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“13 Ear-Catching Songs About Midnight” features music courtesy of Bastille, Logic, Set it Off, Sia, and Tyler Glenn among others.
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“After midnight / We’re gonna let it all hang out / After midnight / We’re gonna chug-a-lug and shout.” Thank you, J.J. Cale, for that midnight-savvy statement. Of course, legendary soul collective Gladys Knight & The Pips informed us “He’s leaving / On that midnight train to Georgia.” And since we’re keeping it old school, what about Marvin Gaye who asserted on “Rockin’ After Midnight”, “After midnight, girl / After midnight, baby / it’s time to rock, ooh / Let me rock you, rock you.” The common thread between all three of these songs? Midnight of course. This late-night, midnight-centric playlist, “13 Ear-Catching Songs About Midnight” features music courtesy of Bastille (“Quarter Past Midnight”), Logic (“Midnight”), Set it Off (“Midnight Thoughts”), Sia (“Midnight Decisions”), and Tyler Glenn (“Midnight”) among others.
1. Bastille, “Quarter Past Midnight”
Doom Days • Virgin • 2019
At the end of the first verse, Smith sings, “Still avoiding tomorrow / It’s a quarter past midnight / But we’re just getting going.” On the second, he speaks of dreams as opposed to accepting the mundane: “We want the bodies on the billboards / Not the lives underneath them.” On the aforementioned, excerpted chorus, he sums things up. All in all, “Quarter Past Midnight” is signature Bastille.
2. Set It Off, “Midnight Thoughts”
Midnight • Fearless • 2019
Cody Carson exceptionally captures a dark place throughout the course of “Midnight Thoughts.” At the end of the first verse, he sings, “Close my eyes, but my mind got its own plan tonight / And it keeps rubbing salt in the wound.” Salt being placed in a wound definitely causes excruciating pain. On the second line of the second verse, he asks himself, “Am I nervous or am I insane,” later adding, “‘Cause I’m hearing the pulse in my veins.” Of course, the aforementioned excerpt from the pre-chorus magnificently sets up the chorus, which shows just how messed up Carson, or at least the character he portrays, is:
“‘Cause I can’t shake these midnight thoughts when I’m alone Latching to my brain and never letting go, no (Never letting go) So I start making friends with the noise in my head And all these midnight thoughts when I’m alone.”
Fittingly, supporting the darkness, “Midnight Thoughts” is set in a minor key (A minor to be exact), and thrives off its symphonic elements (those strings).
3. Justin Timberlake, “Midnight Summer Jam”
Man of the Woods • RCA • 2018
“It’s just a midnight summer’s jam / The air’s so thin, but we don’t give a damn / The starry sky across the land / Where we pretend it’s our last chance to dance.” “Midnight Summer Jam” reunites Timberlake with The Neptunes – Pharrell Williams and Chad Hugo – for the first time since Justified in 2002. The production thrives off of its funky groove and distinct, Neptunian sounds. The rhythmic guitar coupled with that signature JT falsetto deserves some love. Furthermore, the chorus is catchy, even if the song – rather record – is a bit odd. “Midnight Summer Jam” previously appeared on the playlists Time: 19 Songs for Night & Morning Hours and 13 Captivating Summer Songs.
4. Logic, “Midnight”
Bobby Tarantino II • Def Jam • 2018
Yes, Logic is prolific, but profundity wasn’t his strong suit on Bobby Tarantino II as a whole. “Midnight” is the prime example of a lack of transcendence on the part of Bobby Hall. Check out that aforementioned lyrical excerpt from “Midnight” and there is nothing there that’s going to make the world a better place, period. Give Logic credit for being confident AF. Also, give producers 6ix and Frank Dukes credit for a marvelous beat switch on this two-part flex-fest. Logic is more compelling during the second half of the record, particularly his straight, un-pitched rhymes.
5. Chris Stapleton, “Midnight Train to Memphis”
From a Room: Vol. 2 • Mercury • 2017
“Midnight Train to Memphis” is about a stint in prison, which isn’t pleasant in itself, but Chris makes it an alluring listening experience for all.
“Well now, ten for the jury, ten for the judge Twenty more to forget my grudge When I get to thirty-nine That’s the longest day in a prisoner’s mind.”
“Midnight Train to Memphis” previously appeared on the playlist 19 Songs About Various Cities Around the World.
