15 Captivating, Hypothetical If Songs features songs by Alicia Keys, Artemas, Bobby Womack, Britney Spears, Patti LaBelle, and Yeat.Â
According to the gospel of Britney Spears, âLove me, hate me, say what you want about me / But all of the boys and all of the girls are begging to, If U Seek Amy. Word. Openly gay pop artist JORDY also had a sexual perspective involving the word IF: Donât cancel all your plans / Just for some shitty head / âCausĐ” youâll be just as lonely later / If heâs in your bed. As for Patti LaBelle, âIf only you knew / How much I do / Do love you.â All three songs appear on 15 Captivating, Hypothetical If Songs, the long-awaited sequel to 13 Songs Where Itâs a Matter of IF (2019). 15 Captivating, Hypothetical If Songs features songs by Alicia Keys, Artemas, Bobby Womack, Britney Spears, Patti LaBelle, and Yeat. So, without further ado, letâs get hypothetical with these captivating IF songs! There is nothing iffy about these tunes, Chris Brown!
~ Table of Contents ~
1. Yeat, âIf We Being RĂ«alâ |
2. Britney Spears, âIf U Seek Amyâ |
3. Chris Brown, âIffyâ |
4. Smokey Robinson, âIf We Donât Have Each Otherâ |
5. Alicia Keys, âIf I Ainât Got Youâ |
6. Luther Ingram, â(If Loving You Is Wrong) I Donât Want to Be Rightâ |
7. JORDY, âIf Heâs in Your Bedâ |
8. BROCKHAMPTON, âIf You Pray Rightâ |
9. The 1975, âIf Youâre Too Shy (Let Me Know)â |
10. Artemas, âif u think iâm prettyâ |
11. Luther Vandross, âIf I Didnât Know Betterâ |
12. Patti LaBelle, âIf Only You Knewâ |
13. Shai, âIf I Ever Fall in Loveâ |
14. Bobby Womack, âIf You Think Youâre Lonely Nowâ |
15. Harold Melvin & The Blue Notes, âIf You Donât Know Me By Nowâ |
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1. Yeat, âIf We Being RĂ«alâ
2093 // Field Trip Recordings / Capitol // 2024
âI had to let a little off, yeah / I had to cut the pill off, yeah,â Yeat raps in the sole verse of âIf We Being RĂ«alâ. âRĂ«alâ is the  21st track from his 2024 album, 2093. It was produced by Synthetic, Radiate, Perdu, Fendii, LRBG, and Dreamr. He continues, rapping, âBut if we beinâ real though, yeah / Nah, I donât never feel nothinâ.â Before Yeat raps one bar, âRĂ«alâ commences with an ear-catching, dramatic, enigmatic instrumental intro. Eventually, hard-hitting anchoring drums enter the mix, as does Yeat. His vocals are syrupy while his bars are rhythmic â a strong cadence and flow. Although commanding, Yeat never gets too high or too low. There are some memorable moments, including, âI take the money to another level / I take the plane to another level / I take the heights to a newer level / I take gettingâ high to a newer level.â Hmm, maybe he does get âtoo high.â Ultimately, âIf We Being RĂ«alâ is an intriguing cut from Yeat.
