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20 Intriguing Songs About Landforms 🎧 features 5 Seconds of Summer, Adele, GIVĒON, Lana Del Rey, Saccades & The Weeknd.
![20 Intriguing Songs About Landforms 🎧 [📷: Borislav Krustev, Boris Ulzibat, Brent Faulkner, Francesco Ungaro, Inge Wallumrød, JACK REDGATE, Joy Anne Pura, Kilian M, The Musical Hype, Oliver Sjöström]](https://themusicalhype.com/wp-content/plugins/accelerated-mobile-pages/images/SD-default-image.png)
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Get ready for some Topography! That is the subject of our latest compendium, which focuses on the landforms of our beautiful planet, Earth. Yeah – get ready to be totally schooled, YO! That’s right folks – the 20 songs that grace 🎧 20 Intriguing Songs About Landforms explore things such as the desert, hills, and mountains, as well as the beach, islands, and such. Oh, and if you were concerned this list was going to get to geographical or scientific, no worries. Some of the songs, in all honesty, are merely topographical in name only.
20 Intriguing Songs About Landforms features some stellar music courtesy of 🎙 5 Seconds of Summer, 🎙 Adele, 🎙 GIVĒON, 🎙 Lana Del Rey, 🎙 Saccades, and 🎙 The Weeknd among others. So, grab your ‘phones and a snack while we totally nerd out about these landforms! There’s no more time to waste with this intro – Let’s effing go baby!!!
1. 5 Seconds of Summer, “Red Dessert”
💿 CALM • 🏷 Interscope • 📅 2020
One of the very best moments is the catchy, memorable chorus:
“Red, red desert, heal our blues I’d dive deeper for you What a blessing to feel your love Twilight moments with you.”
2. DJ Khaled, “Holy Mountain”
Ft. Buju Banton, Sizzla, Mavado & 070 Shake
💿 Father of Asahd • 🏷 Epic • 📅 2019
“Holy Mountain” commences Father of Asahd with a bang, period. There’s lots to like or at a minimum, appreciate about the opener. First and foremost, the production is epic, co-produced by 🎛 Major Seven. Secondly, the Jamaican, reggae influence is ‘novel,’ but ultimately, endearing. The featured artists on “Holy Mountain” are 🎙 Buju Banton (particularly notable given his legal troubles), 🎙 Sizzla, 🎙 Mavado, and rising star, 🎙 070 Shake. 070 Shake sounds particularly strong on the chorus, while the sample of 🎵 “One Spliff a Day” (🎙 Billy Boyo) is like the ‘cherry on top.’
Also appears on 🔽:
3. The Weeknd, “The Hills”
💿 Beauty Behind the Madness • 🏷 Republic • 📅 2015
In 2015, everybody was singing that glorious chorus, which commences with the lyrics, “I only call you when it’s half past five.” Besides the memorable chorus, there were a number of reasons why this record shined. First and foremost, the distinct, beautiful vocals by The Weeknd. As always, he sings with great expression, truly selling the lyrics. Also, the lyrics – well – they’re pretty strong, delivering a pretty compelling narrative (“Drivin’ through the gated residential / Found out I was comin’, sent your friends home / Keep on tryna hide it, but your friends know”). Throw in elite production work (🎛 Illangelo and 🎛 Mano) and a tuneful melody to match those notable lyrics, and “The Hills” literally has ‘hit’ written all over it.
“Hills have eyes, the hills have eyes Who are you to judge? Who are you to judge? Hide your lies, girl, hide your lies Only you to trust, only you.”
Also appears on 🔽:
4. Lana Del Rey, “High by the Beach”
💿 Honeymoon • 🏷 Interscope • 📅 2015
Clearly, “High By The Beach” is characteristic Lana Del Rey, though compared to the songs that precede it on Honeymoon, it does provide contrast. Part of that contrast at the time of release was that the record was more commercial. Del Rey still has some bite, evidenced by the remaining lyrics that appear on the centerpiece, the chorus:
“The truth is I never bought into your bullshit When you would pay tribute to me ‘cause I know “All I wanted to do was get high by the beach Get high, baby, baby, bye bye.”
Of course, the verses, as well as the bridge, craft the narrative. Lana Del Rey has no use for him, evidenced bluntly on the second verse:
“You could be a bad motherfucker But that don’t make you a man Now you’re just another one of my problems.”
