-new about the record is a topic of familiarity for Taylor Swift – love. Clearly, as she sings to and about her boyfriend, and, she’s TOTALLY feeling him. Thematically and lyrically, “Lover” is simple, but enjoyable and effective to the nth degree.
9. Khalid, “Talk”
Free Spirit • RCA • 2019
As always, Khalid delivers a strong vocal performance, showcasing his inescapable, distinct tone. Besides his compelling chest voice, he also delivers some lovely falsetto as well. Adding to the strength of “Talk” is a memorable chorus which serves as the crème de la crème.
“Can we just talk? Can we just talk? Talk about where we're goin’ Before we get lost, lend me your thoughts Can’t get what we want without knowin’ I’ve never felt like this before I apologize if I’m movin’ too far Can we just talk? Can we just talk? Figure out where we're goin’.”
8. FKA twigs, “Cellophane”
MAGDALENE • Young Turks Recordings Ltd. • 2019
Clearly, FKA twigs simply can’t put her feelings for someone she cared about behind her. It’s easy to hang on to every colorful note that she sings. FKA twigs does a little bit of everything from a vocal standpoint, sliding into notes, singing breathily, while fully supporting and belting at other times. It’s a truly complete, haunting, and artistic performance to say the least. What is clear is that the performance is drenched in vulnerability, representing her desire and hope about what appears to be a relationship that didn’t end up working out. She seems to question her own adequacy, though she shouldn’t.
“And I just want to feel you’re there And I don’t want to share our love I try, but I get overwhelmed All wrapped in cellophane, the feelings that we had.”
7. Lana Del Rey, “The Greatest”
Norman Fucking Rockwell! • Interscope • 2019
“I want shit to feel just like it used to / When, baby, I was doing nothing’ the most of all.” Ah, “The Greatest” provides some more punch to NFR!, with its spirited guitars and retro-tinged sound. This is one of the late, truly great songs on the album. Here, Lana Del Rey is reminiscent, missing a past romance (“I miss Long Beach and I miss you, babe”), New York, and rock (“I miss New York and I miss the music / Me and my friends, we miss rock ‘n’ roll”). The outro is quite scintillating, as Del Rey lists the current happenings, which include forest fires in Los Angeles and Kanye West’s state of mind.
6. Billie Eilish, “Bury a Friend”
WHEN WE ALL FALL ASLEEP, WHERE DO WE GO? • Darkroom / Interscope • 2019
The ‘alt’ is full throttle on the totally left-of-center joint from the jump. The kick drum dominant groove is unique, and has a haunting, enigmatic sensibility. That sensibility extends with the continual undertone of Eilish, who sounds quite nonchalant, as well as with the terrific, minimalist production work. The things that Eilish and her brother, Grammy-nominated producer FINNEAS concoct, are one-of-a-kind; quite distinct.
5. DaBaby, “Suge”
Baby on Baby • Interscope • 2019
What makes “Suge” among the very best songs of 2019? First and foremost, it’s the personality – confident and cocky to the nth degree – that DaBaby exhibits throughout this relatively short banger. If you watch the accompanying music video, that personality is amplified to an even greater level. Also, contributing to the excellence, is the minimalist production, courtesy of jetsonmade and Pooh Beatz. From the jump, what is clear is the fact that DaBaby is ON… autopilot that is!
“No talkin’, I don’t like to argue with niggas (I don’t) Ain’t gon’ be no more laughin’ You see me whip out guns, I’m gon’ be done shot me a nigga I don’t follow no bitches on IG But all of your bitches, they follow a nigga And that lil nigga ain’t gon’ shoot shit with that gun He just pull it out in his pictures (Bitch, uh).”
4. Vampire Weekend, “Harmony Hall”
Father of the Bride • Sony • 2019
Adding to the excellence are ripe vocals by Koenig, who sounds as fresh and potent as he did when Vampire Weekend arrived back in 2008. Although “Harmony Hall” is ‘alternative,’ there’s enough of a ‘pop factor’ and a relatively straightforward form that makes it truly ear catching. Also, helping the infectiousness is the inescapably catchy chorus, which sounds like Koenig is beaming as he sings.
“And the stone walls of Harmony Hall bear witness Anybody with a worried mind could never forgive the sight Of wicked snakes inside a place you thought was dignified I don’t wanna live like this, but I don’t wanna die.”
3. Lil Nas X, “Old Town Road”
Ft. Billy Ray Cyrus
7 (EP) • Columbia • 2019
“Old Town Road” is quite charming for a variety of reasons including lyrics that play off of clichés associated with country music. On the second verse, Lil Nas X kicks things off pop-rapping, “Ridin’ on a tractor” and later adds, “Bull ridin’ and boobies / Cowboy hat from Gucci / Wrangler on my booty.” ‘Furthermore, the hip-hop beat, coupled with ‘country-folk’ guitars, fueled by a prominent Nine Inch Nails sample (“34 Ghosts IV”), add to the sheer excellence.
A novel cut by all means that arguably, lacks substance, “Old Town Road” is infectious and does initiates important discussions musically as well as regarding race. “Old Town Road,” like the two records that precede it on this list, has a legitimate case for the top spot on 51 Best Songs of 2019.
2. Lizzo, “Truth Hurts”
Cuz I Love You [Deluxe Edition] • Nice Life / Atlantic • 2019
What makes “Truth Hurts” the certified bop that it is? Well, glad you asked! It’s a combination of a feisty attitude from Lizzo (“Why’re men great ‘til they gotta be great?”), robust sung vocals, relatable songwriting (“You’re ‘posed to hold me down, but you’re holding me back”), and sleek production work (Ricky Reed). Basically, Lizzo tells this loser the truth, even though it hurts, and she’s kicked his ass to the curb. Perhaps what makes this among the best songs of the years is the hilarity of the record, further accentuated by the music video, not to mention that BET Awards performance where Lizzo broke out the flute… Epic.
“I put the sing in single Ain’t worried ‘bout a ring on my finger So you can tell your friend, ‘Shoot your shot’ when you see ‘em It’s okay, he already in my DMs.”
1. Billie Eilish, “Bad Guy”
WHEN WE ALL FALL ASLEEP, WHERE DO WE GO? • Darkroom / Interscope • 2019
Adding to the intrigue of the listening experience are a unique palette of vocal effects, as well as an air of mysteriousness. “Bad Guy” thrives because of its infectious groove, catchy chorus (partially excerpted above, and continued below), and a fun, if dark, playful style. It easily nabs the top spot on the 51 Best Songs of 2019 in my eyes.
“I’m that bad type Make your mama sad type Make your girlfriend mad tight Might seduce your dad type I’m the bad guy…”
51 Best Songs of 2019: Year in Review [Photo Credits: Atlantic, ATO, Big Machine, BMG Rights Management, Brent Faulkner, Brittany Howard, Columbia, Cub Sport, Dreamville, Epic, Fader, Interscope, Interscope, Jagjaguwar, Jonas Brothers, Loma Vista, Metal Blade, Nice Life, Pexels, Pixabay, Polydor, RCA, Republic, River House Artists, Roc Nation, Sony, Ten Point Productions Inc., The Musical Hype, Universal Music, Vanner, Warner, Young Turks Records Ltd.]
![](data:image/svg+xml;charset=utf-8,<svg height="400px" width="1000px" xmlns="http://www.w3.org/2000/svg" version="1.1"/>)
Leave a Comment