2. Britney Spears, âIf U Seek Amyâ
Circus // Zomba // 2008Â Â
âLove me, hate me, say what you want about me / But all of the boys and all of the girls are begging to, if you seek Amy.â Those lyrics made âIf U Seek Amyâ, a gem from the 2008 Britney Spears album, Circus, controversial. Specifically, itâs the titular lyric, which isnât what it seems, that is the culprit. IF is equivalent to the letter âF,â while U (or âyouâ) is just what it is â the letter âU.â SEEK should be split; hence, âSeeâ is equivalent to the letter âC.â That leaves a K, which is combined with the long âAâ of âAmy,â hence, sounds like the letter, âK.â Last, but not least, the âmyâ in âAmyâ is equivalent to the pronoun âMe.â Put it all together and âIf U Seek Amyâ is really the phrase âF-U-C-K Me.â Â
This makes perfect sense, given how Britney Spears characterizes Amy. Everyone wants a piece of her/be her/be with her. Sexually speaking, âIf U Seek Amyâ isnât that sexual.  âIf U Seek Amyâ faced pushback because of the double meaning. Notably, Slate points out that the pun isnât original but firmly planted in the past. From my perspective, had âIf U Seek Amyâ came out just years later, it wouldnât have created the same stir.  Â
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3. Chris Brown, âIffyâ
Breezy // Chris Brown Entertainment LLC / RCA // 2022Â
âBottle after bottle, now she tipsy / Canât trust these hoes âcause they iffy.â On âIffyâ, the 24th track from Breezy, Grammy-winning R&B artist Chris Brown keeps things shallow. Despite the fact he does not âevolve,â there are pros. We get banging production by OG Parker, Smash David, and Blaq Tuxedo. There are lots of songwriters on this record, which is not particularly deep: âIâm âbout to pull up in that motherfuckinâ Bentley truck / Got some bad bitches and they âbout to fuck it up.â Word. To Brownâs credit, sampling the 50 Cent aughts classic, âIn Da Clubâ accounts for a few of those credits. The thing is, even as Brown exudes ample personality, confidence, and a heaping dose of swagger, the substance and âtranscendenceâ factor is âiffy.â Still, this profane joint has an interesting melody, rhythmic and agile like melodic rap, and the pre-chorus and chorus are catchy. Give Brown credit for the contrast during the bridge section â a welcome change of pace. âIffyâ bangs, but itâs not starkly different from previous songs from R&Bâs bad boy.  Â
4. Smokey Robinson, âIf We Donât Have Each Otherâ
Gasms // Smokey Robinson // 2023
âWake up in the morninâ / And thereâs love layinâ there / Take up where we left off / Feel like stayinâ there.â Oh, snap! Itâs not often that musicians in their eighties release new albums. Smokey Robinson is âbuilt different.â After an extended hiatus, the legendary 83-year-old Motown musician brought the Gasms on his 2023 album đ€. Robinson made it clear that a ââgasmâ is any good feeling you might haveâ. On promo single âIf We Donât Have Each Otherâ, the wheel isnât reinvented, but Robinson proves he can still S-A-N-G. Amazingly, Robinsonâs smooth tenor remains potent. Arguably, itâs not quite as dynamic as it was in his heyday, but still, the man sounds amazing. The song itself is enjoyable â a respectable, adult contemporary R&B joint. The production is modest and simple but sufficient by all means. Thematically, matters of the heart always equate to a win, so the dedication of which Robinson sings about is highly successful. Without each other, they have nothing â PERIOD.Â
âTell me, what do we have
If we donât have each other?
We donât have anything
If we donât have each other.âÂ
 âIf We Donât Have Each Otherâ is a solid comeback by Robinson. It reminds us how special he is as a singer, songwriter, and producer. This old-school-styled contemporary R&B joint is refreshing. Â
5. Alicia Keys, âIf I Ainât Got Youâ
The Diary of Alicia Keys // RCA // 2003Â
Alicia Keys was âthat girlâ back in the 2000s. Her best albums were Songs in A Minor (2001) and her sophomore album, The Diary of Alicia Keys (2003). The Diary of Alicia Keys is where one of the best songs of her musical catalogue hails: âIf I Ainât Got Youâ. Keys is singing to her lover in this neo-soul classic. The only thing that she wants is him â her boo. This is best exemplified in the chorus, one of the most timeless of the aughts from my perspective: Â
âSome people want it allÂ
But I donâtâ want nothing at allÂ
If it ainât you, babyÂ
If I ainât got you babyÂ
Some people want diamond ringsÂ
Some just want everythingÂ
But everything means nothingÂ
If I ainât got you, yeah.âÂ
Further making âIf I Ainât Got Youâ the bop that it is â the music and the production work. She delivers a passionate, soulful vocal, while the piano accompaniment is simply perfect. As a pianist, those arpeggiated lines are fun to play and lovely to the ears. Beyond the piano, thereâs additional ear candy: a relatively simple drum groove, bass, smooth electric guitar, horns⊠Yeah, this just screams love and matrimony! Â
