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10 Disturbing Songs That Reference Cults features songs referencing The Family, Heaven’s Gate, The Narcosatanists, and Peoples Temple among others.
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“39, by design / Did they beam you up into the lights in the sky?” The lyric is excerpted from “39 by Design”, a record by self-described Tragic Wave / Music Core ‘inter-dimensional platform,’ Drab Majesty. The song references the infamous UFO doomsday cult, Heaven’s Gate (more on them later). The main definition of a cult is “a religion regarded as unorthodox or spurious.” While there are other definitions, in the context of this playlist, that’s the best definition.
While The Onion may make light of cults, there’s nothing the least bit funny or lighthearted about them. 10 Disturbing Songs That Reference Cults features songs related to Adolfo Constanzo (The Narcosatanists), Charles Manson (The Family), David Berg (Family International), David Koresh (Branch Davidians), and Jim Jones (Peoples Temple).
1. Buzzcocks, “Orgasm Addict”
Singles Going Steady • Domino • 2017 (1979)
Cult: Family International (Children of God)
“Butcher’s assistants and bellhops
You’ve had ‘em all here and there
Children of God and their joy strings
International women with no body hair.”
The question is, is the reference coincidental and potentially a stretch? Possibly, but regardless of original intent, the aforementioned lyric definitely makes the controversial number that much more intriguing. Family International is an infamous sex cut, specifically for a its history of pedophilia, incestuous sexual activity, “sexual sharing”, and “flirty fishing”. Yeah, Buzzcocks probably didn’t have all that in mind, but, just like their risqué song, sex fueled Children of God.
2. Pitbull, “So Sorry”
Gotti (Original Motion Picture Soundtrack) • Sony • 2018
Cult: Branch Davidians
“I’m here now, alive in the flesh
Burning shit down like David Koresh
Except I’mma walk out and wave bye to the press
Yes, you heard me correct.”
3. Saint Motel, “1997”
Voyeur • OnThe • 2012
Cult: Heaven’s Gate
In an interview with Song Facts, frontman A/J Jackson provides the scoop on “1997” – it’s “based around the idea of the Heaven’s Gate cult… it is pretty morose and it is talking about the end. But it’s also talking about people this character met, as some of the best friends he’s ever had… And in a way, that’s not such a bad thing, even though it is a cult and it ended badly.” Friendship is important, but Heaven’s Gate definitely isn’t an optimal example of true friendship.
4. Lana Del Rey, “Freak”
Honeymoon • Interscope • 2015
Cult: Charles Manson & The Family
Anytime Lana Del Rey gets into the mix, there’s always dark, mysterious, and strange beauty. “Freak,” from her 2015 album, Honeymoon, is no different.
“Baby, if you wanna leave, come to California
Be a freak like me, too
Screw your anonymity, loving me is all you need
To feel like I do
We could slow dance to rock music, kiss while we do it
Talk ‘til we both turn blue
Baby, if you wanna leave, come to California
Be a freak like me, too.”
5. Deicide, “Carnage in the Temple of the Damned”
Deicide • Roadrunner • 1990
Cult: Jim Jones, Jonestown & The Peoples Temple
“Forgive me father for I have sinned
You will never sin again!”
Naturally, “Carnage in the Temple of the Damned” features ample religious references, coupled with utterly hellish vocals, gritty guitars, and sense of being damned for merely listening to the carnage.
“When we meet again it will be the promised land
Death is in command to the victims of the plan…
Carnage of the dead
Mass cremations of the blessed
Sermonizing fatal end
In the temple of the damned.”
6. Church of Misery, “El Padrino (Adolfo de Jesus Constanzo)”
Houses of the Unholy • Rise Above / Metal Blade • 2009
Cult: The Narcosatanists (Los Narcosatánicos) / Adolfo Constanzo
As with all serial killers/cult leaders, Constanzo was one HELL of a complex guy – emphasis on the hell part of course. Keeping the explanation basic, he’s an example of a religious fanatic who became empowered, utterly narcissistic, and brutally murdered. This included the most famous murder of the bunch, college student Mark Kilroy, who is referenced by the news report at the beginning of “El Padrino (Adolfo de Jesus Constanzo).” After setting up the premise of the song, the pure evil is experienced through biting, distorted, and most undecipherable vocals, and angular, jagged, and malicious sounding guitars. Clearly, the satanic nature of Constanzo and his cult is well represented musically, even if it doesn’t come close to the horrific nature of the real-life events.
7. Portugal. The Man, “Modern Jesus”
Evil Friends • Atlantic • 2013
Cult: Heaven’s Gate
“Don’t pray for us
We don’t need no modern Jesus
To roll with us
The only rule we need is never
Giving up
The only faith we have is faith in us.”
8. Ill Bill & Vinnie Paz, “Impaled Nazarene”
Heavy Metal Kings • Enemy Soil / Uncle Howie • 2011
Cult: Branch Davidians
Ill Bill give in depth rhymes on the infamous Branch Davidians leader David Koresh on the thrilling “Impaled Nazarene.” Vernon Wayne Howell was indeed a Biblical fanatic, who eventually changed his name to David Koresh. Ill Bill notably places blame on The Bureau of Alcohol Tobacco and Firearms for the tragic, deadly fire at the Mount Caramel Center. A sample of Koresh appears at the end of the record. All told, the 51-day standoff at the compound ended with 75 dead.
9. Pantera, “Message in Blood”
Cowboys from Hell • Atlantic • 1990
Cult: Charles Manson & The Family
“It’s a message in blood
It’s your cryptic warning
Within the message in blood
Marks the years of pain
And your godforsaken ending to life.”
The lyrics of the second verse are as coarse in nature as the aforementioned angular, distorted guitars. “One man’s misery is another man’s mystery” is brilliant, dark poetry. But the final lyrics ‘take the cake’: “Sticks and stones can break all your / Brittle bones, epitaph written at your feet.” Naturally, the song title, “Message in Blood,” references actual messages written in victims’ blood following their murder by members of The Family.
10. Accept, “Koolaid”
Rise of Chaos • Nuclear Blast • 2017
Cult: Jim Jones, Jonestown & The Peoples Temple
“Running through the jungle
Way back in ‘78
Here’s the story of the Peoples Temple
And my great escape
Communing with a madman
The promise of utopia
White nights, suicide drills
Shades of things to come.”
The ‘White Nights’ and ‘suicide drills’ referenced by Accept were among the most fascinating parts of an excellent book that depicts the cult in depth, The Road to Jonestown: Jim Jones and Peoples Temple written by Jeff Guinn.
“He [Jim Jones] said
We’re gonna mix it up
Add the cyanide
Then we’ll drink it up
You’re gonna feel so fine.”
Tornillo and Accept discourage partaking of this communion, while in the same token, seem to be making an argument about church and religion in general. It certainly isn’t the first instance of skepticism. In the case of Jim Jones and Jonestown, they definitely have a point.
“Don’t drink the Koolaid
Don’t taste the holy water
Don’t drink the Koolaid
No matter what the preacher says.”
As referenced earlier, the drink that the cyanide was mixed in wasn’t actually Koolaid but Flavor-Aid. According to Guinn, Kool-Aid was the more sensational headline for the media.
Photo Credits: Atlantic, Domino, Enemy Soil / Uncle Howie, Interscope, Metal Blade, Nuclear Blast, OnThe, Rise Above, Sony, The All Blacks B.V.
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