![13 Songs Where YOU Are the Focus, Vol. 3 (2025) [📷: Brent Faulkner / The Musical Hype; Ahmed Aziz from Pexels; AcatXlo, Niek Verlaan, OpenClipart-Vectors from Pixabay]](https://themusicalhype.com/wp-content/plugins/accelerated-mobile-pages/images/SD-default-image.png)
![13 Songs Where YOU Are the Focus, Vol. 3 (2025) [📷: Brent Faulkner / The Musical Hype; Ahmed Aziz from Pexels; AcatXlo, Niek Verlaan, OpenClipart-Vectors from Pixabay]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2025/05/13-songs-where-you-are-the-focus-vol-3.jpg?resize=400%2C400&ssl=1)
13 Songs Where YOU Are the Focus, Vol. 3 features songs by Alex Warren, LUKAS OSCAR, Noah Kahan, Prince, and Selena Gomez & Benny Blanco.
![13 Songs Where YOU Are the Focus, Vol. 3 (2025) [📷: Brent Faulkner / The Musical Hype; Ahmed Aziz from Pexels; AcatXlo, Niek Verlaan, OpenClipart-Vectors from Pixabay]](https://themusicalhype.com/wp-content/plugins/accelerated-mobile-pages/images/SD-default-image.png)
![13 Songs Where YOU Are the Focus, Vol. 3 (2025) [📷: Brent Faulkner / The Musical Hype; Ahmed Aziz from Pexels; AcatXlo, Niek Verlaan, OpenClipart-Vectors from Pixabay]](https://i0.wp.com/themusicalhype.com/wp-content/uploads/2025/05/13-songs-where-you-are-the-focus-vol-3.jpg?resize=400%2C400&ssl=1)
Remember, YOU can make a difference and be influential in many ways. You are a big deal. You, as a second-person pronoun, appears in many songs. 13 Songs Where YOU Are the Focus, Vol. 3 follows up 13 Songs Where YOU Are the Focus (2025) and 13 More Songs Where YOU Are the Focus. It celebrates the power of Y-O-U! You or some form of the word is the only requirement for songs selected on this playlist. 13 Songs Where YOU Are the Focus, Vol. 3 features songs by Alex Warren, LUKAS OSCAR, Noah Kahan, Prince, and Selena Gomez & Benny Blanco. So, without further ado, prepare to be wowed by MORE irresistible Y-O-U songs!
~ Table of Contents ~
1. LUKAS OSCAR, “So Romantic U + I”
“So Romantic U + I” // LUKAS OSCAR // 2025
“And it’s so romantic you and I
And that one guy that’s watching from outside
We’re one big family
One home…”
Again, the lyrics are thought-provoking. Later, OSCAR requests, “Cut the lights,” adding some odd, open-to-interpretation lyrics: “Mh mh cut the l1ghts c0ldled fe1n r1gh / G0t the l1ghts fu0 me c1t1 r1ght.” Say what, now?! It sounds sexual… Supporting this intimate experience with this nameless person is a great production. It features an awesome groove – a dusty, soulful hip-hop beat. Besides the beat, superb music cues include low-key synths and pads. Also, ‘low-key’ is Oscar’s vocals. They sound chill and laid-back. He is expressive yet manages to sound both indulgent and nonchalant simultaneously. The melodies are tuneful even when Lukas drops the less decipherable lyrics. “So Romantic U + I” feels sexy without being explicit or overt.
Appears in 🔻:
~ Table of Contents ~
2. Selena Gomez & Benny Blanco, “You Said You Were Sorry”
I Said I Love You First // SMG Music LLC / Friends Keep Secrets / Interscope // 2025
~ Table of Contents ~
3. Gnash, “i hate u, i love u” (Ft. Olivia O’Brien)
Gnash // Us // :): // 2016
The approach of “I hate u, I love u” is as ‘oxymoronic’ as its title. Before gnash drops his cool, calm, and collected, if profane lyrics, Olivia O’Brien draws first blood. “Feeling used, but I’m / Still missing you and I can’t / See the end of this / Just wanna feel your kiss against my lips,” she sings in the dramatic, emotional first verse. She follows up with the unforgettable chorus: “I hate you, I love you / I hate that I love you / Don’t want to, but I can’t put / Nobody else above you…” Gnash, then, takes the reins, where he utters the shit at the end of four consecutive lines – only after he “fucked around and got attached to you,” of course.