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6. Luther Ingram, â(If Loving You Is Wrong) I Donât Want to Be Rightâ
Absolutely the Best of Luther Ingram // Airline // 2010âŻÂ
âIf loving you is wrong I donât wanna be right / If being right means being without you / Iâd rather live a wrong, doing life.â Love will make you do crazy things, including things you know arenât right.⯠In the case of the soul classic, â(If Loving You Is Wrong) I Donât Want to Be Rightâ, Luther Ingram commits infidelity đ. Well, if youâre going to be unfaithful, at least do it with a soul classic that topped the pop charts, right (no. 3 on the Billboard Hot 100)?âŻâŻâŻÂ
âYour friends tell you itâs no futureâŻÂ
In loving a married manâŻÂ
If I canât see you when I want toâŻÂ
Iâll see you when I can.ââŻÂ âŻÂ
âŻâŻ
Luther was dead wrong, but he perfectly captures how affairs work.⯠The guilty parties have to sneak around, which should signal how criminal what theyâre doing is.⯠Ingram questions his behavior throughout â(If Loving You Is Wrong) I Donât Want to Be Right,â but finds it hard to give up his âside piece,â despite âKnowing I got a wife and two little children / Depending on me too.â You dog! Besides the expressive lead vocals and scandalous yet pitch-perfect lyrics, the music is epic.⯠That signature guitar line, those horns â the ripe soulful aesthetic! A surefire vibe! More than 50 years after its release, â(If Loving You Is Wrong) I Donât Want to Be Rightâ remains fresh, relevant, and timeless.⯠One of soul musicâs crown jewels. As expected, many have covered this classic. The question is, has anybody outperformed the original version?âŻâŻÂ
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7. JORDY, âIf Heâs in Your Bedâ
Mind Games // 300 Entertainment // 2021Â
âWaitinâ up for someone / That I wouldnât introduce to my friendsâŠâ Well, JORDY, dear, thatâs how you know that this boy isnât worth it. Perhaps he looks phenomenal in the buff, and the rocket launch is something fierce, but ultimately, ITâS NOT WORTH IT. That said, the pop musician is young, and lust can be hard to overcome without action, but he wouldnât be singing about it on âIf Heâs in Your Bedâ (Mind Games) if he didnât already know itâs a BAD IDEA.Â
âI said that in June Iâd find love by December / Shitâs still not together, damnâŠâ JORDY has lots to sort through on âIf Heâs in Your Bed.â He knows âthese boys ainât shit.â Regardless, heâs been in the position where having sex is just a thing to DO even though âI know youâre not as good as my ex.â Furthermore, heâs kissed boys that arenât âtake home to momâ material, not to mention that itâs nothing more than a physical happening. Give him credit, though â heâs becoming self-aware â illustrated masterfully on the chorus:  Â
âStop makinâ messes just to hide your messesÂ
You know itâs trueÂ
Donât send that message âcause youâre boredÂ
With nothinâ bettĐ”r to doÂ
Donât cancel all your plansÂ
Just for some shitty headÂ
âCausĐ” youâll be just as lonely laterÂ
If heâs in your bed.â Â
JORDY arrives at the correct realizations on âIf Heâs in Your Bedâ. The fun isnât so fun in the big picture. âFunâ canât atone for an ex, ultimately, nor does it make headway to achieve a legit, substantial love. That love, that the pop star aspires to, transcends that âshitty headâ he sings about on the chorus. Shout out to the vocals, songwriting (JORDY, Riley Biederer, and Jonny Shorr), and production (Shorr).  Â
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8. BROCKHAMPTON, âIf You Pray Rightâ
GINGER // Â Question Everything / RCA // 2019Â
âIf You Pray Rightâ, a highlight from GINGER, the fifth studio by now defunct boy band, BROCKHAMPTON, commences with a bang thanks to its unique, quirky production work, including âextraterrestrialâ synths. The record samples the Three 6 Mafia joint, âBreak Da Law â95ââ from their 1995 album, Mystic Stylez. Yeah, the production kicks total ass. Dom McLennon raps the first verse over brassy synths, exhibiting his unique flow, including referencing religion (âHallelujah, holy lion, word to Judasâ). Kevin Abstract follows, rapping the chorus. He references his sexuality, though not as explicitly as usual (âHiding at my partner houseâŠâ). He follows up with the post-chorus, which uniquely uses pitch-shifted vocals. Matt Champion spits the brief second verse, with Merlyn Wood segueing with the third, with great contrast between the two rapperâs voices. Joba drops the fourth, with some layered pitch-shifted vocals, keeping things interesting (âAt the door, bruh, Jehovah, you ho bitch / Witness sadistic shit, well, come againâ). There is an instrumental break before the bridge section, lifting off the sample (âBreak the law, break the lawâŠâ), while Abstract performs the outro, a complete shift from everything else that precedes. âTrippyâ would be a great way to describe it. âIf You Pray Rightâ is nothing short of compelling to the nth degree. Â