Hmm, no wonder Del Rey only wants to get “high by the beach.” As usual, this is quite the miserable record.
Also appears on 🔽:
🔗 🎧 14 Songs Sure to Lift You Higher
🔗 🎧 11 Summery Songs Loosely Associated with The Beach
5. Saccades, “Islands Past”
💿 Flowing Fade • 🏷 Fuzz Club • 📅 2021
The listener gets chilled-out vocals by Saccades; his subtler approach perfectly fits an alternative/psych aesthetic. Interestingly, there’s a nice use of an instrumental interlude of sorts, following the chorus:
“Please Just Let me dream I’m older now And I can’t Change.”
Continuing on, there’s brilliant contrast on the second verse. Here, the instrumental pulls back, allowing more space for the vocals and more space in general. Overall, “Islands Past” features excellent songwriting. The trippy nature of the lyrics, coupled with the colorful backdrop is definitely a win for Wood. Honestly, there are no glaring cons to be found.
Also appears on 🔽:
🔗 🎧 Island: 5ive Songs No. 47 (2021)
6. Sam Smith, “My Oasis”
Ft. Burna Boy
💿 Love Goes • 🏷 Capitol • 📅 2020
“Oh, babe, I really need you My feelings gettin’ deeper My mind is in a free fall But there’s nothing I can do when it comes to you.”
Sam loves – or hates – love depending on the song. Here, they need love, but instead, there’s nothing more than an oasis – and illusion of what is really desired and needed. 🎙 Burna Boy supports Smith’s feelings on the second verse, echoing much of the same happenings. Perhaps “Oasis” doesn’t crown Smith’s rich catalog, but it’s a pleasant and well-rounded addition.
7. Father John Misty, “So I’m Growing Old on Magic Mountain”
💿 Pure Comedy • 🏷 Sub Pop • 📅 2017
“As if it’s any time but the present / So for now, every young thing in my path / I’ll hold their face so long inside my hands.” Essentially, “So I’m Growing Old on Magic Mountain” finds Father John Misty desiring to hold onto youth as long as possible, evidenced by the aforementioned lyrical excerpt from the second verse. He knows its impractical, but he’s clinging onto it as long as he can. Later, on the third verse, he sings: “These days the years thin till I can’t remember / Just what it feels like to be young forever.” “So I’m Growing Old on Magic Mountain” previously appeared on
Also appears on 🔽:
🔗 🎧 13 Songs Where the Magic is Legit
🔗 🎧 Mountain: 3BOPS No. 32 (2021)
8. Ed Sheeran, “Castle on the Hill”
💿 ÷ (Divide) • 🏷 Atlantic • 📅 2017
Sheeran, who co-writes with 🎼✍ 🎛 Benny Blanco, superbly constructs a narrative and autobiographical approach, particularly on the verses:
“When I was six years old, I broke my leg I was running from my brother and his friends And taste the sweet perfume of the mountain grass I rolled down I was younger then, take me back to when I...”
The chorus – excerpted at the top – is the selling point, as he delivers enthusiastic, energetic vocals. Beyond thoughtfully composed verses and chorus, the bridge is also incredibly strong.
“One friend left to sell clothes One works down by the coast One had two kids but lives alone One’s brother overdosed One’s already on his second wife One’s just barely getting by But these people raised me And I can’t wait to go home.”
Also appears on 🔽:
🔗 🎧 13 Songs About Buildings, Real or Imagined
🔗 🎧 Castles… Palaces: 5ive Songs No. 18 (2020)
🔗 🎧 11 Songs About Castles, Kingdoms, Palaces & Such
9. Fleet Foxes, “Shore”
💿 Shore • 🏷 Anti • 📅 2020
Fittingly, Shore concludes with 🎵 “Shore.” At least to some extent, the song is inspired by a personal experience by Pecknold (a bad surfing experience per Apple Music). Furthermore, there are interesting references, including late musicians (John Prine and David Berman), ‘Clementine,’ and obscure mention of the quarter moon, which the Geniuses have linked with the album’s release date. Sigh, only with Fleet Foxes folks!
10. Agnes Obel, “Island of Doom”
💿 Myopia • 🏷 Deutsche Grammophon • 📅 2020
The lyrics are quite poetic and incredibly thoughtful. Of course, the lyricism contributes to the haunting quality of this chamber pop record, despite the fact that it’s set in a major key. Worth noting, ‘doom’ itself isn’t mentioned explicitly until the bridge (“…For the road of your mind will eat you up / On your island of doom”).