“If I pulled a you on you, you wouldn’t like that shit
I put this reel out, but you wouldn’t bite that shit
I type a text, but then I never mind that shit
I got these feelings, but you never mind that shit.”
What more can you say but, ‘oh, shit!’ Gnash also delivers a third verse, continuing to be affected by this love-hate. “You ever wonder what we could have been? / You said you wouldn’t and you fucking did / Lie to me, lie to me, get your fucking fix…” Word. Gnash never struck gold after the late 2010s, but the memorable “I hate u, i love u” remains a gem from the decade. No hate here!
Appears in 🔻:
~ Table of Contents ~
4. Alex Warren, “Carry You Home”
You’ll Be Alright, Kid (Chapter 1) // Atlantic Recording Corporation // 2024
Beyond the chorus excerpted above, Warren sees a bright and fruitful future. “I know none of them [dreams] have stuck yet,” he sings in the first verse, “But I bet it on you, honey / Oh, I would risk it all.” In the second verse, despite being homeless, him and her “kept each other warm under a ceiling full of stars.” Aww 🥰! Despite adversity, they made it through thick and thin. Through the good and bad times, Alex has made his choice, and he won’t change his mind: “I choose us every time.” That is a great choice, buddy! Warren sings this driving, folk-pop record beautifully. He never gets ‘too high’ in the verses but ups the ante in the pre-chorus and the crème de la crème, the chorus. The authenticity, sincerity, and thoughtfulness of “Carry You Home” are awe-inspiring. Alex, YOU are a surefire winner.
Appears in 🔻:
~ Table of Contents ~
5. Prince, “Jack U Off”
Controversy // Warner // 1981
On “Jack U Off,” there is no gray area. It is a blunt title referencing a specific sex act. While his bassist, Mark Brown, suggested that Prince didn’t understand the terminology, that seems unfathomable for an artist who excelled at sex songs. “Come on over to my neighborhood / We can jump in the sack, and I’ll jack you off,” Prince asserts in the first verse, continuing, “If you’re tired of the masturbator / Little girl, we can go on a date / And if you like, I’ll jack you off.” One of the interesting incidents involving this controversial song is when Prince opened for The Rolling Stones in 1981. As bassist Brown asserts in a Music Radar interview, The Rolling Stones’ audience was not Prince’s audience. The performance didn’t go well. Prince was infamously booed, called homophobic slurs, and ill-received. Why? Prince’s androgynous appearance and fashion, and this risqué, rockabilly-sounding number that only drew more ire from an audience that wasn’t hip to him. Admit it, a song where you assert, “I’ll jack you off” repeatedly is a tall task, particularly for what would have been an entirely different fan base. “Jack U Off” embraces controversy in an incredibly funky fashion. Prince’s voice sounds amazing, as always, while the musical accompaniment is high-energy and utterly infectious. Jacking U Off never sounded so… never mind!
Appears in 🔻:
- In Remembrance: 13 Provocative Songs from Prince (2020)
- 17 Songs Featuring Self-Pleasure Lyrics (2022)
- Prince, Jack U Off: Controversial Songs No. 7 (2025)
~ Table of Contents ~
6. Noah Kahan, “You’re Gonna Go Far”
Stick Season (We’ll All Be Here Forever) // Mercury / Republic // 2023
“You’re Gonna Go Far” begins with acoustic guitar accompaniment. Light at first, the production gradually grows fuller with more instrumentation. By the third verse (“It won’t be by your own volition / If you step outside this town”), the song is more dynamic musically. Kahan delivers clear, commanding, and pure vocals. His songwriting is honest, memorable, and transparent. A prime example: “And, while I clean shit up in the yard / Ooh-ooh, you’ll be far / Ooo-ooh, you’ll be far, far from here.” Throughout, the person Kahan sings about is leaving their hometown, with the titular lyric doubling as going far in distance and success. The section to beat is the chorus:
“So, pack up your care, put a hand on your heart
Say whatever you feel, be wherever you are
We ain’t angry at you, love
You’re the greatest thing we’ve lost
…We ain’t angry at you, love
We’ll be waiting for you, love
And we’ll all be here forever.”