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9. The 1975, âIf Youâre Too Shy (Let Me Know)â
Notes on a Conditional FormâŻ// Interscope // 2020Â
âIf Youâre Too Shy (Let Me Know)â marked the seventh single thatâŻTheâŻ1975âŻreleased before their gargantuan album,⯠Notes on a Conditional Form. âŻâIf Youâre Too Shy (Let Me Know)â feels like âlucky number sevenâ â itâs accomplished in just about every facet. Instrumentally, it serves up decadent ear candy, styled in the 80s vain with its horns and keys complementing the guitars. One of the brightest spots musically comes by way of an electrifying saxophone solo. Vocally,⯠Matthew HealyâŻis compelling, particularly given the subject matter: online dating. âI see her online, all the time / Iâm trying not to stare down there.â Hmm, maybe itâs sketchier than online dating. Regardless, Healy is particularly intrigued by her looks and the sexual potential more than an emotional connection. âŻIn the second verse, he freakily adds, âIâve been wearing nothing every time I call you / And Iâm starting to feel weird about itâŠâ Of course, the chorus is the crowning achievement:  âŻÂ
ââMaybe I would like you better if you took off your clothesÂ
Iâm not playing with you baby; I think that you should give it a goâÂ
She said, âMaybe I would like you better if you took off your clothesÂ
I wanna see and stop thinking if youâre too shy then let me âÂ
Too shy then let me know.âââŻÂ
Wow. âŻâIf Youâre Too Shy (Let Me Know)â is a fun, memorable cut â quite the bop thanks to its sound, energetic vocals, and theme & lyrics.Â
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10. Artemas, âif u think iâm prettyâ
pretty // Artemas // 2024
âIf you think Iâm pretty, lay our hands on me / Know you canât stop thinkinâ âbout it,â English singer/songwriter Artemas sings on âif u think Iâm prettyâ, the brief opener from his 2024 album, pretty. He produced the brief cut alongside Daintree. âIfâŠâ boasts sleek production work anchored by a heavy-hitting beat and dark synths. Fittingly, the song is set in a minor key. As always, Artemasâ vocals are intriguing. They are effects heavy, finding the alternative pop musician showing off higher pitched (pre-chorus and chorus) and middle register (verse) moments. In both instances, the melodies are tuneful. Lyrically, Artemas âkeeps it realâ â he does not sugarcoat the prettiness! In the chorus, excerpted above, he continues honestly, âI know that youâre shitty and youâre bad for me / But I canât stop thinkinâ âbout it.â  âWonât you give that shit a rest? / Said you needed love, but youâre only here for sex, and,â he sings in the verse, continuing, âAnd Iâm dyinâ to be next / Kille me once before, I just come back more obsessed with you.â Word.
11. Luther Vandross, âIf I Didnât Know Betterâ
Dance with My Father // Sony Music Entertainment // 2003
Dance with My Father is a significant album in the Luther Vandross discography. It was the late Grammy-winning R&B singer/songwriterâs 13th and final studio album. Before the album was released in 2003, Vandross suffered a severe stroke. In 2005, he passed away, at age 54 from complications of a stroke. Dance with My Father begins with a super-smooth, adult contemporary R&B bop, âIf I Didnât Know Betterâ penned by Vandross, Reed Vertelney, and Ezekiel Lewis. Vandross produced it. âIf I Didnât Know Betterâ finds Luther Vandross at his best. His vocals are silky smooth â simply angelic. As he sings, it never sounds like Vandross breaks a sweat. The production is firmly planted in a grown folksâ brand of R&B but doesnât sound out of touch with the contemporary R&B of the aughts either. In âIf I Didnât Know Better,â the girl, Lutherâs friend, has a man. However, Vandross believes their friendship is more. âI see the things that your man canât see,â he sings in the first verse, adding, âAnd who is there for you and love you like no other / Then you kiss and tell me that you love me like a brother.â In the second verse, he admits his âreadâ on the situation could be incorrect, but âI donât rub up on my friends that way.â Ooh-wee! Besides his brilliant vocals, Luther is supported by sweet background vocals. The chorus is the centerpiece with Vandross expanding on their ârelationshipâ:
âIf I didnât know better
Iâd think that you were mine, youâre with me all the time
If I didnât know better
Iâd swear weâre more than friends, youâre touching me again
If I didnât know better
Iâd think we were in love
Girl, do you wanna tell me something?