6. Sam Smith, “Midnight Train”
The Thrill of it All • Capitol • 2017
Within the context of The Thrill of it All, “Midnight Train” increases the tempo, balancing out pop and soul soundly. As always, Smith exhibits exceptional command and control, pulling back and pushing at the right moments. The aforementioned, excerpted chorus is the centerpiece, but the verses are well-rounded portions of the narrative conveyed as well. He admits to being selfish on the first verse, but justifies it by asserting, “But I give another piece of me away / Every wakin’ day that I’m with you.” On the second, he still professes his love but makes it clear he just can’t stay.
7. Sia, “Midnight Decisions”
This is Acting [Deluxe] • RCA • 2016
The only song from This is Acting that matches the parameter of this particular list is “Midnight Decisions.” The dramatic, soundly performed record is all about questionable, sketchy decisions. In his context, they take place at night, which clearly associates such decisions with nightlife and the bedroom. “I know / Last night we made some midnight decisions / Did I mess up? Oh God, I hope I didn’t,” Sia sings on the chorus, continuing, “It’s all a blur when we talk through the liquor / I always regret midnight decisions.” “Midnight Decisions” doesn’t supersede her most powerful solo ballads, but it’s a welcome addition to the collection nonetheless.
8. Tyler Glenn, “Midnight”
Excommunication • Island • 2016
“God, I could never be like you / I can’t change, I can’t change, and I don’t want to / I have been on the run, so I’m not coming Sunday / It’s alright, I’ll probably talk to you at midnight.” “Midnight” yields a powerful, authentic message. Glenn discusses his break with the church, but still retains a relationship with God. Essentially, he states that the break was necessary to be true to himself, but despite the fact that he’s “not coming Sunday,” he can’t turn away from God. Some Christians will take offense to “Midnight”, with its touch of blasphemy and Glenn’s ‘reclamation of life’ sans church and being true to himself. Much like singles “Trash” or “G.D.M.M.L. Grls”, the lyrics are the centerpiece – feisty, giving “Midnight” an edge. Furthermore, Glenn sings with great sincerity.
9. Coldplay, “Midnight”
Ghost Stories • Parlophone • 2014
“Midnight” is arguably the most experimental track of Ghost Stories. In the context of the album, “Midnight” offers a change of pace that perhaps isn’t perfect but is a necessity to break up any sense of monotony. The use of pitch correction and vocal effects was shocking for old-school Coldplay fans, but definitely matches the sentiment of this record, offering a different sound. The lyrics are limited in quantity, giving the music itself more of a forum. Worth noting, the groove is danceable – is alt-rock supposed to be danceable?
10. One Direction, “Midnight Memories”
Midnight Memories • Columbia • 2013
Does “Midnight Memories” feel natural or legitimately authentic on One Direction? It’s debatable, but 1D does get some lyrical punches and exhibit more personality compared to the past. Keeping it classy, there are two instances that find 1D referencing shit – wow! “People talk shh we don’t listen” and “Same old shh but different day.” Okay, okay – obviously, censorship rears its head and maintains the band’s cleanliness to its youngest fan base. Still, we all know what the boys are thinking with lines like “5 foot something with the skinny jeans / Don’t look back, baby, follow me.” “Midnight Memories” alright, hehe!
11. M83, “Midnight City”
Hurry Up, We’re Dreaming • M83 • 2011
What makes “Midnight City” such a delight? First and foremost is the production, period. The sound is bright, set in a major key. Contributing to the brightness are the assortment of synths, namely the sharper synths during the drop/solo section. Also adding to the glory are the rhythmic guitars, a sick saxophone solo, and the infectious groove that establishes the vibe. As you can see (and hear when listener), there is a vocal performance, which is nice, but not the centerpiece of the record. Still, there are some marvelous lyrical moments such as the assertion, “The city is my church / It wraps me in its blinding twilight. If “Midnight City” is synonymous with church, then, HALLELUJAH!
12. Iron Maiden, “2 Minutes to Midnight”
Powerslave • Sanctuary • 1984
There are also references to war (“We oil the jaws of the war machine and feed it with our babies”), and the neglect of society (“As the madmen play on words and make us all dance to their song / to the tune of starving millions to make a better kind of gun.” Yep, “2 Minutes to Midnight” is politically and socially charged. Rock on! “2 Minutes to Midnight” previously appeared on the playlist, 13 Songs Where Time Is Clearly a Factor.
13. The Rolling Stones, “Midnight Rambler”
Let it Bleed • ABKCO Music & Records Inc. • 1969
The final lyrics are fitting:
“I’ll go easy with your cold-fanged anger I’ll stick my knife right down your throat, baby And it hurts!”
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