“You’re Gonna Go Far” is another winner from Noah Kahan, period. There is also a version with Grammy-winning singer/songwriter Brandi Carlile.
~ Table of Contents ~
7. Elton John, “Can You Feel the Love Tonight”
The Lion King // The Walt Disney Company // 1994
Everything about “Can You Feel the Love Tonight” feels right. It features a gorgeous, adult contemporary sound. This sound was prevalent in the 1990s. The orchestration is top-notch. John delivers commanding, soulful vocals bringing Rice’s poetic, poignant lyrics to life. “There’s a time for everyone, if they only learn,” he sings in the second verse, adding, “That the twistin’ kaleidoscope moves us all in turn.” John didn’t compose the lyrics, but he penned the marvelous melodies and music. The musical underpinnings, specifically the harmonic progression, are part of the elite musicianship of “Can You Feel the Love Tonight.” The moment to beat is the chorus, among the most memorable of all time.
“And can you feel the love tonight? (Tonight)
It is where we are
It’s enough for this wide-eyed wanderer
That we got this far
And can you feel the love tonight? (Tonight)
How it’s laid to rest?
It’s enough to make kings and vagabonds
Believe the very best.”
“Can You Feel The Love Tonight” is nothing short of iconic. Elton John has written many hits. This Disney collaboration with Tim Rice is one of his greatest.
Appears in 🔻:
- Elton John, Can You Feel The Love Tonight: Bangerz N Bopz 🔥 25 (2025)
- 15 Fantastic CAN Songs (2025)
- Intriguing Songs Fueled by LOVE, Vol. 5 (2025)
~ Table of Contents ~
8. Josie Cotton, “Johnny, Are You Queer?”
Convertible Music // Kitten Robot // 1982
Songs about sexuality lend themselves to controversy. Such songs can be more controversial when there is a lack or perceived lack of nuance. That is the problem with “Johnny, Are you Queer.” Musically, this is a bop and a half! The driving instrumental ‘kicks ass and takes names.’ Cotton’s vocal performance is playful, and she brings plenty of attitude. But the lyrics are problematic. If Johnny is in a ‘committed’ relationship with Josie (or her character) and is not being open about his sexuality, he is wrong. However, the way that she judges him assumes his friends are gay and tries to force a romance that is a non-starter, that is nothing short of a hot mess. I mean, if he is gay, it is unlikely he will embrace a relationship with you… Interestingly, gays and conservatives cried foul about this song. The gays thought she was homophobic. Conservatives thought she was promoting homosexuality. Go figure! Sadly, per RETROPOP, the song was used in conversion therapy. Yikes. Ultimately, while “Johnny, Are You Queer” is problematic lyrically, it is a song that should be taken with a grain of salt. It gives a heaping dose of camp.
Appears in 🔻:
~ Table of Contents ~
9. Omar Apollo, “Done With You”
God Said No // Omar Apollo / Warner // 2024
~ Table of Contents ~
10. Lloyd, “You” (Ft. Lil Wayne)
Street Love // Universal Motown Records // 2007
“You” is attributed to Lloyd as the lead artist but featured artist Lil Wayne talks his shit from the get-go. In the intro, Weezy asserts, “Weezy F. Baby /… And uh, I want all my sexy ladies to report to the dance floor.” Following the intro that gasses us up, Weezy continues ‘do the damn thing’ in the first verse, asserting, “Right off the bat ma, the boy got dollars / So women come frequent like flight mileage.” Ooh-wee! Lloyd ‘brings the heat’ beginning in the second verse. Honest, he admits, “Girl, please / I’m a player, yeah, it’s true / But I can change the game for you / I wanna see what it do.” In the pre-chorus, excerpted earlier, he encourages her to go with him. In the chorus, he proclaims, “She’s fine too [the other woman] / But I want you.” That, my friends, is where you of “You” comes into the picture. Lloyd delivers a third verse, while Weezy F. Baby returns for the fourth and final verse (“You know I love you liked cooked food / You know you fucking with a good dude”). The memorable “You” is the biggest song of Lloyd’s career – the one that elevated him to higher heights. Since then, and his Street Love days, he hasn’t achieved the same success.