Oh, oh, oh.âÂ
âIf I Didnât Know Betterâ is a fine non-single from Dance with My Father that deserves its flowers.
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12. Patti LaBelle, âIf Only You Knewâ
Iâm In Love Again // Philadelphia International / Sony BMG // 1983Â
âI must have rehearsed my lines / A thousand times / Until I had them memorized.â Ah, those famous opening lyrics hail from Patti LaBelle, specifically, one of her biggest, most renowned hits, âIf Only You Knewâ. âIf Only You Knewâ appears on her 1983, gold-certified album, Iâm In Love Again. This ultra-smooth soul cut, amazingly, was merely a moderate hit on the Billboard Hot 100, peaking at no. 46 â #TRAVESTY! Of course, âIf Only You Knewâ performed better on the R&B charts. Â
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So, why was Patti LaBelle rehearsing lines? Well, she needed to tell him her true feelings. It took her a while to âget up the nerve / To tell you the words.â Those words are, of course, finding LaBelle revealing her love. The classic chorus says it best: Â
âIf only you knewÂ
How much I doÂ
Do love youÂ
If only you knowÂ
How much I doÂ
I do need you.âÂ
Of course, LaBelle sings brilliantly, showing poise early on and âletting her ripâ as the record progresses. âIf Only You Knewâ was tailor-made for LaBelle. Penned by the talented team of Cynthia Biggs, Dexter Wansel, and Kenneth Gamble, itâs incredibly well written. LaBelle takes this love-driven gem and runs with it.  Â
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13. Shai, âIf I Ever Fall in Loveâ
If I Ever Fall in Love // Gasoline Alley // 1992Â Â
Sometimes, success comes early for a musical group. For contemporary R&B collective Shai â Carl Martin, Darnell Van Rensalier, Garfield Bright, Marc Gay â their first single, âIf I Ever Fall in Loveâ, was gargantuan. The a cappella gem was their biggest hit, reaching no. 2 on the Billboard Hot 100. Beyond its chart peak, âIf I Ever Fall in Loveâ was certified platinum by the RIAA. Furthermore, their debut album, If I Ever Fall in Love, was certified double platinum. Martin wrote and produced the 90s classic.  If I Fall in Love features two versions of the song. The best version is the original, a cappella version â the sixth track. The voices of Shai mesh together seamlessly. Shai are connected, expressive, and playful. Thematically, love and matters of the heart never grow old. The collective touts the importance of friendship and an emotional connection regarding love. âBut I was caught up in physical attraction,â they assert in the first verse, adding, âBut to my satisfaction / Baby, you were more than just a face.â Phew đźâđš! Lust is not equivalent to love! In the second verse, âThe very next time sheâll be my friend.â They add, âI just wanna be the one to serve you / Sometimes, I feel as if I donât deserve you / I cherish every moment with you.â Oh, the dedication! Of course, the centerpiece â the section to beat â is the chorus:  Â
âAnd if I ever (ever fall)Â
In love again (again)Â
I will be sure that the lady is a friendÂ
And if I ever (ever fall)Â Â
In love so true (so true)Â
I will be sure that the ladyâs just like you.â Â
Prudent words. More than 30 years later, âIf I Ever Fall in Loveâ remains the sugar honey iced tea.