Also appears on 🔽:
🔗 🎧 13 Gripping Songs Filled with Doom
🔗 🎧 Island: 5ive Songs No. 47 (2021)
11. Isaac Dunbar, “woman on the hills”
💿 cBalloons don’t float here • 🏷 Isaac Dunbar • 📅 2019
The aforementioned lyrics hail from the chorus, which continues as follows:
“Don’t laugh or craft when you’re near The woman on the hills She needs more from you She needs less of you.”
Sigh. Of “Woman on the Hills,” Dunbar told Apple Music that “‘The woman on the hills’ is a metaphor for Hollywood in a sense – someone who might want to change you for their own benefit. For me, it kind of has to do with the music industry, but it can apply to you.” The music industry side seems to seep through the lyrics from the second half of the brief second verse:
“She found me and tore me apart And told me for the millionth time.”
Of course, both verses lead to a very telling section, the pre-chorus, where ‘the woman on the hills’ (fame), urges him “Take the whole world by the throat / Boy, you have something no one else has got…” Vocally, Dunbar sounds great.
Also appears on 🔽 :
🔗 🎧 15 Marvelous Songs About Women
12. Greyson Chance, “Lakeshore”
💿 Portraits • 🏷 GCM / AWAL • 📅 2019
“Lakeshore” concludes Portraits, commencing with dreamy production and a heaping does of ripe falsetto. The topic on Chance’s mind in this particular instance is love. Interestingly, the bridge (or post-chorus) recalls an earlier song on Portraits (🎵 “Bleed You Still”) at least in some respects:
“And if that fire’s to fade, I won’t leave you in the blue And if that feeling dies, don’t lose sight, you felt it too You say it’s rapture now, I don’t like feeling so used And when those choirs fade, I’ll keep standing up for you.”
13. GIVĒON, “The Beach”
💿 When It’s All Said and Done… Take Time • 🏷 Epic • 📅 2021
On “The Beach,” GIVĒON references the place where he grew up, Long Beach, California, which has had some sketchy history at times. He responds to his mother on the first verse, referencing that lack of safety, and notably throwing lust into the mix as well: “Lust, guns, drugs, violence.” On the second verse, he continues to highlight the rough-n-tumble ‘562,’ incorporating love into the mix (“Hop into the whip, we can go skrrt / Show you the city that made me like this”). On the chorus, he never mentions ‘The Beach’ explicitly, singing, “Oh, won’t let you go, go, go,” referencing his love. On the bridge, he also focuses on the state of the relationship. Closing out “The Beach” we get an interlude performed by his mom, with ad-libs by him, followed by an outro. “The Beach” is lushly produced by 🎛 Boi-1da, 🎛 Los Hendrix, and 🎛 Yakob.
14. Adele, “River Lea”
💿 25 • 🏷 Columbia • 📅 2015
“...But my heart is a valley, it’s so shallow and manmade I’m scared to death if I let you in that you’ll see I'm just a fake.”
Adele wrote “River Lea” alongside Brian Burton, perhaps better known as 🎼✍ 🎛 Danger Mouse. The resulting lyrics and music are nothing short of awesome, as to be expected from Adele and Burton – they’re great at what they do! River Lea itself references a river located in England, where Adele grew up. In the context of the song, Adele struggles with moving beyond her roots and the past.
“Oh, it’s in my roots, in my veins In my blood and I stain every heart that I use to heal the pain So, I blame it on the River Lea, the River Lea, the River Lea.”
15. Martin Garrix, “Ocean”
Ft. Khalid
🎵 “Ocean” • 🏷 Epic • 📅 2018
Garrix, alongside Surinamese-Dutch DJ 🎛 Giorgio Tuinfort, assembles a lovely backdrop for Khalid to sing over. The backdrop includes lush, heartfelt strings. As for Khalid, in addition to singing in his golden middle register, he also gives us some falsetto. Expectedly, he nails the ‘head voice’ like a pro. “Ocean,” a record that centers around love, is gorgeous all around with the production, singing, and songwriting all on-point.
“You could put an ocean between our love, love, love It won’t keep us apart You could build a wall, I would run it up, up, up Just to get to your heart If we’re caught in a wave Baby, we’ll make a way You could put an ocean between our love, love, love It won’t keep us apart.”