Appears in 🔻:
~ Table of Contents ~
11. Linda Ronstadt, “You’re No Good”
Heart Like A Wheel // Capitol // 1974
So, what makes “You’re No Good” ‘really, really good?’ First and foremost, it is Linda Ronstadt. She brings it with her expressive, nuanced lead vocals. From beginning to end, her performance is spirited to the nth degree. Beyond her lead, the background vocals up the ante. Musically, she’s accompanied by an awesome backdrop including electric piano, guitar, and a fabulous groove carried by the drums. The verses are memorable, including lyrics like “I learned my lesson, it left a scar / Now I see how you really are” (verse one) and “I broke a heart that’s gentle and true / Well, I broke a heart over someone like you” (verse two). Oh, snap! The section to beat, however, is the chorus – he’s no good! “You’re No Good” is a pop song for the ages. Linda Ronstadt did that!
Appears in 🔻:
~ Table of Contents ~
12. Lenny Williams, “‘Cause I Love You”
Spark Of Love // UMG Recordings, Inc. // 1978
“‘Cause I Love You” is EVERYTHING! The record thrives off lush, soulful production and sublime orchestration. The strings are particularly gorgeous. Lenny Williams delivers expressive and nuanced vocals that ooze with soul. He shows his velvety middle register, as well as a stellar falsetto. The personality and drama that Williams brings to this performance sounds authentic and utterly sincere: “Some men needs lots of women / For their passions to fill / But I / Want only you, girl /… If it’s in /God’s will.” Much like Williams’ vocals, the musical accompaniment has its fair share of dramatic moments. Williams gets support from background vocals. There is a spoken word section where Lenny continues to be vulnerable regarding love.
“But I found myself waking up a few hours later
And the tears were running down my face And my friend told me
He said, ‘Lenny, you just oughta forget about her.’
But I told my friend, I said
‘You know, maybe you’ve never been in love like I’ve been in love
And maybe you’ve never felt the things that I’ve felt.’”
At around the 4:45 mark, Williams begins picking up the singing, continuing his heartfelt, dramatic performance, supported by background vocals and silky smooth musical accompaniment. Matters of the heart drive this extraordinary ballad. The excellence of “‘Cause I Love You” speaks for itself. Williams’ gem is a popular source for sampling.
Appears in 🔻:
~ Table of Contents ~
13. Shirley Caesar, “He’s Working It Out For You”
He’s Working It Out For You // Word Entertainment LLC // 1991
In the second verse, accompanied by fuller instrumentation (piano, organ, bass, drums, etc.), Caesar sings, “Now you ask yourself, is there a word from the Lord / You need a blessing, and you need it right away / God is concerned, and He’s working it out for you.” In the third, her voice grows even more spirited, setting the tone for God’s wonder-working power. Despite no peace at home or work, bills, and failing health, the message remains the same: God’s working it out. The choir enters the mix before the three-minute mark, amplifying the spirit in the chorus:
“He’s working it out
He’s working it out for you
God cares
I’m so glad to know He cares
I’m so glad to know He cares
And He’s working it out for you.”
Meanwhile, Caesar ad-libs, riffing at her finest. “He’s Working It Out For You” hails from the 1990s, yet the message endures on this moving gospel gem.
Appears in 🔻:
~ Table of Contents ~ // ~ intro ~
13 Songs Where YOU Are the Focus, Vol. 3 (2025) [📷: Brent Faulkner / The Musical Hype; :):, Atlantic Recording Corporation, Capitol, Friends Keep Secrets, Interscope, Kitten Robot, LUKAS OSCAR, Mercury, Omar Apollo, Republic, SMG Music LLC, The Walt Disney Company, UMG Recordings, Inc., Universal Motown Records, Warner, Word Entertainment LLC; Ahmed Aziz from Pexels; AcatXlo, Niek Verlaan, OpenClipart-Vectors from Pixabay]
Leave a Comment