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14. Bobby Womack, âIf You Think Youâre Lonely Nowâ
The Poet // ABKCO Music & Records, Inc. // 1981Â
âIf you think youâre lonely now, huh / Wait until tonight, girl.â Why Bobby Womack? âIâll be long gone / âŠAnd youâll never find another man thatâll treat you right.â Noted â loud and clear. The late, great soul musician dropped a gem in the early 80s with âIf You Think Youâre Lonely Nowâ. The seventh track from his 1981 LP, The Poet, was a hit on the R&B charts.  However, sadly, it didnât impact the pop charts. Nonetheless, the Womack, Patrick Moten, and Sandra Sully penned track is one of the gems of Bobbyâs awesome musical catalog. First and foremost, Womack âbrings the heatâ vocally. He has the perfect topic to sing about: love. Both lyrics and melodies are memorable. The songwriting is relatable, given that âmatters of the heartâ are universal. Womack feels unloved by a woman he characterizes as âhigh maintenanceâ: âSheâs always complaining âbout me never being at home / But when Iâm home, Iâm broke / Sheâs telling me âbout the things that her girlfriendâs got / What she ainât got.â In the second and third verses, there are elements of karma. âWhen I ainât there to rub your back /⊠Just remember I made it a known fact,â he sings in the second, adding in the third, âGirl, ainât it funny how the tables turn? / When things arenât going your way.â By the fifth verse, heâs completely done with her shenanigans: ââCause Iâve done my time / And itâs your turn now (Wait until tonight, girl).â Womack also gets a lift from fantastic background vocals that sing titular lyrics and the recurrent, âWait until tonight, girl.â Aside from sweet, nuanced vocals and unforgettable lyrics, the musical accompaniment is swell. Ultimately, Womack shines on this âlate-careerâ hit. âIf You Think Youâre Lonely Nowâ was famously covered by K-Ci and has been sampled many times.
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15. Harold Melvin & The Blue Notes, âIf You Donât Know Me By Nowâ
Harold Melvin & The Blue Notes (Ft. Teddy Pendergrass) // Epic // 1972
âAll the things / That weâve been through / You should understand me / Like I understand you.â Sing it, Teddy Pendergrass (1950 â 2010)! The late soul singer brings his dynamic and expressive baritone to the high-flying Harold Melvin & The Blue Notes classic, âIf You Donât Know Me By Nowâ. âIf You Donât Know Me By Nowâ is the fourth track from Harold Melvin & The Blue Notes (Ft. Teddy Pendergrass), released in 1972. It marks the soul collectiveâs best-charting song on the pop charts. It peaked at no. 3 on the Billboard Hot 100. Expectedly, on the R&B charts, âIf You Donât Know Me By Nowâ reached no. 1. Penned and produced by the iconic duo Gamble & Huff (Kenneth Gamble and Leon Huff), âKnowâ is one of the all-time classics in the soul catalog.
Pendergrassâ âonce-in-a-lifetimeâ vocals play a huge role in the success of âIf You Donât Know Me By Now.â He masterfully brings lyrics and melody to life. The verses are terrific. So is the varying pre-chorus, where first, Teddy sings, âOh, donât get so excited / When I come home a little late at night / âCause we only act like children / When we argue fuss and fight.â Oh, snap! In the second pre-chorus, he makes a valid point: âWhat good is a love affair / When we canât see eye to eye?â The centerpiece is the chorus, which features sublime background vocals by The Blue Notes and top-notch ad-libs and vocal riffs from Pendergrass:
â(If you donât know me by now)
If you donât know me by now
(You will never, never, never know me)
You will never, never, never know me
(If you donât know me by now)
If you donât know me, baby
(You will never, never, never know me)
No, you wonât.â
Beyond songwriting and vocal performance, the musical accompaniment is stunning. This comes as no surprise with Gamble & Huff at the helm. This is Philly soul at its finest. The rhythm section! The dramatic, lush strings! The ambiance! âIf You Donât Know Me By Nowâ is a masterpiece.
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15 Captivating, Hypothetical If Songs (2025) [đ·: Brent Faulkner / The Musical Hype; 300 Entertainment, ABKCO Music & Records, Inc., Airline, Artemas, Capitol, Field Trip Recordings, Epic, Gasoline Alley, Interscope, Question Everything, Philadelphia International, RCA, Smokey Robinson, Sony BMG, Sony Music Entertainment, Zomba; AcatXlo from Pixabay]
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