Also appears on 🔽:
🔗 🎧 13 Songs That Reference Water, Vol. 1
16. Highly Suspect, “Canals”
💿 MCID • 🏷 300 Entertainment • 📅 2019
“Bitch, you look so damn freaked You can’t eat, you can’t sleep, you can’t speak You wanna scream ’fuck the police’ But the words are getting stuck behind your teeth...”
Most importantly, however, ‘gives no fucks’ front man 🎙 Johnny Stevens delivers an expressive, profane vocal performance that definitely embodies the spirit of rock and roll. Uniquely, “Canals” features a Swahili choir on the bridge section, which provides a change of pace and eliminates predictability. Following the bridge, the band returns to its hard rocking ways. Of course, on the chorus Johnny makes it clear, “I don’t fucking care if you fucking care / ‘Cause I’m gonna live forever so you better be prepared.” O…K…
17. Fall Out Boy, “Young Volcanoes”
💿 Save Rock and Roll • 🏷 Island • 📅 2013
On the Chorus, singer 🎙 Patrick Stump sings:
“We are wild We are like young volcanoes We are wild Americana exotica Do you wanna feel beautiful baby yeah...”
Way to shout out those landforms, Pat! Perhaps the best line of this volcanic number? “We will teach you how to make boys next door out of assholes…” Um, okay… sure…
18. Florida Georgia Line, “Island”
💿 Dig Your Roots • 🏷 Big Machine • 📅 2016
The vocal production is a selling point as well. The vocals are clear and present within the mix. Lyrically, “Island” features a catchy chorus, always a lift:
“We might as well be on an island Might as well be on the moon The way you’re looking at me baby...”
Additionally, there’s plenty of repetition. Enjoyable, albeit it brief, perhaps the biggest thing “Island” could’ve used is a few more seconds, potentially another full minute or so. Still, it’s a country vibe.
Also appears on 🔽:
🔗 🎧 Island: 5ive Songs No. 47 (2021)
19. Stryper, “Sea of Thieves”
💿 God Damn Evil • 🏷 Frontiers • 📅 2018
As expected from a metal band regardless being religious or totally secular, “Sea of Thieves” is turned-up from the jump. Set in a minor key, the guitars and bass “can’t be tamed” with their jagged, menacing nature. Notably, on the chorus, “Sea of Thieves” throws a slight curve ball, embracing the bright and major. Front man 🎙 Michael Sweet is ‘on’ to say the least, singing triumphantly:
“Stand Stronger than an ancient tree Grand Is every promise we can’t see Stand Stronger than an ancient tree Land Is just beyond the open Sea of Thieves.”
Also appears on 🔽:
🔗 🎧 13 Songs That Reference Water, Vol. 1
20. Usher, “Moving Mountains”
💿 Here I Stand • 🏷 LaFace • 📅 2008
Collaborating with the formidable songwriting team 🎼✍ 🎛 Christopher “Tricky” Stewart, 🎼✍ Kuk Harrell, and 🎼✍ 🎛 Terius “The-Dream” Nash (Trick and The-Dream also produce), Usher has a dramatic and engaging material to work with. Vocally, he sounds elite – honestly, he’s never sounded better. He sells “Moving Mountains” incredibly. The melody is tuneful and rhythmic, suiting his artistic strengths perfectly. Conceptually/thematically, Usher imparts a tale where his girl ultimately stays with him after he cheated yet she’s incredibly angry and things are B-A-D. Essentially, while Usher feels like he’s “moving mountains” to atone for his mistakes, it’s not sufficient. That said, he knows he brought it on himself.
“I know sorries, just wouldn’t do it Her heart is obliterated I’m trying to get through But it’s like moving mountains It’s like moving mountains But I keep climbing and hoping things would change And the sky turns gray And the water from the rain washes progress away It’s like moving mountains It’s like moving mountains.”
Also appears on 🔽:
20 Intriguing Songs About Landforms 🎧 [📷: 300 Entertainment, Anti, Atlantic, AWAL, Big Machine, Borislav Krustev, Boris Ulzibat, Brent Faulkner, Capitol, Columbia, Deutsche Grammophon, Epic, Francesco Ungaro, Frontiers, Fuzz Club, GCM, Inge Wallumrød, Interscope, Isaac Dunbar, Island, JACK REDGATE, Joy Anne Pura, Kilian M, LaFace, The Musical Hype, Oliver Sjöström, Pexels, Republic, Sub Pop]
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